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individuation

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Journal Article
Black Sacred Music (1989) 3 (2): 50–56.
Published: 01 September 1989
...Hugh J. Roberts Copyright © 1989 by Duke University Press 1989 lmprorisolion, lndividuolion, ond lmmonenee: n.elonius Monk Hugh f. Roberts C. G. Jung believes that the exceptional individual is the one impelled by the God-within to seek a path that departs from the conformity of church...
Journal Article
Black Sacred Music (1992) 6 (1): 36–46.
Published: 01 March 1992
... the spirituals finally were the expression of beliefs not grounded in pressing reality. The blues are primarily the expression of a post-slavery view of the world. They are linked to a freeing of the individual spirit. Slavery leans toward obliterating the individual's sense of himself as a person...
Journal Article
Black Sacred Music (1992) 6 (2): 97–99.
Published: 01 September 1992
... Grant Still Music. 98 Black Sacred Music salaries or for the glory that might come to them individually. They should not forget about their music as soon as they leave the re­ hearsal hall, but, without being asked, take their scores home and practice alone until each detail is perfected. This must...
Journal Article
Black Sacred Music (1992) 6 (2): 233–244.
Published: 01 September 1992
... of many young composers lately, I've been astonished to see how much of it follows a pattern. Now, I don't disagree totally with that pattern. I simply don't see how it's possible for so many to fall into it and still retain their identities as individuals. There are people who seem to have decided...
Journal Article
Black Sacred Music (1989) 3 (2): 75–84.
Published: 01 September 1989
... an individual is a member of a clearly discernible collectivity that functions as a subgroup of a larger whole, all meaning that is mediated to and through the individual will reflect not only their dialogue with an overarching meaning system, but will also reflect the fact that the individual is a member...
Journal Article
Black Sacred Music (1988) 2 (2): 1–18.
Published: 01 September 1988
... in the process. 2 The Journal of Black Sacred Music Intra-dependence, explains Reed, refers to the disposition of self-autonomous individuals functioning in the world with their confirmation, protection and sustenance in their own hands. By the end of the normative weekly cycle, these autonomous selves have been...
Journal Article
Black Sacred Music (1988) 2 (2): 19–22.
Published: 01 September 1988
... is redemptive because it affords individuals an opportunity to fellowship with others who fully understand the sacrifice of living holy and the perils of following Christ, and there is great anticipation that in prayer, supplication, and waiting before the Lord tired and anxious spirits will be refurbished...
Journal Article
Black Sacred Music (1990) 4 (2): 109–112.
Published: 01 September 1990
..., the thought-oriented social praxis of American pragmatism that aims to enrich individuals and expand democracy is potentially the best this country has to offer itself and the world (5, 8) . At the core of the Emersonian brand of pragmatism is an optimistic belief that exceptional individuals (Du Bois's...
Journal Article
Black Sacred Music (1994) 8 (1): 92–106.
Published: 01 March 1994
... is at issue is, first, what status popular music has in the life of the individual and society and, second, what status it should have. But such questions are the province of ethics, if ethics is defined as how people should live. That explains why popular culture can and should be the subject of theological...
Journal Article
Black Sacred Music (1994) 8 (2): 43–63.
Published: 01 September 1994
... understood culture as both individual and communal.2 As audience to these stories, I intuitively knew that to trap and be trapped in history was to call up the past and to take part in a felt sensing and liberating performance of that past through active engagement with the storyteller.3 However...
Journal Article
Black Sacred Music (1990) 4 (2): 93–94.
Published: 01 September 1990
... in profusion. In America, pluralism is made dynamic by yet another American phenomenonexperimentalism, where individuals freely initiate their newfangled religions or attempt to bring the religions of others to termination (36, 48). This freedom and resultant pluralism is unappealing to those in power...
Journal Article
Black Sacred Music (1990) 4 (2): 63–64.
Published: 01 September 1990
... is always highly discursive, and tensions between discourses influence individual identity and culture (60). This is why theomusicology places substantial emphasis on the texts of the myriad music genres it examines: as particular discourses are entered into by producers and consumers of discourse-readers...
Journal Article
Black Sacred Music (1994) 8 (1): 135–156.
Published: 01 March 1994
..., during which he commented on the importance of inspiration in composing. Answering his own question regarding what inspiration is, he responded: "It comes as a result of lifting the individual to the place where he can contact and assimilate a divine emanation. The layman doesn't realize the extent...
Journal Article
Black Sacred Music (1992) 6 (2): 81–85.
Published: 01 September 1992
... in words. This plan is in truth a matrix in which the piece is molded. But at the completion of the plan the process ceases to be objective for the material to fill the mold must come subjectively. This may be under­ stood more clearly when you realize that each motive possesses individuality. Therefore...
Journal Article
Black Sacred Music (1994) 8 (2): 124–128.
Published: 01 September 1994
... that for Thurman society involves the dialectical nature of individuality and democracy. At one end of the dialectic is the infinite worth of the individual and God's creative intent for persons, and at the other end are the realities of freedom and equality. Carlyle Stewart III echoes the theme of community...
Journal Article
Black Sacred Music (1992) 6 (2): v–vii.
Published: 01 September 1992
...-fifth birthday sponsored by Oberlin Conservatory of Music, which I helped organize when I was a professor there. What is most memorable about the experience was Still's personal grace, charm, dignity, and profound sense of artistic and individual integrity. This warm and honorable person clearly...
Journal Article
Black Sacred Music (1989) 3 (2): 1–16.
Published: 01 September 1989
... deaf to God. However, he concludes, "deafness to God is not a deficiency in aesthetic perception or sensitivity, but is, rather, what I have preferred to call idolatry: the dedication of our energies and the setting of our hearts on some particular object, event, individual, tradition, fact, or idea...
Journal Article
Black Sacred Music (1989) 3 (1): 14–21.
Published: 01 March 1989
... book is that the poems appear to be his alone. In fact, most contemporaneous general song collections (except Simpson's The Emancipation Car) were compilations of the work of several different individuals. Thus Simpson is the only per~son, black or white, known to have written entire antislavery song...
Journal Article
Black Sacred Music (1990) 4 (2): 78–80.
Published: 01 September 1990
... no individual representation, yet who are reliant on the iconic presence of the church particularly in their community (xxx). What is instructive, however, is that Greeley's summarization of the results of his study actually reduces to a trinary categorization that is essentially correlative to Reed's model...
Journal Article
Black Sacred Music (1990) 4 (2): 61–63.
Published: 01 September 1990
... the ways discourses fundamentally shape our experi- Boolelleriews 63 ence" (60). The "real" in contemporary cultures is always highly discursive, and tensions between discourses influence individual identity and culture (60). This is why theomusicology places substantial emphasis on the texts of the myriad...