1-20 of 26 Search Results for

pari

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Black Sacred Music (1991) 5 (2): 84–90.
Published: 01 September 1991
... many who felt a considerable doubt as to the advisability of a European tour. It had been reported that 86 1"e I. #ofhoniel Deft leader some of the American Boy Scouts, the year before, had made themselves ridiculous by carousing in Paris, and that the Ocean College of American students had given...
Journal Article
Black Sacred Music (1989) 3 (2): 75–84.
Published: 01 September 1989
...) the assertion of a radical egalitarianism that posits the fundamental kinship and interrelatedness of all humanity. Peter Paris calls this the black Christian tradition.6 However, we would argue with Henry Mitchell? that this tradition ultimately comes to reflect the whole of the black cultural reality (albeit...
Journal Article
Black Sacred Music (1988) 2 (2): 1–18.
Published: 01 September 1988
... perceive to be liturgically astructural. On one occasion the bene- 9Reed, p. 35. 10lbid., p. 54. 11 For a basic liturgical model see Arthur E. Paris, Black Pentecostalism: Southern Religion in an Urban World (Amherst: University of Massachusetts Press, 1982), p. 54. ' 2In one Pentecostal church the person...
Journal Article
Black Sacred Music (1994) 8 (2): 72–74.
Published: 01 September 1994
... he felt. One of the organizers of this exhibition is Monsieur Charles Ratton of Paris, France. I was told that Mr. Ratton, in bringing this art to America, expected to see Aframericans flocking to view this wonderful work of their ancestors. But so far he has met with disappointment as very few have...
Journal Article
Black Sacred Music (1991) 5 (2): 120–129.
Published: 01 September 1991
..., Henry F. Williams and F. E. Lewis; the Paris (France) Conservatory had called Joseph White, Cuban Negro violin virtuoso, to its staff of teachers; Dom Pedro of Brazil had appointed Richard Lambert, pianist, of New Orleans, as chief musician of his court. Edmund Dede, also of New Orleans, had become...
Journal Article
Black Sacred Music (1991) 5 (2): 91–101.
Published: 01 September 1991
... of America's most remarkably gifted educators. She was a woman of great intelligence, was considered very beautiful, played the piano very authoritatively and coached for her vocal recitals with the de Reszkes, with whom she studied in Paris. Creating Consciousness of Power There is probably no name in America...
Journal Article
Black Sacred Music (1994) 8 (2): 138–140.
Published: 01 September 1994
... toured Europe with Dett's Hampton choir. The choir gave concerts in such cities as London, Antwerp, Brussels, the Hague, Rotterdam, Amsterdam, Paris, Hamburg, Berlin, Dresden, and Vienna. In each of these cities the choir sang spirituals arranged by Dett. All this information is clearly set before us...
Journal Article
Black Sacred Music (1994) 8 (1): 218–238.
Published: 01 March 1994
... Christian education in light of the struggle for identity of African American youth. As the context for this discussion we will offer a definition of "meaningful life" that is reflective of the historic spirituality of the African American church. This is a spirituality that is captured by Peter Paris...
Journal Article
Black Sacred Music (1992) 6 (2): 198–202.
Published: 01 September 1992
... be directed to the soul rather than to the intellect. In Guy Endore's book, "King of Paris," Alexandre Dumas is quoted as believing that the creators who really cárve their names in history are the ones who write the serious, the difficult, the incomprehensi­ ble. "My works," he added, "are too easy. A child...
Journal Article
Black Sacred Music (1994) 8 (1): 178–201.
Published: 01 March 1994
...) was premiered in the Theatre des Champs-Elysees, Paris, as produced by the Ballets Russes de Serge Diaghilev, with choreography by Vaslav Nijinsky and sets and costumes by Nicholas Roerich. A collaborative venture, notable for its many innovations in all the artistic forms involved, Le Sacre became...
Journal Article
Black Sacred Music (1991) 5 (2): 114–119.
