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Journal Article
Black Sacred Music (1991) 5 (2): 70–74.
Published: 01 September 1991
... Copyright © 1991 by Duke University Press 1991 Notes to the Hampton Choir at Carnegie Hall Sacred Songs of the Early Church In these Sacred Songs of the Early Church, the first by a Netherland composer who later became famous as the head of the "Venetian School" of madrigal writing...
Journal Article
Black Sacred Music (1991) 5 (2): 81–83.
Published: 01 September 1991
... Copyright © 1991 by Duke University Press 1991 Notes to the Hampton Choir at Queen's Hall I. Negro Melodies The three Negro spirituals, "Keep Me from Sinking Down," "No More Auction Block for Me," and "I'm Going to Travel," form a group unusually expressive of the slave's attitude toward his...
Journal Article
Black Sacred Music (1991) 5 (2): 75–80.
Published: 01 September 1991
... Copyright © 1991 by Duke University Press 1991 Notes to the Hampton Choir at Symphony Hall Negro Melody as Cantus and Chorale In this day of jazz and exaggeration, it is not surprising that what might be called the "cathedral element" in Negro folk song has been largely overlooked...
Journal Article
Black Sacred Music (1991) 5 (2): 131.
Published: 01 September 1991
... Copyright © 1991 by Duke University Press 1991 Bibliography of Dell's Published Works Album of a Heart. Jackson, Tenn. : Mocowat-Mercer, 1911. "As the Negro School Sings." Southern Workman 56 (July 1927): 304-5. The Dett Collection of Negro Spirituals. Minneapolis: Hall &. McCreary, 1936...
Journal Article
Black Sacred Music (1994) 8 (2): 141–143.
Published: 01 September 1994
... to Maynor's solo performance with the Hampton choir in Carnegie Hall in April 1928. Edward Cushing, writing for the April I7 issue of The Brooklyn Eagle, said Maynor's soprano solo in Dett's arrangement of Thomas Campion's "As by the Streams of Babylon" was so striking that the piece had to be repeated...
Journal Article
Black Sacred Music (1991) 5 (2): 133–138.
Published: 01 September 1991
..., Natalie Curtis, 31, 63 Burney, Helen F., 89 "By the Waters of Minnetonka," IIO 134 Index Caffin, Charles H., 42 "Calvary's Mountain," 110 Campion, Thomas, 76 Carnegie Hall, xii, 26, 34, 36-37, 38, 70-74, 85 Carter, Howard Handel, 96 Caruso, 65 Carver, George Washington, xiii, 79 "Castle on the River Nile...
Journal Article
Black Sacred Music (1991) 5 (2): xi–xiv.
Published: 01 September 1991
... Choir at Carnegie Hall (1928), Symphony Hall (1929), and Queen's Hall in London (1930). This reader is the first comprehensive collection of Dett's musicological writings, which, taken together, compose a systematic argument for the preservation of the black spirituals. What makes this compilation even...
Journal Article
Black Sacred Music (1991) 5 (2): 84–90.
Published: 01 September 1991
... Foster Peabody, a distinguished trustee of Hampton, far-famed for his philanthropy. Although the Choir had sung professionally for over five years in such places as Carnegie Hall, New York; Symphony Hall, Boston; Academy of Music, Philadelphia; Temple of Music, Library of Congress, Washington, there were...
Journal Article
Black Sacred Music (1991) 5 (2): 34–41.
Published: 01 September 1991
... Copyright © 1991 by Duke University Press 1991 The Development of Negro Religious Music The recogmuon of development in religious Negro music was greeted with no such manifestations of encouragement as those which tended to make the exhibition of secular Negro effusions in Carnegie Hall so...
Journal Article
Black Sacred Music (1991) 5 (2): 1–19.
Published: 01 September 1991
... (1908-11); Lincoln Institute (now Lincoln University) in Jefferson City, Missouri (1911-13); Hampton Institute (now Hampton University) in Hampton, Virginia (1913-32); and Bennett College in Greensboro, r. See the address at the presentation of the Harmon Award in 1927, as read in Ogden Hall at Hampton...
