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Journal Article
Black Sacred Music (1994) 8 (2): 72–74.
Published: 01 September 1994
...J. A. Rogers Copyright © 1994 by Duke University Press 1994 "The Green Pastures" and Other Ruminations f. A. Rogers Impressions of "The Green Pastures" as a play. Stage setting: A delight. Acting: good, Charles Winter Wood is impressive, supple, masterly, pleasing. Singing: unforgettable...
Journal Article
Black Sacred Music (1989) 3 (2): 85–97.
Published: 01 September 1989
...Alton B. Pollard, III Copyright © 1989 by Duke University Press 1989 The LIISI Soul Singer in Amerito: Al Green Alton B. Pollard, III The worlds within and without the Veil of Color are changing, and changing rapidly, but not at the same rate, not in the same way; and this must produce...
Journal Article
Black Sacred Music (1991) 5 (2): xi–xiv.
Published: 01 September 1991
... Reader. Jon Michael Spencer Bowling Green, Ohio 5. R. Nathaniel Dett, "The Authenticity of the Spiritual," in Th e Dett Collection of Negro Spirituals, 3rd Group (Minneapolis: Hall and McCreary, 1936), 4. 6. See Jon Michael Spencer, ed., Unsung Hymns by Black and Unknown Bards, a special issue of Black...
Journal Article
Black Sacred Music (1991) 5 (1): v–vii.
Published: 01 March 1991
... that the essays in this volume by Professors Michael Dyson of Chicago Theological Seminary, Philip Royster of Bowling Green State University, and Sonja Peterson-Lewis of Temple University were inspired by the initiatives of their graduate students. Peterson-Lewis is serving on the dissertation committee of Ronald...
Journal Article
Black Sacred Music (1990) 4 (2): 50–53.
Published: 01 September 1990
...Ray B. Browne Browne , Ray B. Against Academia: The History of the Popular Culture Association/American Culture Association and the Popular Culture Movement, 1967–1988 . Bowling Green, Ohio : Bowling Green State University Popular Press , 1989 . Copyright © 1990 by Duke University...
Journal Article
Black Sacred Music (1990) 4 (2): 63–64.
Published: 01 September 1990
...Jim Curtis Curtis , Jim . Rock Eras: Interpretations of Music and Society, 1954–1984 . Bowling Green, Ohio : Bowling Green State University Popular Press , 1987 . Copyright © 1990 by Duke University Press 1990 Boolelleriews 63 ence" (60). The "real" in contemporary cultures...
Journal Article
Black Sacred Music (1990) 4 (2): 117–120.
Published: 01 September 1990
... to climb the "for whites only" ladder of racial assimilation and cultural acceptance. For instance, The Green Pastures (1930) was composed of white stereotypes about what southern black folk's heaven looked like according to their religious fantasies. Additionally, just as casting blacks in white roles...
Journal Article
Black Sacred Music (1990) 4 (2): 40–46.
Published: 01 September 1990
... in which they have been passed from person to person. Other collections, such as Fifty Negro Spirituals for Male Voices, published by the J. A. Parks Company, York, Nebraska, and The Green Pasture Spirituals, arranged by Hall Johnson and published by Carl Fisher, Inc., New York, have additional songs...
Journal Article
Black Sacred Music (1989) 3 (2): 163–169.
Published: 01 September 1989
... Copyright © 1989 by Duke University Press 1989 Index Adorno, Theodor, 7-8 AIDS (Acquired Immune Deficiency Syndrome), 127, 146 Alexander, Texas, 33, 42 Al Green Explores Your Mind, 94 "Anna Stesia," 130-32 Anson, Robert Sam, 114 Apocalypticism, 126, 129, 132, 137 Astaire, Fred, 107 Atheists...
Journal Article
Black Sacred Music (1992) 6 (1): 295–297.
Published: 01 March 1992
... in Revolt, trans. Anthony Bower. New York: Alfred A. Knopf, 1969. Cox, Harvey. The Secular City: Secularization and Urbanization in Theo- logical Perspective. New York: Macmillan, 1966. Curtis, Jim. Rock Eras: Interpretations of Music and Society, I954-I984 . Bowling Green, Ohio: Bowling Green State...
Journal Article
Black Sacred Music (1992) 6 (1): 229–231.
