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soul
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Journal Article
Black Sacred Music (1990) 4 (1): 75.
Published: 01 March 1990
...John Howardton Smith Copyright © 1990 by Duke University Press 1990 38 How Will It Be with Your Soul? l How will it be, Oh! how will it be, How will it be with your soul? When the trump of the Lord shall sound, On that great judgment morn, When you shall stand before the judge, To account...
Journal Article
Black Sacred Music (1990) 4 (1): 88–89.
Published: 01 March 1990
...John Howardton Smith Copyright © 1990 by Duke University Press 1990 47 He Will Whisper Sweet Peace to Your Soul ~1BJ11S~ ~r~1e,~ l. When 2. So 3. And you're when al- most pressed why should you sa- tan 's down with the car- r y that darts are hurled cares of this bur- d en of thick and ~, r...
Journal Article
Black Sacred Music (1987) 1 (1): 35–46.
Published: 01 March 1987
...Donna McNeil Cox © Copyright 1987 JBSM /Jon Michael Spencer 1987 Analytical Notes on Lena McLin's Eucharist of the Soul* Donna McNeil Cox Introduction One of the principal sources of thematic material for black composers continues to be black sacred music. Even prior to engaging in formal...
Journal Article
Black Sacred Music (1989) 3 (2): 85–97.
Published: 01 September 1989
...Alton B. Pollard, III Copyright © 1989 by Duke University Press 1989 The LIISI Soul Singer in Amerito: Al Green Alton B. Pollard, III The worlds within and without the Veil of Color are changing, and changing rapidly, but not at the same rate, not in the same way; and this must produce...
Journal Article
Black Sacred Music (1992) 6 (1): 218–223.
Published: 01 March 1992
...Nicholas Cooper-Lewter Copyright © 1992 by Duke University Press 1992 Keep on Rollin' Along: The Temptations and Soul Therapy Nicholas Cooper-Lewter The Christian liberal arts college I attended in the late 1960s, lo- cated in Ohio farm country about halfway between two major urban centers...
Journal Article
Black Sacred Music (1989) 3 (2): 57–67.
Published: 01 September 1989
...Earlston E. DeSilva Copyright © 1989 by Duke University Press 1989 ffte Theology olB/11,k Power and B/11,k Song: Jomes Brown Earlston E. DeSilva James Brown is an Afro-American performing artist and soul singer who reigned as "Soul Brother No. 1" during the sixties and seventies, and whose...
Journal Article
Black Sacred Music (1992) 6 (1): 203–205.
Published: 01 March 1992
...-night sinner and Sunday-morning worshipper-so often one and the same-into a raucous harmony. 112 Due to the "disco fever" and the assimilationist "crossover mentality" of the late seventies,3 rhythm and blues of the forties and fifties was reincarnated as soul. Soul music, too, was not beyond...
Journal Article
Black Sacred Music (1994) 8 (1): 205–217.
Published: 01 March 1994
...Jon Michael Spencer Copyright © 1994 by Duke University Press 1994 Overview of American Popular Music in a Theological Perspective Jon Michael Spencer Blues, jazz, rhythm and blues, soul, rock, and rap are among the American-born music forms that have had a vast impact on the musical cultures...
Journal Article
Black Sacred Music (1987) 1 (2): 37.
Published: 01 September 1987
.... 0 by God, I fly! Armored-ankle shakles, neck yoke, Iron head piece-'fore I go. Runaway, ride ride the river chariotViking ship navigated by the stars. 0 ride, Runaway Viking, by stars! Pirate stealin' 'way ebon silver and gold Locked-up in own freedom's soul. Soul, my soul, freedom's soul 0 locked...
Journal Article
Black Sacred Music (1987) 1 (2): 37.
Published: 01 September 1987
.... 0 by God, I fly! Armored-ankle shakles, neck yoke, Iron head piece-'fore I go. Runaway, ride ride the river chariotViking ship navigated by the stars. 0 ride, Runaway Viking, by stars! Pirate stealin' 'way ebon silver and gold Locked-up in own freedom's soul. Soul, my soul, freedom's soul 0 locked...
