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Journal Article
Leopold Stokowski as I Know Him
Available to Purchase
Black Sacred Music (1992) 6 (2): 111–113.
Published: 01 September 1992
... Copyright © 1992 by Duke University Press 1992 Leopold Stokowski as I Know Him Leopold Stokowski is always in the news. He is always finding some thing worthwhile to do, some cause to champion. At this moment he has a new book just out, called "Music for All of Us"; and in a few weeks his...
Journal Article
92 You Know Your Mother Always Cares
Available to Purchase
Black Sacred Music (1990) 4 (1): 156.
Published: 01 March 1990
...Mary L. Tate; Mary F. L. Keith Copyright © 1990 by Duke University Press 1990 92 You Know Your Mother Always Cares 1 Your mother is your friend and she'll be to the end And if her hope and dreams will just come true. No bitterness or strife will even touch your life, You know your mother...
Journal Article
98 Will My Mother Know Me There?
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Black Sacred Music (1990) 4 (1): 162.
Published: 01 March 1990
...Mary L. Tate; Mary F. L. Keith Copyright © 1990 by Duke University Press 1990 98 Will My Mother Know Me There? When I reach my home eternal, Reach that city bright and fair ; When I stand among the angels, Will my Mother know me there? Refrain Yes, I know that she will know me, In those...
Journal Article
21 Do You Know Jesus?
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Black Sacred Music (1990) 4 (1): 47.
Published: 01 March 1990
...John Howardton Smith Copyright © 1990 by Duke University Press 1990 21 Do You Know Jesus? Do you know Jesus the poor Nazerine? Do you know Jesus the Carpenter's Son? Do you know Jesus the King of the Jews? Are you acquainted with Him? Chorus Do you know Jesus? Do you know Jesus? Do you know...
Journal Article
Thermon Ruth and the Selah Jubilee Singers An Interview
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Black Sacred Music (1988) 2 (2): 29–51.
Published: 01 September 1988
... they didn't inspire me, but one of the early [groups] was recording was the Silver Leaf from Norfolk. "Sleep On Mother," I'll always remember that. Q: That was 1927 [1928J, I know that for sure. That record was out just when you formed the group? Ruth: No, I think it was maybe a year or so after we formed...
Journal Article
Standing on the Promises
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Black Sacred Music (1993) 7 (1): 47–55.
Published: 01 March 1993
... when they must confront power. They stand when they confront wholesale destruction. They stand when their scrolls are burned. They stand when their call is challenged. They stand when strangers challenge their identity; when nobody else around them knows the Lord, they say; "I fear the Lord, the God...
Journal Article
125th Street Rap Session
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Black Sacred Music (1991) 5 (1): 80–83.
Published: 01 March 1991
...' you later, I got to try the Big Atlantic with my black navigator." Well, rap on, Brother! His name was Pedro 'Lonzo Nino. Rap right on, Brother! He was a solid black bambino! Now Lonnie looked at his compass, And gave his tiller a whirl, And the first thing you know, They had a brand new world...
Journal Article
The Catholic Imagination of Bruce Springsteen
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Black Sacred Music (1992) 6 (1): 232–243.
Published: 01 March 1992
... imagery, that self is forever Catholic. Hence, the popular rock star Bruce Springsteen, perhaps without knowing or understanding it, is a Catholic meistersinger. This essay is the third and final installment of an investigation I began last summer of the relationship between religious imagination...
Journal Article
The Blues: A Secular Spiritual
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Black Sacred Music (1992) 6 (1): 68–97.
Published: 01 March 1992
... directly out of the spiritual."7 They express and formalize a mood already present in the spirituals. For example, the following spirituals anticipated the "worried blues": "Nobody knows the trouble I've seen"; "I'm rollin' through an unfriendly world"; "I'm a-trouble in the mind"; "Sometimes I feel like...
Journal Article
Sing! for God Has the Last Word
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Black Sacred Music (1994) 8 (2): 81–88.
Published: 01 September 1994
...-Galatians 4:27 You can sing this morning because God has the last word. You and I face difficulties, and in the midst of these difficulties it's good to know that you can sing because God has the last word. This text from the book of Galatians is actually a quotation that Paul brings to us from the book...
