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schoenberg

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Journal Article
Black Sacred Music (1994) 8 (1): 157–177.
Published: 01 March 1994
...John Covach Copyright © 1994 by Duke University Press 1994 The Quest ol the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea John Covach I In 1923 the Austrian composer Arnold Schoenberg (1874-1951) announced to his closest students that he had discovered a "method of composing...
Journal Article
Black Sacred Music (1994) 8 (1): 178–201.
Published: 01 March 1994
..., just prior to the outbreak of the Great War.7 For in my view, it is in the years 1912 and 1913 that three distinct modern musical trajectories were set in motion, each with unique musical and extramusical characteristics. Represented by Igor Stravinsky, Arnold Schoenberg, and James Reese Europe...
Journal Article
Black Sacred Music (1992) 6 (2): 1–77.
Published: 01 September 1992
... century because of his musical innovations.111 On the other hand, unlike most of the other composers, conductors, and music critics who participated in the survey, Still conspicuously ommitted the name of Arnold Schoenberg, whom he had met through Varese on the Ger­ man composer's arrival to America...
Journal Article
Black Sacred Music (1994) 8 (1): v–ix.
Published: 01 March 1994
... and demonstrated in section 2 1 headed "Western Classical Tradition." Included are essays that cover composers Charles Ives, Arnold Schoenberg, Igor Stravinsky, James Reese Europe, and William Grant Still. These essays are written by James McClendon, a professor of ethics and theology at Fuller Theological...
Journal Article
Black Sacred Music (1992) 6 (2): 271–277.
Published: 01 September 1992
.... Louis Blues," 92, 101, 136, 139 Sandburg, Carl, 15 Savage, Augusta, 10 Schauffler, Robert Haven, 115, 138 Schoenberg, Arnold, 34-35, 37, 38, 39 Schopenhauer, Arthur, 37 Scott, Raymond, 118 Selika, Marie, 209 Seven Traceries, 5 Seventh Cross, The, 131 Shapiro, Karl, 204, 205 Shaw, Artie, vi, 2, 118...
Journal Article
Black Sacred Music (1994) 8 (1): 269–277.
Published: 01 March 1994
... Prfatemps, Le, 181-83, 188, 194, 196 Sacred Music of the Secular City, v-vi Salt-N-Pepa, 191 Samson Agonistes, 190 Savage Seven. See Black Spades Schiff, David, 180 Schiller, Friedrich van, 129 Schnadelbach, Herbert, 94 Schoenbeck, Mechthild van, 94 Schoenberg, Arnold, vii, 1 1 9, 157-77, 180, 183-86...
Journal Article
Black Sacred Music (1992) 6 (1): 299–309.
Published: 01 March 1992
..., 57 St. Cher, Cardinal Hugues de, 66 "St. Louis Blues," 40 Sacred Concert, 146, 150, 151, 155- 61 "Sam, You're Just a Rat," 107 Sanders, Pharaoh, 290 Santmire, H. Paul, 174 "Satin IJoll," 146 Saturday Review, 67 "Save the Children," 226 "Say It Loud I'm Black and I'm Proud," 286 Schoenberg, Arnold...
Journal Article
Black Sacred Music (1992) 6 (1): 282–294.
Published: 01 March 1992
... capitalist U.S. society and culture. In avant-garde jazz, Omette Coleman's and John Coltrane's free jazz-like Arnold Schoenberg's atonal music in the Western classical tradition - symbolized both grand achievements and dead ends. For example, Pharaoh Sanders, who briefly upheld the rich legacy of Coltrane's...
Journal Article
Black Sacred Music (1994) 8 (1): 109–134.
Published: 01 March 1994
... atmosphere changed. Ives's technical originality had by then been matched by that of important Europeans, notably Arnold Schoenberg. A major series of programs was devoted to the work of these two composers in the 1944-45 Los Angeles season. All this was accepted, or rather ignored, by the aging Ives...