Journal Article
Black Sacred Music (1993) 7 (1): 1–16.
Published: 01 March 1993
..., the extra-human, the soul of the place.2 Before we go on, it is important to understand a key point. Descriptions of the Bacchic are replete among African societies and individuals throughout the diaspora, and this philosophical strain in Western society has been vividly portrayed throughout the centuries...
Journal Article
Black Sacred Music (1992) 6 (1): 282–294.
Published: 01 March 1992
... "cool" musicians like Chet Baker and Dave Brubeck, the Afro-American spiritual-blues impulse (always alive and well in Count Basie's perennial band) surfaced quickly in the sounds of Charles Mingus, Ray Charles, and Art Blakey's hard bebop Jazz Messengers who all paved the way to the era of soul...
Journal Article
Black Sacred Music (1994) 8 (1): 36–63.
Published: 01 March 1994
...): 199. 28 . Ibid., 177-80. 29. Ibid., 200. 46 Black Sacred Music systematic approach to the study of music, derived from a recognition of a distinct religious ethos and ethics in the blues (and in "blues people led to the kinds of queries that began to disclose the very soul of the music...
Journal Article
Black Sacred Music (1992) 6 (1): 1–29.
Published: 01 March 1992
.... Our new systematic approach to the study of music, derived from a recognition of a distinct religious ethos and ethics in the blues (and in "blues people led to the kinds of queries that began to disclose the very soul of the music and of the people who created it. Ultimately, it has led...
Journal Article
Black Sacred Music (1993) 7 (1): 47–55.
Published: 01 March 1993
... integrity and personal relationships and human relations in general-those aspects of life governed by "habits of the heart"-are strained to a death-dealing breaking point. Hard times like these challenge not only the habits of the heart but also the habits of the soul. The crisis in commitment...
Journal Article
Black Sacred Music (1989) 3 (2): 163–169.
Published: 01 September 1989
...; and soul music, 96-97; and those it evangelizes, 140, 153. See also Music; Sexuality; Theology Church, black: and black cultural reality, 78-81, 105, u3-15; black experience of, 441 88, 124, 126; performance style derived from, 59, II9; soul and rediscovery of, 64-65; theodicies of, and blues, 25. See also...
Journal Article
Black Sacred Music (1989) 3 (2): 1–16.
Published: 01 September 1989
... they are not. In fine, the ontology of the City is in actuality an irreducible complex which, in addition to the intricacies already discussed, includes many subcultural Communities that further complicate the exact nature of its location in the trisection of the World. ffte Seeular Cily and Hs Soul Communily According...
Journal Article
Black Sacred Music (1988) 2 (2): 60–80.
Published: 01 September 1988
... the Lord! Then I wrote "Happy with Jesus Alone." This I sang several years before the music was printed. For it was written in 1897 and the music was brought out in 1900. It celebrated my soul's determination to stick to Jesus and to the word as it was written and revealed by the Holy Ghost. Severe trials...
Journal Article
Black Sacred Music (1990) 4 (1): 154–155.
Published: 01 March 1990
... I sfr I I day, When Thou shall call Thee , M y Mas- ter and brings, My wait- ing soul now? Am I Thy ser- fI I I ~ r I I me home, When m y King, No l Thee , That vant still? Shall &bb~ ' 1~ b~ ~bb~ ' i~ b~ I I I othmakes flesh ~ shall er me and here hand scorn blood g I ~ fI r I I r I pf I ~ I r f I...
Journal Article
Black Sacred Music (1991) 5 (2): 104–107.
Published: 01 September 1991
... that is novel, its fundamental idea is not new. The love of nature, the desire for companionship, the pain of parting from relatives or friends, the joy of reunion, faith in a Divine Providence, a fervent but never despairing cry for deliverance of soul and body from fetters both concrete and intangible...
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