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Journal Article
Black Sacred Music (1989) 3 (1): 75.
Published: 01 March 1989
...Henry Louis Gates, Jr. Gates , Henry Louis , Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism . New York : Oxford University Press , 1988 . © Copyright 1989 JBSM /Jon Michael Spencer 1989 Book Reviews 75 Dvorak sums up the apocalyptic, eschatological...
Journal Article
Black Sacred Music (1990) 4 (2): 72–75.
Published: 01 September 1990
...Henry Louis Gates, Jr. Gates , Henry Louis , Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism . New York : Oxford University Press , 1988 . Copyright © 1990 by Duke University Press 1990 flection and the goal toward which all of life strives"-is its...
Journal Article
Black Sacred Music (1989) 3 (1): 75.
Published: 01 March 1989
... of Pennsvlvania. Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988. Gate 's theory of Afro-American literary criticism is based on the notion of signifying, which he distills to mean a black person's symbolic aggression enacted...
Journal Article
Black Sacred Music (1990) 4 (2): 70–72.
Published: 01 September 1990
... Christian cultures, the ideal community-"the norm for ethical re- flection and the goal toward which all of life strives"-is its normative criterion, too. Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988. The blues...
Journal Article
Black Sacred Music (1989) 3 (1): 74–75.
Published: 01 March 1989
... Ellison's analysis of blues as a secular idiom to Neal's treatment of blues as a sacred genre. Baker is Professor of English and Albert M. Greenfield Professor of Human Relations at the University of Pennsvlvania. Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism...
Journal Article
Black Sacred Music (1988) 2 (2): 29–51.
Published: 01 September 1988
... at all? Ruth: Well the group that kind of inspired me was the Golden Gate Quartetthey was putting out a few records at that time-and the Charioteers, and the Mills Brothers. They was my favorites. They were the ones that inspired me. Q: You say that when you formed the group the Golden Gate Quartet...
Journal Article
Black Sacred Music (1992) 6 (1): 47–54.
Published: 01 March 1992
... also accounts for black music's unique stature among the arts. Henry Louis Gates provides some intriguing formal observations in this regard by comparing black music with black literature: The commonplace observation that black literature with very few exceptions has failed to match pace with a sublime...
Journal Article
Black Sacred Music (1991) 5 (1): 68–79.
Published: 01 March 1991
... and other rap groups led many inside and outside the music industry to protest that the lack of action against white groups with similar lyric content was evidence of a double standard and selective prosecution based on race. Henry Louis Gates, Jr., university professor and author of several works on black...
Journal Article
Black Sacred Music (1990) 4 (2): 54–58.
Published: 01 September 1990
... man took his dollar and went straight to the heavenly gates, where he paid his toll to get in. The Jew went up to the gates and claimed to have only ninety-nine cents; God let him in anyway. The black man-well, listen as Lee Drake tells it: Well, this Negro, he had done stopped and brought him a brand...
Journal Article
Black Sacred Music (1994) 8 (2): 105–109.
Published: 01 September 1994
.... Will's op-ed piece (in which he intercuts testimony from the Central Park case with lyrics from 2 Live CrewJ-brings Baker to the history of the legal prosecution of that group. Here Baker finds occasion to take his colleague, Henry Louis Gates, Jr., to task for defending-both at the trial and in an op-ed...
Journal Article
Black Sacred Music (1990) 4 (1): 27.
Published: 01 March 1990
... walks the homeward way. 5 Love is the Christian's daily guide That points him to the throne. Love makes the pearly gates swing wide And leads him to his home. Words: John Howardton Smith MISSION AND DISCIPLESHIP ...
Journal Article
Black Sacred Music (1990) 4 (1): 119.
Published: 01 March 1990
..., on the Solid Rock, Is the Church of the Living God, The gates of hell can never prevail, For 'tis built on the Solid Rock. 3 Built on the Rock, Rock revealed to Peter, It will stand every raging storm; Jesus the head, we the living body, We are safe from all earthly harm. 4 Built on the Rock, and 'Twill stand...
Journal Article
Black Sacred Music (1990) 4 (1): 56–57.
Published: 01 March 1990
...F. M. Hamilton Copyright © 1990 by Duke University Press 1990 27 Will You Be There? 1. When the saints are march- ing o the home of the blest, 2. When the an- gels shall o- pen the pearl- y gates wide- Wf }"1 lt"f JflJ.1'a "f 1 "f I II To the man- sions in re- gions fair , With re- Wei- come...
Journal Article
Black Sacred Music (1990) 4 (1): 144–145.
Published: 01 March 1990
...'?7 pr I w; I I b~, Where Pearl- But there y with ~ is no pain nor gates w i II o- pen Christ shall live for- Chorus sad- ness, We shall for us, We shall -ev- er, We shall £ F= f i meet there by and by. Byand by, meet there by and by. TTll1 b~: I i byand by, We shall meet...
Journal Article
Black Sacred Music (1990) 4 (1): 140–141.
Published: 01 March 1990
..., endures! Well may the scene appall , Yet, learn thou here, Love that "endureth" all. 6 A hill outside the gate with brow cross-capped Circled with motley, gaping crowd; gloom-wrapped In strange eclipse; thunder, and cruel jeers, A soul's last prayer, and women's heart-wrung tears. 7 Calvary! and a world's...
Journal Article
Black Sacred Music (1995) 9 (1-2): 341–346.
Published: 01 September 1995
..., 63, 232, 240 Gibson, Gus, 206 Giles, Harriet, 242 Golden Gate Quartet, 221-22 Golden Jubilee Singers, 212 gospel: choir, 224-25; music, 27, 33; quartets, 62, 218-22 Grainger, Percy, 99, 226 Green, Jim, 96 guitar, 49, 50, 205; blues, 56; tunings, 206 Gullah, 15,97, roo, 148,241 Hall, Frederick, 239...
Journal Article
Black Sacred Music (1990) 4 (1): 146–148.
Published: 01 March 1990
...F. M. Hamilton Copyright © 1990 by Duke University Press 1990 86 Over on the Other Shore ~I I. There's 2. Thro' 3. There 4. "There a the we'll the hap- py day soon com- ing, and pearl- y gates we'll en- ter, walk ne- ver know of sor- row, there wick- ed cease o trou- ble and the the we'll...
Journal Article
Black Sacred Music (1990) 4 (1): 82–84.
Published: 01 March 1990
... to conquer, Shall our souls fill with delight. And will keep the gates ajar. Words: F. M. H amilton Music: F. M. H amilto n FA ITH AND ENDURANCE ...
Journal Article
Black Sacred Music (1993) 7 (1): 30–32.
Published: 01 March 1993
... largest churches was presenting on Sunday evening Maxine Sullivan, Marie Bryant, and other stars of the theatre at the church. The other placard announced Sister Tharpe supported by various gospel quartettes at the Golden Gate Ballroom. These placards set me to thinking how nowadays the theatre has...
Journal Article
Black Sacred Music (1988) 2 (2): 52–59.
Published: 01 September 1988
..., my vision was clarified, my eyes were opened. I could see apparently the golden walls and pearly gates of the "city made without hands." Surely the heavens were opened. The Spirit spoke within frolJl the holy of holies of my redeemed spirit, and said, "You shall write the hymns for your people...