...Jay McDaniel Copyright © 1992 by Duke University Press 1992 Howling with the Wolves: Paul Winter's Earth Jazz fay McDaniel Prior to a cool summer's night in 1989, I had not often howled with wolves (at least not in public). Yet this night I was sitting with sixty or seventy others...

... burthen to bearNo one on earth for my soul who will care. Here is no rest, here's no rest . Here I'm a slave, and a slave must remain; Here is no rest; here is no rest! Winter and summer to me are the same; Here is no rest; here is no rest! Here I must labor though tempests may blow; 28 The Journal...

...: A fournal of Contemporary Th ought 30 (Winter 1989): 229-41. Demott, Benj . "The Future Is Unwritten: Working-Class Youth Cultures in England and America." Critical Text: A Review of Criticism and Theory 5 (1989) : 42-56. Dyson, Michael Eric. "Rap, Race, and Reality: Run-D.M.C." Black Sa cred Music...

...J. A. Rogers Copyright © 1994 by Duke University Press 1994 "The Green Pastures" and Other Ruminations f. A. Rogers Impressions of "The Green Pastures" as a play. Stage setting: A delight. Acting: good, Charles Winter Wood is impressive, supple, masterly, pleasing. Singing: unforgettable...

... Harp Journal, Winter 1974, 32 33. "On Orchestration." In William Grant Still and the Fusion of Cultures in American Music, edited by Robert Bartlett Haas (Los Angeles: Black Spar­ row, 1975b 7· With Verna Arvey. "Our American Musical Resources." Music Clubs Maga­ zine, Fall 1961, 7-9. "Politics...

... have so many expert entertainers in their own ranks that I do not quite see why they need to draw upon the theatre. I remember last winter in Chicago hearing Elder Beck stand up in the pulpit and swing out on a trumpet in a manner that would do credit to Louis Armstrong himself. Both Chicago and New...

... Anson.29 Bad opens with a full camera view of Duxston prep school, couched in winter snow and obvious opulence, supported by ominous strains of music. As with Thriller, the serenity and wholesome environment mask the potential for evil that lurks within, as Hitchcock's proverbial clean, suburban...

..., I26 Symphony Hall, xii, 7 5-80, 8 5 Syracuse Festival Chorus, 4, r r 8 Taft, William Howard, 37 Talladega College, 37 Taylor, Ballanta, 63 Tchaikovsky, Peter Illich, r 5, 2 r Thomas, Ambrose, n6 "Tis Me Standing in the Need of Prayer," r r r Tropic Winter, 4 Tuskegee Institute, xiii, 23, 26, 64, 79...

...'. Ennyhow, <lats de way hit seem f'om what de song say an' how de boys whoop an' holler 'bout him back yonder on de river where we wuz steamboatinspecially doonce [during] de winter. De river is de coldes' place in de worl', dat is, sometime. Well, de boys settin' 'round, dey git ter 'nubbin' noggin...

... Williams, John, 162 Williams, Martin, 179 Williams, Mary Lou, 162-64, 167, 168, 169 Williamson, John Lee, u6, II7 Williamson, Sonny Boy, 66, 130 Willis, Little Son, 62 Wilson, August, 47 Winter, Paul, 170-76 ''With God on Our Side," 230 ''Wolf Eyes," 171 Women and Music in Cross-Cul- tural Perspective, 6-9...

..., no. 4 (Winter 1969/70): 12. ffteotlicyollhBlues 23 can ultimately belong to the whole."18 Once integrated into the wholeness of the Self, what may otherwise be evil is no longer.19 Hence, if blues enters the fray "on the side of evil," as Garon submits, it is only as the Self attempts to attain...

... (winter 1989): 40. 20. Dundes, "Texture, Text, and Context," 254. 21. Donald Jay Grout, A History of Western Music (New York: Norton, 1980); and Roger Kamien, Music: An Appreciation (New York: McGraw-Hill, 1988), 68 . 10 Black Sacred Music sity), and call-and-response organizational procedures (density...

... compositions. The best-known of these works today are his published suites, Magnolia (1912), In the Bottoms (1913), and Enchantment (1922). Some of his later piano compositions, also written in a neo-Romantic style, are Cinnamon Grove (1928), Tropic Winter (1938), and Eight Bible Vignettes (1941). Several...

.... On the masculinist history of rock music, see Leerom Medovoi, "Mapping the Rebel Image: Postmodemism and the Masculinist Politics of Rock in the U.S.A." Cultural Critique 20 (Winter 1991-92): 153-88. On dominant female roles on MTV, see Sut Jhally, "Dream Worlds: Desire/Sex/Power in Rock Videos," independent...

... accommodations for us (segregated, of course) but in some of the smaller communities there were no places for Ne­ groes to stay. I remember once in winter, in the mountainous section not far from Bristol, Tennessee (where we were playing) we stayed in a mountain home where the flooring consisted of rough pieces...

... charismatic choreography, is further alluded to when another woman said, "Yes, the Lord has given me a shout and it has changed over the years." Cited in Dargan, p. 79. 44Quoted in G. Norman Eddy, "Store-Front Religion," Religion in Life, Vol. 28 (Winter 195859), pp. 73-74. The original word replaced here...

.... "There is probably no way of ever knowing," lamented Charters, "what happened to Lemon in the darkness of that winter night. 1112 The mystery of Jefferson's death somewhat paralleled those of the deaths of Robert Johnson and Peetie Wheatstraw. One of the pieces Wheatstraw recorded at his last studio session...

... tJ work on de rail - road line. _ I Col' Iron This song was sung for me in a dormitory room at Leland College one winter's night by my fine friend Kimuel Huggins. The furnace boiler had burst and the building was cold. As we sat around a contrary oil stove, Huggins began to proclaim his preference...