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Journal Article
Black Sacred Music (1987) 1 (1): 67.
Published: 01 March 1987
...Roland M. Carter © Copyright 1987 JBSM /Jon Michael Spencer 1987 R.M.C. I -J I :ff Yon -drour night, Ra - dient star c.: I WONDROUS NIGHT From BEHOLD THE DAY COMES II Roland M Carter it u -- -Clo shin rious night Ho ing bright On ~Le night when night when A! -e-· I II Je sus Christ was born...
Journal Article
Black Sacred Music (1987) 1 (1): 68.
Published: 01 March 1987
...Roland M. Carter © Copyright 1987 JBSM /Jon Michael Spencer 1987 Luke 2: 14 GLORY TO GOD From BEHOI.D THE DAY COMES Roland M. Carter Glo - ry to God in the high est and peace on earth, good will to men. Glo - ry to God in the high est and peace on earth, good will to I men . I I II I Peace...
Journal Article
Black Sacred Music (1993) 7 (1): 80–82.
Published: 01 March 1993
...Harold Dean Trulear Harold A. Carter , Wyatt Tee Walker , and William A. Jones , Jr. The African American Church: Past, Present, and Future . New York : Martin Luther King Fellows Press , 1991 . 103 pp. Copyright © 1993 by Duke University Press 1993 Book Reviews...
Journal Article
Black Sacred Music (1993) 7 (1): 82–85.
Published: 01 March 1993
... to theology as a public enterprise, both depend heavily on popular culture for the "stuff" of analysis, and both focus on the import of black religion on the cultural development of African Americans. The shared concerns are most clearly seen in Carter's and Walker's sections, where they point to black sacred...
Journal Article
Black Sacred Music (1991) 5 (2): 91–101.
Published: 01 September 1991
.... It was thus that I had the good fortune to continue at Oberlin, where I was studying with Howard Handel Carter. Carter had been a fellow student with Theodore Presser at Leipzig and was very proud of this acquaintanceship. He held me down with an iron discipline, and I needed it at that time, as I had chiefly...
Journal Article
Black Sacred Music (1987) 1 (1): 83.
Published: 01 March 1987
... © Copyright 1987 JBSM /Jon Michael Spencer 1987 Contributors Roland M. Carter is Chairman of the Department of Music at Hampton University, director of the well-known Hampton Choir, and director of the Choir Directors-Organists Guild of the Hampton University Ministers Conference . Marvin...
Journal Article
Black Sacred Music (1987) 1 (1): 69–81.
Published: 01 March 1987
... E. "Jesus Gave Me Water." Gospel. Carter, Nathan, arr. "Precious Lord" (By Thomas Dorsey). Gospel Hymn. SATB. Carter, Roland M . "Behold the Days Come Xerox MS. Cantata. SATB and Piano. - - - , arr. "Choral Responses Based On Old Hymn Tunes and Afro-American Spirituals." Xerox MS. SATB. - - - , arr...
Journal Article
Black Sacred Music (1995) 9 (1-2): 341–346.
Published: 01 September 1995
..., 142-43, 210 Calloway, Cab, 23, 24, 26, 46 Carnegie Hall, 27, 41, 226 Carter, E. R., 313 Center for Negro Arts, ix chant, 6 Charioteers, 221-22 Chicago Conservatory of Music, xi children, 46 choirs, 222-25 Chopin, Frederic Fran~ois, 56, 180 church, 158, 163; music influenced by blues, 61-62 Churchill...
Journal Article
Black Sacred Music (1987) 1 (2): 47–74.
Published: 01 September 1987
... Carter (music), Memorial Hymn to General Armstrong (1893). Photocopy. Bll, f9 Banks, Robert. The Praise Chorale: A Negro Folk-Gospel Cantata. SATB and Piano. b29 Barnet, Willis L. Antiphonal Praise. SATB and Keyboard. b29 - - - . Being the Church. Gospel. SATB and Solo. Bl3 - - - . Bless the Lord, 0 My...
Journal Article
Black Sacred Music (1991) 5 (2): 133–138.
Published: 01 September 1991
..., Natalie Curtis, 31, 63 Burney, Helen F., 89 "By the Waters of Minnetonka," IIO 134 Index Caffin, Charles H., 42 "Calvary's Mountain," 110 Campion, Thomas, 76 Carnegie Hall, xii, 26, 34, 36-37, 38, 70-74, 85 Carter, Howard Handel, 96 Caruso, 65 Carver, George Washington, xiii, 79 "Castle on the River Nile...
