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monk

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Journal Article
Black Sacred Music (1989) 3 (2): 50–56.
Published: 01 September 1989
...Hugh J. Roberts Copyright © 1989 by Duke University Press 1989 lmprorisolion, lndividuolion, ond lmmonenee: n.elonius Monk Hugh f. Roberts C. G. Jung believes that the exceptional individual is the one impelled by the God-within to seek a path that departs from the conformity of church...
Journal Article
Black Sacred Music (1989) 3 (2): 163–169.
Published: 01 September 1989
... oppression, 37-42; as secular religion, 11- 12, 19; theodicies of, 23-29, 33, 34, 39,44-45;astheodicy problem, 17-18 Bogan, Lucille, 30, 38 Boogie Woogie Red (blues singer), 24 Bop music, 52-55 passim. See also Monk, Thelonius Boy George (pop singer), 136 Bradley, Tommie, 35, 37 Broonzy, William "Big Bill...
Journal Article
Black Sacred Music (1989) 3 (2): 146–158.
Published: 01 September 1989
... that the theomusicology conference would include lectures on Thelonius Monk, James Brown, Marvin Gaye, Stevie Wonder, Michael Jackson, Al Green, Prince, and the rap group Run-D.M.C. Not surprisingly, however, resulting articles focused largely on statements concerning Prince, perhaps the most controversial...
Journal Article
Black Sacred Music (1992) 6 (1): 244–249.
Published: 01 March 1992
..., however, the reason is that they are able to resist the Jansenism that still perdures. In the present climate within the Catholic Church, the Irish 248 Black Sacred Music monks would not have dared to convert an Inda-European intercourse symbol into the Celtic cross representing Jesus and Mary...
Journal Article
Black Sacred Music (1994) 8 (2): 1–29.
Published: 01 September 1994
... witnessed a former orthodox monk, now worshiping in the pente or evangelical church, as they are called. The monk sang the kiddush of Sanctus with liturgical dance in an informal pente setting. The music was well received. However, in the formal setting of the evangelical community worship there seemed...
Journal Article
Black Sacred Music (1992) 6 (1): 36–46.
Published: 01 March 1992
... the word "mean" to describe a piece of music: "Monk's solo was mean, 11 or "Trane blows a mean horn." What about the expression "mean and evil" which we often find in the blues? And could the "Devil" in Dude Botley's description of the Bolden solo, symbolize not the Christian Satan, but a cluster of deeply...
Journal Article
Black Sacred Music (1992) 6 (1): 299–309.
Published: 01 March 1992
..., Charles, 181, 182, 283 minstrel shows, 40 minstrels, medieval, 3 Miracles, 28 5 "Mississippi Fire Blues," 104 "Moan, Mourners," 122 Moments, The, 292 Monk, Thelonious, 38, 283 Monkees, 221 Moonglows, 224 Moore, Alice, 126 Moralists, The, 184 Mothership Connection, 287, 288 Motown, 224, 226, 284-86 "Moving...
Journal Article
Black Sacred Music (1992) 6 (1): 282–294.
Published: 01 March 1992
... break with American mainstream music, especially imitated and co-opted Afro-American popular music, by the so-called bebop jazz musicians-Charlie Parker, Theolonious Monk, Dizzy Gillespie, and others. Their particular way of Africanizing Afro-American jazz-with the accent on contrasting polyrhythms...