Published: 01 March 1992
... America's social surface. On the other hand, the 1980s and early 1990s have 3. Jim Curtis, Rock Eras: Interpretations of Music and Society, 1954-1984 (Bowl- ing Green, Ohio: Bowling Green State University Popular Press, 1987), 125-26. 4. Ibid., 127 . 5. Ibid., 128. 6. Ibid., 239. Rocklntroduction 231 also...
Journal Article
Black Sacred Music (1989) 3 (2): 159–161.
Published: 01 September 1989
..., James H. The Spirituals and the Blues. San Francisco: Harper & Row, 1972. Cox, Harvey. The Secular City: Secularization and Urbanization in Theological Per- spective. New York: Macmillan, 1966. Curtis, Jim. Rock Eras: Interpretations of Music and Society, 1954-1984. Bowling Green, Ohio: Bowling Green...
Journal Article
Black Sacred Music (1990) 4 (2): 61–63.
Published: 01 September 1990
.... Rock Eras: Interpretations of Music and Society, 1954-1984. Bowling Green, Ohio: Bowling Green State University Popular Press, 1987. "Popular music always has an audience," Jim Curtis prefaces his book. "That is why it is called 'popular'" (2). Within that alwaysaudience, the theomusicologist would...
Journal Article
Black Sacred Music (1992) 6 (1): 203–205.
Published: 01 March 1992
...: "By breaking down the division between 1. Jim Curtis, Rock Eras: Interpretations of Music and Society, 1954-1984 (Bowl- ing Green, Ohio: Bowling Green State University Popular Press, 1987), 59-60, 97, 99. Black Sacred Music 6:11 Spring 1992. Copyright © 1992 by Duke University Press. CCC 1043-945 5/92/$1.50...
Journal Article
Black Sacred Music (1994) 8 (1): 265–268.
Published: 01 March 1994
... of Chicago Press, 198 5. Shafer, Ingrid H ., ed. The Incarnate Imagination: Essays in Theology, the Arts and Social Sciences in Honor of Andrew Greeley. Bowling Green, Ohio: Bowling Green State University Popular Press, 1988. Spencer, Jon Michael. Blues and Evil. Knoxville: University of Tennessee Press...
Journal Article
Black Sacred Music (1990) 4 (2): 47–50.
Published: 01 September 1990
.../ American Culture Association and the Popular Culture Movement, 1967-1988. Bowling Green, Ohio: Bowling Green State University Popular Press, r989 . Ray Browne, father of the Popular Culture movement and chair of the only Department of Popular Culture in the nation (probably in the world), has changed...
Journal Article
Black Sacred Music (1992) 6 (2): 271–277.
Published: 01 September 1992
..., Theron C., 121 Bemie, Ben, 118 Bernstein, Leonard, 36, 187 Berry, Chuck, 117 Bethune, Thomas Greene, 209 Biederbeck, Bix, 119 Big Sea, The, 57 Black Music, 222 black music; academic coursework in, 222-24; defined, 26-32, 102-04, 137; stereotyping of, 106 08, 128 32, 177 Black Patti. See Jones...
Journal Article
Black Sacred Music (1989) 3 (1): 68–71.
Published: 01 March 1989
... in 1987 by G. I. A. Publications in Chicago. The very appearance of lead Me. Guide Me is striking and makes a distinct statement regarding the strong African-American heritage of Black Catholics. It has a hardbound laminated cover in the colors of the Blackamerican liberation flag-red, black, and green...
Journal Article
Black Sacred Music (1995) 9 (1-2): 347–350.
Published: 01 September 1995
... Gonna Straighten 'Em," 228 "Going to Heaven on a Mule," 196 "Gonna Stan' Dere Anyhow," 228 "Good News, de Chariot's Comin 106 "Got Her Loaded, Now!" 134-35 "Got Mah Head Under Water:' 261-62 "Great Day, de Righteous Marchio 106,229 Green Pastures, The, 200, 223, 235 "Guide My Feet, While I Run Dis Race...
Journal Article
Black Sacred Music (1990) 4 (2): 124.
Published: 01 September 1990
... at Chicago's Apostolic Faith Church. Garry Seabron, a former student at the Duke University Divinity School, is an Elder in the Church of God in Christ. Jon Michael Spencer, Ph.D., is an associate professor in the Department of Popular Culture at Bowling Green State University. John Wilson III, a seminarian...