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Journal Article
Black Sacred Music (1990) 4 (1): 22–23.
Published: 01 March 1990
...Richard Allen Copyright © 1990 by Duke University Press 1990 5 See! How the Nations Rage Together I See! how the nations rage together, Seeking of each other's blood; See how the scriptures are fulfilling! Sinners, awake and turn to God. 2 We see the fig-tree budding; You that in open ruin...
Journal Article
Black Sacred Music (1991) 5 (1): 89–94.
Published: 01 March 1991
... Copyright © 1991 by Duke University Press 1991 Index Adler, Bill, 40 aesthetic, the black, 52 African-American traditions: in music, 51-52; in rap, 2-3, 12, 22, 28, 31-32, 35, 42; religious, in rap, 22; words in, 26. See also spirituality Afrika Bambaata, 13, 29, 30, 42 Al B Sure, 34 Ali...
Journal Article
Black Sacred Music (1989) 3 (2): 163–169.
Published: 01 September 1989
..., 4-5, 20-21, 150 Augustine, Saint, 45 Avis, Paul, 45 "Bad" (song), 119 Bad (video), 108, II 3-20 Baker, Anita, 88n.7, 123 Baker, Houston, 24, 32, 48 Bakhtin, Mikhail, 105-6 Baraka, Amiri. See Jones, LeRoi Barrett, Leonard, 58-59, 61 Barthes, Roland, 100 Bearden, Romare, 101 Beatles, 99 Bebop. See Bop...
Journal Article
Black Sacred Music (1994) 8 (1): 239–253.
Published: 01 March 1994
.... See Jon Michael Spencer, ed., The Theology of American Popular Music, a special issue of Black Sacred Music: A fournal of Theomusicology 3, no. 2 (fall 1989). This volume explores these connections for African American popular music and theology. 4. For basic information and diverse evaluations of MTV...
Journal Article
Black Sacred Music (1988) 2 (2): 29–51.
Published: 01 September 1988
...: Yes, I did. Didn't know what I was signing but I signed it. Q: Really in those days there weren't all that many record companies around, so you didn't have much choice. Ruth: And to record for a big company like Decca see we were doing pretty good. We were in gooc:l company with Louis Jordan...
Journal Article
Black Sacred Music (1994) 8 (1): 157–177.
Published: 01 March 1994
... of Music at the University of North Texas. r. See H. H. Stuckenschmidt, Arnold Schoenberg: His Life and Work , trans . Humphrey Searle (New York: Schirmer, 1977), 277; and Willi Reich, Schoenberg: A Critical Biography, trans. Leo Black (London: Longman, 1971 ), 130. Both authors report that Schoenberg...
Journal Article
Black Sacred Music (1993) 7 (1): 47–55.
Published: 01 March 1993
... ceremonies we fail to see those whose responses to hard times are the persistent evidence of a "bitter .. . chastening rod, felt in the days when hope unborn had died."3 Sermon preached at Colgate Rochester Divinity School, Black Church Studies Program, Mordecai Wyatt Johnson Institute, March 26, 1987. r...
Journal Article
Black Sacred Music (1989) 3 (2): 98–124.
Published: 01 September 1989
... of positive spiritual values and redemptive religious consciousness in Jackson's art may be its non-traditional expression. In both its style and substance, Jackson's spirituality exhibits elements which may 2. See Larry Black, "The Man in the Mirror," Maclean's (May 2, 1988): 67; Michael Goldberg and David...
Journal Article
Black Sacred Music (1993) 7 (1): 36–37.
Published: 01 March 1993
... Rights Fight 37 women coming up through the ranks, I see the plain people awakening. I see them as Lionel Hampton sees them, "all crying-all with their hand out" for fellowship and guidance. He tells us that we must go into the pool halls, and get our noses down out of the air, and be a friend to man...
Journal Article
Black Sacred Music (1993) 7 (1): 75–79.
