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madonna

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Journal Article
Black Sacred Music (1994) 8 (1): 239–253.
Published: 01 March 1994
...Mark D. Hulsether Copyright © 1994 by Duke University Press 1994 Jesus and Madonna: North American Liberation Theologies and Secular Popular Music Mark D. Hulsether Tomorrow I am scheduled to speak to my church's youth group on the topic "Jesus and Madonna" (yes, the Madonna who sings...
Journal Article
Black Sacred Music (1992) 6 (1): 244–249.
Published: 01 March 1992
...Andrew M. Greeley Copyright © 1992 by Duke University Press 1992 Like a Catholic: Madonna's Challenge to Her Church Andrew M. Greeley I am not sure whether a discussion of the serious implications of the Madonna rock music video "Like a Prayer" is possible in the contemporary climate...
Journal Article
Black Sacred Music (1989) 3 (2): 146–158.
Published: 01 September 1989
... of the aforementioned artists (like Madonna, he is very much on the minds of the American public at present). The opening paragraphs of the news release read: People who are familiar with some of the lyrics of songs by rock star Prince or have watched his sexually explicit gyrating on stage might be surprised to hear...
Journal Article
Black Sacred Music (1990) 4 (2): 76–78.
Published: 01 September 1990
..." culture, but in unlikely places within popular culture (92-93). In his book, Greeley has given adequate space and time to identifying aspects of grace in the storytelling of Bill Cosby and Woody Allen, and in the music of Bruce Springsteen, Linda Ronstadt, and Madonna. "If you think human nature...
Journal Article
Black Sacred Music (1989) 3 (2): v.
Published: 01 September 1989
...; "Religion, Rock, and Eroticism" by sociologist of religion Alton B. Pollard, III; "Rap, Race, and Reality" by Michael Eric Dyson; and "The Catholic Imagination of Bruce Springsteen," "Born in the USA: Springsteen, Blue-Collar Prophet and Catholic Troubadour," and "Desperately Seeking Madonna" by sociologist...
Journal Article
Black Sacred Music (1994) 8 (1): v–ix.
Published: 01 March 1994
... that address the music of popular musicians Hammer, Willie Nelson, and Madonna from the perspective of the symbiotic relationship between Christian theology and popular secular music. The genres of blues, jazz, rhythm and blues, soul, and rock are also covered in this way. The essays are by H. Lynne Westfield...
Journal Article
Black Sacred Music (1992) 6 (1): 268–273.
Published: 01 March 1992
... performance. Though other performers have artfully, even monumentally, shaped this practice !Robert Johnson, Billie Holiday, Frank Sinatra, Hank Williams, Elvis Presley, Michael Jackson, and Madonna), rap affords a range of musical and cultural identities to be formed with remarkable immediacy and astonishing...
Journal Article
Black Sacred Music (1991) 5 (1): 89–94.
Published: 01 March 1991
... Productions, 19, 38-39, 45 Krush Groove, 38 Last Asiatic Disciples, 48 Last Poets. See Gil Scott-Heron LeBlanc, Keith, 43 Lincoln, C. Eric, vi listeners, resentment, 5-6 LL Cool J, 34, 35 Locke, Alain, 41 Madonna, 69 Malcolm X, 3, 39, 41, 43, 45-48 Mandela, Nelson, 3-4, 47 Mao Tse-tung, 47 Markham, Pigmeat...
Journal Article
Black Sacred Music (1989) 3 (2): 133–141.
Published: 01 September 1989
... that is short-lived at best. In a word, people are no longer able to feel "alive." The elders and preservers of tradition have demonstrated, by their actions more so than by their words, that reality is empty and life is banal.6 The persona and music of Prince, Madonna, Michael Jackson, Boy George and others...
Journal Article
Black Sacred Music (1989) 3 (2): 163–169.
Published: 01 September 1989
... Lincoln, C. Eric, 86 Little Richard (pop singer), 88, 123, 128 "Living for the City," 83 Lomax, Lonnie, 30-31 Lovesexy, 126,127,129,130,146 Lyotard, Jean-Fran<;ois, IOI. See also Derrida, Jacques Madonna, viii, 136, 146. See also Like a Prayer; "Like a Virgin'' Malcolm X, 57 "Man in the Mirror," I08, 121...
Journal Article
Black Sacred Music (1987) 1 (1): 47–52.
Published: 01 March 1987
... a euphoria that is short-lived at best. In a word, people are no longer able to feel "alive." The elders and preservers of tradition have demonstrated, by their actions moreso than by their words, that reality is empty and life is banal.6 The persona and music of Prince, Madonna, Michael Jackson, Boy George...
Journal Article
Black Sacred Music (1994) 8 (1): 269–277.
Published: 01 March 1994
..., 252 Lincoln, Abraham, 1 1 9 Long, Edward, Jr., 55 Lost Continent, The, 147 "Love Me Like a Rock," 2 1 3 Lowenthall, Leo, 95, 96, 97 Luhmann, Niklas, 95 Lukacs, John, 180 Madame Flowers, 150 Madonna, viii, 196, 239-53 Marcuse, Herbert, 96 Marsh, David, 2 1 1 Mass (Bernstein), 19 5 Mastersingers...
Journal Article
Black Sacred Music (1992) 6 (1): 232–243.
Published: 01 March 1992
...), not that the argument is too intricate to be followed, but rather that it is too strange to be taken seriously. Metaphor, religious imagination, secular grace, correlation, Valentine's Day, Springsteen, Madonna, the sacramentality of erotic love, the playful and creative dancing self-these categories do not fit...
Journal Article
Black Sacred Music (1991) 5 (1): 68–79.
Published: 01 March 1991
... regarding the group's treatment. Questions of racial bias also surfaced, as many observers noted that white performing artists such as Madonna, Motley Criie, 1. Kevin Zimmerman, "Rap Zapped by Lyrics Flap: Some See Double Standard Where Rock, Rap Intersect," Vari ety, March 7, 1990, 1, 6. 70 Blade Satred...
Journal Article
Black Sacred Music (1994) 8 (1): 78–91.
Published: 01 March 1994
... . Harvey Cox, Seduction of the Spirit (New York: Simon and Schuster, 1973). 14. See also his essays "The Catholic Imagination of Bruce Springsteen" and "Like a Catholic: Madonna's Challenge to Her Church," in Sacred Music of the Secular City: From Blues to Rap, ed. Jon Michael Spencer, special issue...
Journal Article
Black Sacred Music (1992) 6 (1): 299–309.
Published: 01 March 1992
..., Stephen, 196-97 "Loose Booty," 286 "Louisiana Blues," 116-17 Love Alive, 292 Love Alive II, 292 "Love Me Like a Rock," 230 "Low-Down Mississippi Bottom Man," 128 M. C. Lyte, 267 Mackey, Nathaniel, 178 Madonna, 244-49,268 Main Ingredient, 286 Malcolm X, 168,211, 272 Manhattans, 286 Mapplethorpe, Robert...
Journal Article
Black Sacred Music (1994) 8 (1): 178–201.
Published: 01 March 1994
... be carefully examined in a misogynist culture. Contemporary critics have spent much effort in the task of interpreting Madonna. Is she "like a virgin" or like a strong cultic priestess, or both, and possibly more? Aie the religious symbols she wears as jewelry merely decorative, or do they suggest something...