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Journal Article
Black Sacred Music (1992) 6 (2): 100–101.
Published: 01 September 1992
... sort, had no wish to make it a life's work for that reason. Yet our pioneers, with the aid of education, moral courage and perseverance, have made a career in From New York Amsterdam News, 29 June 1940. Reprinted with the permission o William Grant Still Music. Spirituals, Blues Important Section...
Journal Article
Black Sacred Music (1989) 3 (1): 72–74.
Published: 01 March 1989
... and ideological growth of political abolitionism in the songbooks of George Washington Clark, and the theology of moral abolitionism in the hymnbooks of Maria Weston Chapman and Edwin F. Hatfield (compiled for the American Anti-Slavery Society). The 492 songs in the book are divided into six topical sections...
Journal Article
Black Sacred Music (1989) 3 (1): 68–71.
Published: 01 March 1989
... and non-Catholics, scholars and lay persons, can appreciate. The table of contents, which is succinct and artistically laid out, shows that the hymnal is divided into six sections: Hymns. Rites of the Church, Mass, Seasonal Psalm Responses, Psalm Tones, and Indexes (Liturgical, Topical, Service Music...
Journal Article
Black Sacred Music (1987) 1 (1): 35–46.
Published: 01 March 1987
... of which are reminiscent of contemporary gospel (Ex. 1, p. 39). A sublime "Amen" section concludes the through-composed movement. In a pair of two-measure phrases, the melody is first presented by the sopranos and then echoed by the altos, the latter being slightly altered to establish finality (Ex. 2, p...
Journal Article
Black Sacred Music (1993) 7 (1): 80–82.
Published: 01 March 1993
... witness and a call for continued activism in the struggle for freedom and justice. The book, following a foreword by James H. Cone, is divided into three main sections: a historical reflection by Carter, a contemporary analysis by Walker, and a prophetic projection by Jones. Each section reflects...
Journal Article
Black Sacred Music (1994) 8 (1): v–ix.
Published: 01 March 1994
... at the mere margins of historical musicology, ethnomusicology, Christian theology, and hymnology. All of the work is done by scholars trained in music or in theology or religion-or, ideally, both music and theology/religion. In the first section, headed "Query, Theory, and Methodology," philosophical...
Journal Article
Black Sacred Music (1990) 4 (2): 50–53.
Published: 01 September 1990
... we live in mainly disseminated by the mass media (word of mouth, print, radio, pictures, movies, television) but not necessarily limited to such media of dissemination. (24) Eventually Browne founded PCA chapters in other sections of the country and in Japan. Additionally, he has suggested...
Journal Article
Black Sacred Music (1991) 5 (1): 85–87.
Published: 01 March 1991
...): 28 H. - -. "How Rap Moves to Television's Beat." New York Times (January 14, 1990): 1, section 2. - - . "Female Rappers Strut Their Stuff in a Male Domain." New York Tim es (November 5, 1989): 29, section 2. Ross, Michael E. "Rap by the Bay: Oakland Emerges as a Force in Pop." New York Times...
Journal Article
Black Sacred Music (1994) 8 (2): 99–104.
Published: 01 September 1994
... of black representation in popular culture; (2) questions of social justice as they relate to race, class, and gender; and (3) the politics of black religion and spirituality. In his section on popular culture, varied subjects combine to highlight the montage of comic, tragic, contested, and con- Book...
Journal Article
Black Sacred Music (1995) 9 (1-2): 147–161.
Published: 01 September 1995
... be applied to other sections of the country and to both religious and secular songs. The Alabama Black Belt, the mountains and shore regions of Virginia, and the Mississippi River and Valley sections are cases in point. As proof of this thesis and to show some of the forces that are now at work...
Journal Article
Black Sacred Music (1993) 7 (1): 82–85.
Published: 01 March 1993
... to theology as a public enterprise, both depend heavily on popular culture for the "stuff" of analysis, and both focus on the import of black religion on the cultural development of African Americans. The shared concerns are most clearly seen in Carter's and Walker's sections, where they point to black sacred...
Journal Article
Black Sacred Music (1987) 1 (1): 69–81.
Published: 01 March 1987
.... "Roll Jordan, Roll." Spiritual. SATB with Rhythm Section. - - - , arr. "Steal Away." Spiritual. SATB with Rhythm Section. McIntyre, Phillip, arr. "Hear the Lambs a-Crying." Spiritual. SATB with Soprano Solo. - - - , arr. "O Lord, Let Me Ride." Spiritual. SATB . McKinney, (Rev.) G. P. "Emancipation Hymn...
Journal Article
Black Sacred Music (1995) 9 (1-2): 75–103.
Published: 01 September 1995
... admits in the words of the song: Ah got scar'd At Smoky Mountain, 'Cause mah hammer Wrecked de train. The road was made for John Henry, and John Henry was made for the road. The first job he received was given to him somewhere between Macon and Savannah. The section gang was laying rails when John Henry...
Journal Article
Black Sacred Music (1995) 9 (1-2): 175–181.
Published: 01 September 1995
... research has carried me into a great many rural districts of the South. As I have mentioned, there are a great many Negroes in these sections who are holding forth in the traditional manner of singing Negro music, to the extent that they are still creating spirituals, but this is not comparable in effect...
Journal Article
Black Sacred Music (1989) 3 (1): 53–67.
Published: 01 March 1989
... of the church by the General Conference of 1894. 11 This 1891 hymnbook is clearly an adaptation of the 1889 Hymn Book of the Methodist Episcopal Church, South. 12 The following table of contents of the CME volume is essentially identical to that in the model hymnal: 13 CONTENTS Section Hymns PART I. PUBLIC...
Journal Article
Black Sacred Music (1987) 1 (1): 53–60.
Published: 01 March 1987
... Stevenson to the task. 6 In order to represent regional musical interests, Stevenson and Quick respectively invited a cross-section of COGIC music-ministers and clergypersons to submit favorite hymns being sung by their local congregations and choirs.7 Also included are approximately 70 selections...
Journal Article
Black Sacred Music (1992) 6 (2): 245–251.
Published: 01 September 1992
... mother bought that house as well as other property in Little Rock. This was a city comparable to other American cities of that era, with many fine homes, theatres and a thriving business section. Even so, it was not far removed from typical rural life: women in sunbonnets, farms, cane fields. About five...
Journal Article
Black Sacred Music (1994) 8 (1): 13–35.
Published: 01 March 1994
... and death, in this chorus, from Psalm 84. The musical materials used by Brahms set forth two contrasting moods. The beginning and closing sections-setting the words "How lovely are Thy dwellings, Lord God of Hosts; my soul longs, yea faints for the courts of the Lord"-are in a lyric and harmonic mode...
Journal Article
Black Sacred Music (1991) 5 (2): 81–83.
Published: 01 September 1991
... measures. The solo which appears in the middle section, and again at the close of the fugato in the coda, had its inception in the Negro folk idea of the ejaculatory solo phrases which are to be found in practically all Negro spirituals. "Let Us Cheer the Weary Traveller" was widely used by the slaves...
Journal Article
Black Sacred Music (1992) 6 (1): 265–267.
Published: 01 March 1992
... overshadowed by the ominousness of these well-published feelings and fears. As the articles in this section help show, rap has a theological aspect that is epitomized in the idea of soteriological knowledge or rap gnosticism. This knowledge embodies a principle of dignity and worth that stimulates new modes...