Published: 01 March 1993
... in mainstream, middle-income, power-filled positions. They point to the few who are doing well, but they refuse to see that the masses of people -black, white, red, yellow, brown, and every other shade-are still struggling to make ends meet in situations where it is difficult to find the ends in the first place...
Journal Article
Black Sacred Music (1988) 2 (1): 51–64.
Published: 01 March 1988
... Mary's goneI heard from heaven to-day; It's good news an' I thank God. They believed strongly that God had all power and perfect knowledge. Listen as they sing of his almighty power, He is King of Kings; He is Lord of Lords; No man works like him. and of his perfect knowledge, Oh, he sees all you do, He...
Journal Article
Black Sacred Music (1988) 2 (2): 52–59.
Published: 01 September 1988
...: 15-20). But when I reached Jackson, Miss., I became convinced by the Lord that what I needed, all His people needed; that without following peace with all men and holiness, no man could see the Lord (Heb. 12:1-14); that no man could follow Christ in his own strength; that therefore...
Journal Article
Black Sacred Music (1995) 9 (1-2): 104–146.
Published: 01 September 1995
... how sad a song is, it still points to a brighter day. It is here that we can see that words alone fail to convey the truest meaning of religious song. If this is true, then no Negro religious music is sad, for it all grows out of a belief that a better day is to be the reward of the Christian. However...
Journal Article
Black Sacred Music (1994) 8 (2): 81–88.
Published: 01 September 1994
... wants to bless Israel. You see, when Isaiah offers us this word in chapter 54, he is giving a prophecy of what life will be like on the other side of the Babylonian captivity. He has already told the people that they will be carried away into exile. He has told them that because of the sin of the nation...
Journal Article
Black Sacred Music (1993) 7 (1): 30–32.
Published: 01 March 1993
... beautiful Negro religious song? Since I like Maxine Sullivan and Marie Bryant very much in the theatre, I had intended going to church the Sunday they were billed there just to see what sort of entertainment they would offer a Sunday evening congregation. But something prevented my attendance. The churches...
Journal Article
Black Sacred Music (1990) 4 (1): 60–61.
Published: 01 March 1990
... God's word is true, yes. It's written in the law you see, and it's not too old for me, It's just like not drinking wine. Acts 13 and 27, you will find, Now you had better not work on Sunday, it's a sin and a shame. Chorus You must not work on Sunday, it's a shame, it's a shame; You should not work...
Journal Article
Black Sacred Music (1994) 8 (1): 109–134.
Published: 01 March 1994
...-not the world, but the figure of the Saviour-he sees an unfathomable courage-an immortality for the lowest-the vastness in humility, the kindness of the human heart, man's noblest strength-and he knows that God is nothing-nothing-but love!s The sum of Charles lves's home years is undoubtedly positive on any...
Journal Article
Black Sacred Music (1990) 4 (2): 112–116.
Published: 01 September 1990
... shifting American desires, values, and responses than any other form of African-American music, for it is both sacred and secular and not limited to religion as are church forms of music. However, it is only possible to see it as positing ethical critiques of America insofar as it is itself a reminder...
Journal Article
Black Sacred Music (1993) 7 (1): 17–28.
Published: 01 March 1993
..., and responses are articulated. Dance serves as a national language (international too) through which individual identity, political concerns, in-group and out-group relationships, and cultural integrity are measured and assessed. 1 I. See Katrina Hazzard-Gordon, "African-American Core Culture Social Dance...
Journal Article
Black Sacred Music (1991) 5 (1): 25–40.
Published: 01 March 1991
...-American speech, literature, music, and dance are essential parts of nommo. Nommo creates 1. See Roger D. Abrahams, Deep Down in the fungle: Negro Narrative Folklore from the Streets of Philadelphia (Chicago: Aldine, 1970); Thomas Kochman, "Rapping in the Black Ghetto," Transaction (February 1969): 26...