Published: 01 September 1991
... of Cleveland, and a favorite contributor to the publishers of guitar music; Thomas J. Bowers, styled by the press "The American Mario," and last, Joseph White, a Cuban Negro, prize winner of, and afterward teacher at the Paris Conservatory, whose method for violin was greeted with letters of commendation from...
Journal Article
Black Sacred Music (1991) 5 (2): 1–19.
Published: 01 September 1991
... School in Paris (under the famous composition teacher Nadia Boulanger in the summer of 1929). Dett culminated this graduate education with a master of music degree earned from the Eastman School of Music in 19 31. While at Harvard during the 1920-21 academic year, Dett won the university's Francis Boote...
Journal Article
Black Sacred Music (1994) 8 (2): 105–109.
Published: 01 September 1994
... everything "offensive" in one basket-Eric B. & Rakim's social commentaries along with Too Short's misogynistic braggadocio-thus, if 2 Live Crew is not worth defending, the legal defense of other rappers is weakened (as indeed has been evident in Time-Warner's retreat from controversial rappers such as Paris...
Journal Article
Black Sacred Music (1991) 5 (2): 42–47.
Published: 01 September 1991
... but reflecting the influences of Paris, or of German and English painting." And then he asks this pertinent question, "Was there, in fact, as distinguished from art in America, any American art?" Turning to the realm of music, one finds an analogous situation; for, until very recently, music in America...
Journal Article
Black Sacred Music (1992) 6 (1): 155–161.
Published: 01 March 1992
... stately interior patterned after the famous Notre-Dame de Paris (11631257)-its soaring arches, colorful hand-appliqued banners, huge 2 . Unless otherwise indicated, all quotations herein are from Duke Ellington's program notes for his Concert of Sacred Music at San Francisco's Grace Cathedral. Duke...
Journal Article
Black Sacred Music (1987) 1 (2): 21–26.
Published: 01 September 1987
... the Cathedral's stately interior patterned after the famous Notre Dame de Paris (1163-1257)-its soaring arches, colorful hand-appliqued banners, huge hand-woven tapestries, bright hand-painted and gilded murals (chronicles of momentous events in the history of the Cathedral and of California), its richly-faceted...
Journal Article
Black Sacred Music (1991) 5 (2): 133–138.
Published: 01 September 1991
... Paris Conservatory, 122 Peabody, George Foster, 4, 85, 98 Pedro, Dom, 122 Penn School, 82 "Pilgrim's Song," 37 Pomilui, Gospodi, 71 Presse1, Theodore, 96 Price, Flo1ence, 118 "Promised Land," 105 Queen's Hall, xii, 81-83 ragtime, vii, viii, 14, 30, 31-32, 43, 66, 110, 127 Religious Folk-Songs...
Journal Article
Black Sacred Music (1989) 3 (2): 163–169.
Published: 01 September 1989
... Resource Center, 143. See also Gore, Tipper Paris, Peter, 78, 80-81 Parker, Charlie, 101, 136 Patton, Charlie "Papa," 28 Performance: of Al Green, 90, 93, 94; of Bessie Smith, 22; entertainers play the audience in, 93n.16; and improvisation, 5152; of James Brown, 60-61, 66; of Michael Jackson, 101-6 passim...
Journal Article
Black Sacred Music (1988) 2 (1): 65–71.
Published: 01 March 1988
... in 1908, a Master ofMusic degree from Eastman School ofMusic in 1931, and intermittent training in Paris and Germany, and at several other American universities. On leave from his tenured professorship at Hampton (1913-1932) for a year's study at Harvard (1920-21 ), Dett' s defense of his compositional...
Journal Article
Black Sacred Music (1992) 6 (1): 146–154.
Published: 01 March 1992
... to heighten the power and scope of the music while the collaboration brought the composer back into touch with the force of the gospel tradition in a significant way. On Christmas Eve 1960, Ellington was invited to perform "Come Sunday" as part of a special midnight mass in Paris. By 19631 for his revue My...