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Journal Article
Black Sacred Music (1990) 4 (1): 164–165.
Published: 01 March 1990
...F. M. Hamilton Copyright © 1990 by Duke University Press 1990 100 The Parting Hour Has Come a B f I ~ f r f I t I r ?~ ?I l. The part- ing hour has come, And we must say good- il'rt J;~ lT"i'1 ;W~n I w{1 j' sl&b ~ I ~ pb ~ ~~ -bye , Be- -hold our work is ' there, We'll ~ shake no I part- ing...
Journal Article
Black Sacred Music (1990) 4 (1): 44–45.
Published: 01 March 1990
...F. M. Hamilton Copyright © 1990 by Duke University Press 1990 19 Come Unto Me f~ 1 lu a ' f ~I ~ ~f~ I r ' ~ ?I 1. Are 2. Are 3. lli you wea- ry, there threat- 'ning the wick- ed heav- y heart- ed? dan- gers near you? taunt you dai- l y? Cum- ber'd with a Like a gloom-y Is theretrou- ble ff r...
Journal Article
Black Sacred Music (1990) 4 (1): 40–41.
Published: 01 March 1990
...F. M. Hamilton Copyright © 1990 by Duke University Press 1990 17 Whosoever Will May Come 1. Hear 2. Hear 3. H ear the joy- ful mes- sage, the joy- ful mes- sage, the joy- ful mes- sage, float- ing thro' the air, tell it o'er and o'er, let it cheer your heart, Mak- ing g lad the hearts of Let...
Journal Article
Black Sacred Music (1990) 4 (1): 90.
Published: 01 March 1990
...Charles Harrison Mason Copyright © 1990 by Duke University Press 1990 48 Lord Jesus Come I Lord Jesus come, Lord Jesus come. Thy greatness everywhere make known. Lord Jesus come. 2 Lord Jesus come, Lord Jesus come. Let the Spirit of grace be in these hearts. Lord Jesus come. 3 Lord Jesus come...
Journal Article
Black Sacred Music (1993) 7 (1): 75–79.
Published: 01 March 1993
...Michael A. Battle Copyright © 1993 by Duke University Press 1993 How Far Have We Come Since King? Michael A. Battle It is a great joy to have been invited to share with you in celebration of the contributions of Dr. Martin Luther King, Jr. These celebrations provide us a rich opportunity...
Journal Article
Black Sacred Music (1990) 4 (1): 85.
Published: 01 March 1990
...H. C. Jackson Copyright © 1990 by Duke University Press 1990 44 Jesus Is Healing Today Chorus Oh, Jesus is healing, Jesus is healing, I feel the kingdom coming; Oh, Jesus is healing, Jesus is healing, I feel the kingdom coming. 1 Stretch out your hand, I feel the kingdom coming; Stretch out...
Journal Article
Black Sacred Music (1989) 3 (1): 22–52.
Published: 01 March 1989
...! And may the God of Righteousness defend you. Free the slave-free the slave! Put on your Armor-make it bright, And draw the bow with holy might And speed the arrows in their flight . Free the slave! free the slave! 30 The Journal of Black Sacred Music 10 FREEDOM'S CALL. Come come to freedoms callOld...
Journal Article
Black Sacred Music (1990) 4 (1): 104.
Published: 01 March 1990
...Charles Harrison Mason Copyright © 1990 by Duke University Press 1990 59 What Is My Message? "What is my message? Jesus come, Jesus come. His word and His wisdom. Jesus come, Jesus come. The Lord in His glory, all on you. The same wonder - Jesus. The Lord for the poor. The Sacrifice of God's...
Journal Article
Black Sacred Music (1987) 1 (1): 1–33.
Published: 01 March 1987
... in and of themselves; but were rather beginnings to the eschatological end, at which juncture the Lamb would come again and dwell among his flock for a millennium after the rapture, the tribulation, and the restoration of the earth. Therefore, the baptism of the Holy Ghost, not glossae, was to be pursued. If one had...
Journal Article
Black Sacred Music (1993) 7 (2): 49–59.