Journal Article
Music Index
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Black Sacred Music (1995) 9 (1-2): 347–350.
Published: 01 September 1995
... Promised Lan 149 "I Been in the Storm So Long," 288-89 "I Been Tried:' 313 "I Can't Stay Behind:' 148 "I Got Good News:' 317-18 "I Know He'll Bring Me Out," 330-31 "I Know He'll Bring You Out Alright," 228 "I Know I Got Oat Good Religion/' 106 "I Know I'm a Soldier," u7 "I Know I'm Right," 318-19 "I Know...
Journal Article
Chapter 6. Characteristics
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Black Sacred Music (1995) 9 (1-2): 104–146.
Published: 01 September 1995
... Righteous Marchin "I Know I Got Oat Good Religion," and "I'm Goin' Down to de River o' Jordan" are unmistakably looking forward to and taking note of the happier things associated with the Christian religion. Thus, they are jubilees. Again, if one takes the music of each of these songs as a test, the music...
Journal Article
Appendix of Negro Songs
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Black Sacred Music (1995) 9 (1-2): 243–338.
Published: 01 September 1995
... J w w I J. I good Lord do de rest, Let de good Lord do de rest. I'll Wait for Sundown Ain't but one thing on my min', Dat I know can start my cryin', Jes a li'l' gal 'bout five-foot fo', But where she gone to I don't know. Ain't but one thing in dis Ian', Dat can make me a worl' farin' man, Jes...
Journal Article
A Symphony of Dark Voices
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Black Sacred Music (1992) 6 (2): 136–143.
Published: 01 September 1992
...' is regarded almost as the American national anthem. Now well see if he was right." Expectantly, he beckoned to the serenader. "Please sing the 'St. Louis Blues,' " he asked. Our troubadour looked blank. He was sorry, but he did not know this American song. Would we be willing, instead, to hear "Mexicali Rose...
Journal Article
The Rapper as Shaman for a Band of Dancers of the Spirit: “U Can’t Touch This”
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Black Sacred Music (1991) 5 (1): 60–67.
Published: 01 March 1991
... secular black music and culture. But to see this proclamation clearly, one must know something of the African-American tradition of approaching and revealing the divine force through media and vocabularies that the European-American culture tends to regard automatically as profane. Hammer's "U Can't Touch...
Journal Article
Story, History, and Performance: Interpreting Oral History through Black Performance Traditions
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Black Sacred Music (1994) 8 (2): 43–63.
Published: 01 September 1994
...-class in the 1950s and early 1960s, my ways of knowing myself and most everything around and outside of me appeared to come from two discursive worlds that seemed at odds with each other. Their messages and meanings contrasted and were often in competition with one another: the distant and sometimes...
Journal Article
Singing the New Song
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Black Sacred Music (1994) 8 (2): 89–93.
Published: 01 September 1994
..., and established my goings. And he hath put a new song in my mouth, even praise unto our God: many shall see it, and fear, and shall trust in the Lord -Psalm 40 There are songs that are no more than music. Anyone who can carry a tune can sing them. The only prerequisite is to know the sound corresponding...
Journal Article
Towards a Broader American Culture
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Black Sacred Music (1992) 6 (2): 189–191.
Published: 01 September 1992
... devoutly hope will become a reality. It's virtually impossible for anyone to pass judgment on a new work on a single hearing. A complete stranger to the music needs to know it better before he can understand it at all, and needs to know it well before he can learn to love it. Therefore, why not try to give...
Journal Article
The Men behind American Music
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Black Sacred Music (1992) 6 (2): 114–123.
Published: 01 September 1992
... MacGimsey and George Gershwin. Mr. MacGimsey came from the South to New York with the manuscript of his "Shadrack," and I orchestrated it and first played it over the "Deep River Hour." Any one who knows the song will recognize its similarity to "Joshua Fit de Battle of Jericho." Later, this composer came...
Journal Article
Inductive Lessons in Vocal Music
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Black Sacred Music (1988) 2 (2): 81–82.
Published: 01 September 1988
... and spiritually instructive for music directors wishing for their choristers to "sing with the spirit (a) Unless there is music in one, it is hard to get it out with ever so much training; yet one does not know what he can do until he tries. (b) "I will sing with the spit, and with the understanding also," said...
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