..., 199 Bingham, Henry, 58 Biography as Theology, viii Black Spades, 74 Blackmere, Dorothe, 156 Bloch, Ernst, 53 blues, 45, 46, 561 136-37, 205, 206-08, 2091 210,211; compared to rap, 64-77 Blues Fell This Morning, 207 Blum, Stephen, 54 Bohlman, Philip V., vii, 36-37, 45, 54, 62 210 Black Sacred Music...

... Boatner, Edward, 118 Book of American Negro Poetry, The, xiv Book of American Negro Spirituals, The, xii; review of, 48-50 Boston Symphony Orchestra, 122 Boulanger, Nadia, 1, 88 Bowers, Thomas J., 116, 122 Brown, Hilda, 96 Burleigh, Harry T., vii, viii, 3, 7, 40, 63, 72, 97, 100, 117, 125, 126, 128 Burlin...

..., Michael Eric, vii, 156 Easton, Amos, 35- 36 Eliade, Mircea, 2, 3, 158 Eliot, T. S., 68, 71 Ellington, Duke, 52 Ellison, Ralph, 47 Falwell, Jerry, 145 For You, 138 Foster, Hal, 101 Franklin, Aretha, 59, 62, 88n.7 Fresh, Doug E., 144 Fuller, Blind Boy, 29 "Funky President (People It's Bad 64 Gandhi...

... Copyright © 1993 by Duke University Press 1993 Index Africa Association of Liturgy and Music, 35 African-American Catholic Congregation, 29, 30 African-American church, indigenization of worship in, 29, 30 African identity, regaining, vii-viii, 2, 16, 35, 46 African independent churches, 11...

...- ceit- ful slan- der, from their pride; From the all my need- ed bless- ings k) pro- -vide; Hid- ing ). J ). J ). ?= I i' p· ~ p· ~ p· ). J p· ~ fl, ). J D. ~ I D.S.- Keep me, 1# ~ t t ~ r r· , t , fl~ r~· ~ I :· ~· sha- dow of Thy wing I will trust and sweet- 1y sing , With the e- vii that they do...

..., Marian, 226 Armstrong, Louis, 23, 24, 26 Atlanta University, vii, xviii, 19, 169, 199,219,225,239,242 Auer, Leopold, 40 Bach, Johann Sebastian, 56, 180 Baker, Josephine, 46 Ball, William, 28 ballads, 55, 64-65, 217,218,225,244 Ballanta, Nicholas George Julius, 7, 8, 147, 236 banjo, 45, 49, 54, 205 Banks...

.... Byzantine JJJJdrr 5. Scale with flatted seventh (Mixolydian or Mode VII) &w Jr r r r r r 1 4. Hungarian Gypsy &1 J d oJ J d r r 6. Dorian (Mode I) &a J J J Jr r r 7. Aeolian (Mode IX) &JJJ J J J J J The first of these, consisting of only five notes (represented by the black keys of the piano) is the scale...

... of right. -va- tion, In the dear Sav- iour 's name. e- vii, t ITT t f # f i aChorus i , f ~ In- -to the Sav- iour·s fold . II i J') I j;?J i tH Bring- ing the wand- rers to Je- SUS, f f i 2r~ ;2§:kk& b #b ~ i t· , r t~&bb~ ll Ji Ji tt l Bring- ing them in from the sj cold; f f t f :2=&bb& ~- ta j , r t t...

..., Ralph Waldo, 15 "Empty House Blues," 103 ethnomusicology, vii, 5-6, 192-93, 195, 254; compared to theomusicology, 1-2, 10-11, 25 Evans, David, 110 Evans, Joe, 120 evil, study of, 25, 120-36 "Evil Blues," 126 "Evil-Hearted Woman," 121 "Evil-Woman Blues," 121 "Father Forgive," 151 Feather, Leonard, 196...

... Public Enemy, Ice-T, Heavy D and the Boyz, and MC Hammer in 1967 ? Prelate vii All of us hope that our working together as teachers and students has resulted in a product that will help bring down the generational and cultural partition that separates today's prophetic rapsodists from academe's prophetic...

..., and he was in a unique position to have a perspective on American music and society informed by a diversity of professional experiences that few have enjoyed. His writ­ ings, therefore, give insight into both the agony and exhilaration of Foreword vìi the creative artist who happened to be African...

... to become Afrocentric. Akin to the aim of Asante's book (vii, 8), the intent of theomusicology in a pan-African setting is to apply a post-Eurocentric idea alongside a post-androcentric ideology in order to advance the study and appreciation of African and African diaspora cultures. The Afrocentric Idea...

... to Rap, ed. Jon Michael Spencer, The Hymn 44, no. 1 (January 1993): 46. 2. New York Amsterdam News, Maich 9, 1935, r. Preface vii faculty I talked with at length, I received a letter from one of the university's music faculty whom I had not met. Dated June 111 19921 the letter, from Professor Jonah Van...

... and Musical Development (New York: Oxford University Press, 1968), vii. 6. Ibid. 7. Joseph Kennan, Contemplating Music: Challenges to Musicology (Cambridge, Mass.: Harvard University Press, 1985), 133. On Jmo/OfY: ARapsody 119 ceals or is totally oblivious to proceeding on the basis of what Terence Hawkes...

... racism, 169, 230 31; impact of on black musicians, 88 90, 157 58, 177-78; impact on Still, vii, xiii, xiy i, 53-59, 218-20; stereo­ typing in films, 105 06, 124 32 276 Black Sacred Music ragtime, 208 Rascher, Sigurd, 6 Ravel, Maurice, 115, 138, 184 Redman, Don, 118 René, Leon, 121 René, Otis, 121...

... it on its way. VII It has often been said that no one else can sing Negro songs as Negroes sing them, and the reason given is that Negroes being peculiar in physical make-up are supposed to emit a certain different kind of sound from all other species of the human animal, thus giving their song a unique...

... in a spirit of mutual good-will. Dr. Burleigh went further than that. He believed firmly that music is a powerful instru­ ment for international understanding. So when, on a concert tour of Fifty Years of Progress in Music 179 Europe, he sang for King Edward VII on two occasions, he felt that he had made...