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chill
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Journal Article
Black Sacred Music (1993) 7 (1): 71–74.
Published: 01 March 1993
...Robert E. Hood Copyright © 1993 by Duke University Press 1993 The Thrills and Chills of Death Robert E. Hood For as by a man came death, by a man has come also the resurrection of the dead. For as in Adam all die, so also in Christ shall all be made alive. For he must reign until he had put...
Journal Article
Black Sacred Music (1990) 4 (1): 102–103.
Published: 01 March 1990
..., He will help you win the victory And will fill your life with joy. 5 Steal away alone with Jesus, When the night of death draws near, You will need your loving Savior To lead you across that chilling stream, He alone can make you welcome, In that peaceful land of rest, Where you'll sing your Savior's...
Journal Article
Black Sacred Music (1991) 5 (1): 41–50.
Published: 01 March 1991
... origin and "pigment envy"-have had a resurgence through Public Enemy's raps, particularly the chilling "Fear of a Black Planet," with its haunting refrain: "Black Man, Black Woman, Black Baby; Black Man, White Woman, Black Baby," and so on. Elijah Muhammad's theories are by no means limited to Public...
Journal Article
Black Sacred Music (1993) 7 (1): 1–16.
Published: 01 March 1993
... advance of ideas and plot is abruptly stopped in its tracks; time ceases for a while and the cold chill of monotony reveals a glimpse of Being Beyond the Becoming of the human scene."9 8. D . J. Conacher, Euripidean Drama': Myth, Th eme, and Structure (Toronto: Univer- sity of Toronto Press, 19741, 69 . 9...
Journal Article
Black Sacred Music (1991) 5 (1): 25–40.
Published: 01 March 1991
...-hop, you don't stop"-brings back sweet memories of the 17. Robert Farris Thompson, "Hip-Hop 101 1s Course Description: Break Dancing Goes Back Way Back," Rolling Ston e, March 27, 19861 96 . 18. Toop, Th e Rap Attack, 19. 19. Ibid. 20. Jay Cocks, "Chilling Out on Rap Flash," Time, March 21, 1983, 73...
Journal Article
Black Sacred Music (1994) 8 (1): 13–35.
Published: 01 March 1994
..., not reason-the anachronistic notion of a divine moral order in the universe sent a chill from earlier days through audiences at Don Giovanni at that time, as it still does for audiences today. But the opera is no grimly punitive tale. Along the way the Don gets his due, in music which powerfully conveys...