Published: 01 September 1993
... and truth. 2 . This Yoruban song of Nigeria means, "Come O Holy Spirit come (Spirit of Wisdom)/Come Almighty Spirit come (Almighty Trinity)/Come come come, 0 Spirit c o m e ." 3. This song in the Rutooro language of Uganda means "Love One Another." 4. This song in the Bemba language of Zambia translates...
Journal Article
Black Sacred Music (1995) 9 (1-2): 243–338.
Published: 01 September 1995
...' John Henry, Dis ol' hammer kill' John Henry, Dis ol' hammer won't kill me. Dis ol' shovel buried John Henry, (3x) Dis ol' shovel won't bury me. Lay mah head on de railroad track, (3x) Train come along, snatch it back. Dis 01' Hammer Kill' fohn Henry Rests represent hammer-falls. @1 &'1, n J1 Ji. Il J...
Journal Article
Black Sacred Music (1992) 6 (2): 81–85.
Published: 01 September 1992
... expanding with joy. Then the current rises as quickly as it descended, producing a tingling sensation throughout the head, and causing the upper part of the body to twitch spasmodically as it departs. It is quite customary for flashes of inspiration to come when one views the beauties of spiritual truth...
Journal Article
Black Sacred Music (1995) 9 (1-2): 104–146.
Published: 01 September 1995
... scripture quotation: Seek and ye shall find; Knock and the door shall be opened. Ask and it shall be given; And de love come tricklin' down. 7. Line with partial repetition: Gonna see my mother some o' dese mawnins, Gonna see my mother some o' dese mawnins, Gonna see my mother some o' dese mawnins, Hope...
Journal Article
Black Sacred Music (1995) 9 (1-2): 75–103.
Published: 01 September 1995
... insurmountable obstacle. The first idea was to lay the track around the mountain, but the shortage of time and rail prevented that. The second idea was to tunnel through the mountain. But this could not be done because it was well known that no help would come from John Henry, for he would work with nothing...
Journal Article
Black Sacred Music (1990) 4 (1): 32–33.
Published: 01 March 1990
...F. M. Hamilton Copyright © 1990 by Duke University Press 1990 12 The Master Calls! Go Work To-Day it f f f ~ EI ~ r I ~ fl / tI 1. you hear the Mas- ter call- ing now? Call- ing ~: lab- 'r~s, 2. If you hear His voice come 10 Him now , Come 10 Him glad- ly, 3. There arewo rk sof mer- cy...
Journal Article
Black Sacred Music (1995) 9 (1-2): 203–215.
Published: 01 September 1995
... Copyright © 1995 by Duke University Press 1995 Chapter r2 The Folk Festival Fort Valley State College has the most unique enterprise of a folk nature held by any of the Negro colleges to come under my noticethe Fort Valley State College Folk Festival. The origin and history of the festival...
Journal Article
Black Sacred Music (1988) 2 (2): 96–101.
Published: 01 September 1988
... is Healing Today further documents the character of a tradition going as far back as Bishop Mason himself. In this piece each stanza is comprised of a repeated couplet, and the phrase "I feel the kingdom coming" is the congregation's answer to the leader: Chorus Oh, Jesus is healing, Jesus is healing, I feel...
Journal Article
Black Sacred Music (1994) 8 (2): 81–88.
Published: 01 September 1994
..., and, in understanding how faithful God is, he is able to tell the people that trouble won't last always, that barrenness will not be a permanent condition. You who do not travail today, just hold your peace, be faithful to God, and on the other side you'll come out singing. In fact, you can even sing now, because...
Journal Article
Black Sacred Music (1989) 3 (2): 133–141.
Published: 01 September 1989
... own and if de-elevator tries 2 bring udown go crazy punch a higher floor Let's go crazy. Let's get nuts.4 We all know that the Prince, Prince Rogers Nelson, has come. And so has his contemporary rock court-The Revolution, The Jets, Jesse Johnson, Alexander O'Neal, Andre Cymone, The Family, Sheila E...
Journal Article
Black Sacred Music (1992) 6 (2): 157–163.
Published: 01 September 1992
... and that I wished to do so, but he would not accept pay. So here again, I was fortunate in coming in contact with a new musical influence a man who was forging ahead to help build a new culture for a young nation. The third teaching influence was that of Edgar Varese, the noted French ultra-modernist, who...