Journal Article
Black Sacred Music (1989) 3 (1): 1–5.
Published: 01 March 1989
... in their worship services. This was especially true of urban, literate, assimilated black churches, and of black congregations within white denominations. Carter G. Woodson attributeq this surreptitious behavior to what he called "mis-education." In the wake o( the Civil War white missionaries came South to teach...
Journal Article
Black Sacred Music (1992) 6 (2): 271–277.
Published: 01 September 1992
..., 178-79, 188, 192, 193, 211, 221 Calhoun, Arthur, 180 California Eagle, 3 Calvin, Willa, 10 11 Calvins' News Service, 10, 48, 49, 53 Campbell, Dick, 4, 56 Cantor, Eddie, 120 Carmichael, Hoagy, 137 Carpenter, John Alden, 90 "Carry Me Back to Old Virginny," 139 Carter, Benny, 117 Chadwick, George W, vi...
Journal Article
Black Sacred Music (1993) 7 (1): 47–55.
Published: 01 March 1993
... to the Spirit's call Resting in my Saviour and my all in all Standing on the promises of God. Standing, standing Standing on the promises of God my Saviour Standing, standing I'm standing on the promises of God.28 27 . Public domain. 28 . R. Kelso Carter, " Standing on the Promises," Th e N ew National Baptist...
Journal Article
Black Sacred Music (1992) 6 (2): 114–123.
Published: 01 September 1992
... commercial arrangements for the big bands, took the spot Fletcher Henderson left open when she "crashed" a Benny Goodman rehearsal and asked him to play an arrangement she had made for him. He played it, liked it, and asked for more. Later Benny Carter arranged some specialties for Goodman, and Jimmy Mundy...
Journal Article
Black Sacred Music (1989) 3 (2): 75–84.
Published: 01 September 1989
... opportunity Like a peanutless Jimmy Carter, Stevie stands ready to bring love and trust to all Americans."1 In searching for the source of Stevie Wonder's message, Pareles quips, "Maybe Stevie's the last Hippie."2 Who else could check out the seventies landscape and in all sincerity announce that "love, God...
Journal Article
Black Sacred Music (1995) 9 (1-2): 162–174.
Published: 01 September 1995
..., Robert Russa Moton, James Weldon Johnson, Alain Locke, Carter G. Woodson, Benjamin Brawley, Frederick Douglass, William Stanley Braithwaite, Langston Hughes, Mary McLeod Bethune, Charlotte Hawkins Brown, and many others. These intellectuals have consistently maintained the virtue of the black man's rich...
Journal Article
Black Sacred Music (1992) 6 (1): 299–309.
Published: 01 March 1992
... Women-identified music, 8 Wonder, Stevie, 53,285, 291 Woodson, Carter G., 138 Woodstock, 230, 231 Work, John W, 71 World Council of Churches, 17 5 Wright, Richard, 35, 96 "You Are the Sunshine of My Life," 285-86 · "Your Precious Love," 225, 285 "You're All I Need to Get By," 225 "You're My Everything...
Journal Article
Black Sacred Music (1992) 6 (1): 98–140.
Published: 01 March 1992
...), 221. 128. See Johnson, God Struck Me Dead, 99. 138 Black Sacred Music did feel that my soul was made to bum in hell."129 Carter G. Woodson, the great African-American historian, said the same thing about his father, who, before joining the church, had been a field slave. He never seemed worried about...
Journal Article
Black Sacred Music (1994) 8 (1): 157–177.
Published: 01 March 1994
... all music to be tonal in the sense that relationships between tones are not destroyed by the absence of a tonal center but simply take on new meaning. He preferred the term pantonality. For his discussion of this issue see Schoenberg, Theory of Harmony, 3d ed., trans. Roy E. Carter (Berkeley...
Journal Article
Black Sacred Music (1995) 9 (1-2): 75–103.
Published: 01 September 1995
..., as indeed does Strauss. The great significance of African legend has been made manifest by the comprehensive work of Carter G. Woodson and, to a comparatively lesser degree, Natalie Curtis-Burlin. It is not strange but only natural that the tradition should have been kept intact by the Negro slave in his...