Journal Article
Black Sacred Music (1988) 2 (1): 65–71.
Published: 01 March 1988
... in religious Negro music was greeted with no such manifestations of encouragement as those which tended to make the exhibition of secular Negro effusions in Carnegie Hall so memorable. It is a well-known fact that in practically none of the colored churches of the better class, does the primitive Negro folk...
Journal Article
Black Sacred Music (1995) 9 (1-2): 216–229.
Published: 01 September 1995
... spirituals together, and that special mixed groups were used at various times for special occasions. The point here is simply that the rise of the Negro choir as an outlet for Negro music had to await the arrival of Hall Johnson. It was this man who made people realize the potency of a group of Negro men...
Journal Article
Black Sacred Music (1992) 6 (1): 146–154.
Published: 01 March 1992
... years, the Sacred Concerts, considered by many to contain some of his best music. A recent concert performance of this sacred music in Symphony Hall, Boston, prompted me to reflect on the legacy of this cultural figure, indeed, on religious perspectives of that legacy which extend beyond Ellington's...
Journal Article
Black Sacred Music (1992) 6 (2): 97–99.
Published: 01 September 1992
... Grant Still Music. 98 Black Sacred Music salaries or for the glory that might come to them individually. They should not forget about their music as soon as they leave the re­ hearsal hall, but, without being asked, take their scores home and practice alone until each detail is perfected. This must...
Journal Article
Black Sacred Music (1991) 5 (2): 104–107.
Published: 01 September 1991
... note in their own music, is it to be wondered at that there is often dissatisfaction with the music as it is most frequently heard in our churches, concert halls, theaters, schools, and by radio? The reason for this is obvious; the interpretations are ofttimes meaningless because the interpreters have...
Journal Article
Black Sacred Music (1991) 5 (2): 91–101.
Published: 01 September 1991
... Negro choruses to sing spirituals in the largest available halls, before large audiences, not only dramatically focused attention on Negro native musical ability, but gave the Negroes themselves a thrill of pride in their own ability and in a racial inheritance of which they were fast becoming ashamed...
Journal Article
Black Sacred Music (1995) 9 (1-2): 341–346.
Published: 01 September 1995
..., 142-43, 210 Calloway, Cab, 23, 24, 26, 46 Carnegie Hall, 27, 41, 226 Carter, E. R., 313 Center for Negro Arts, ix chant, 6 Charioteers, 221-22 Chicago Conservatory of Music, xi children, 46 choirs, 222-25 Chopin, Frederic Fran~ois, 56, 180 church, 158, 163; music influenced by blues, 61-62 Churchill...
Journal Article
Black Sacred Music (1991) 5 (2): 120–129.
Published: 01 September 1991
... their own initiative toward serious work; for they had taught the race to believe that, at its best, it would only be laughed at. In November, 1903, Samuel Coleridge-Taylor, English Negro composer, arrived in this country from London, and on the sixteenth of the same month, in Convention Hall, Washington...
Journal Article
Black Sacred Music (1987) 1 (2): 47–74.
Published: 01 September 1987
..., for the Use of the Friends of Emancipation. Boston: Garrison & Knapp, 1834. Photocopy. B19, fl The Golden Book of Favorite Songs. Ed. John W Beattie et al. (Minneapolia: Schmitt, Hall & McCreary, 1946. b37 Gospel Pearls. Nashville: National Baptist Convention, U.S.A., 1921. b36 Grissom, Mary Allen. The Negro...
Journal Article
Black Sacred Music (1994) 8 (1): 178–201.
Published: 01 March 1994
... white American culture an early indication of the rhythmical and musical sea change about to occur in the decade of the Roaring Twenties. Second, James Reese Europe was the first African American to conduct a concert of this African American music in Carnegie Hall, on May 21 1912.32 The program included...