1-10 of 10 Search Results for

cane

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Black Sacred Music (1993) 7 (1): 1–16.
Published: 01 March 1993
...Ronald Dorris Copyright © 1993 by Duke University Press 1993 Theodicy of the Bacchic in the Poetry of Jean Toomer's Cane Ronald Dorris The Harlem Renaissance, or New Negro Movement, was an important historical moment for the creation and presentation of art by African Americans. It was during...
Journal Article
Black Sacred Music (1989) 3 (1): 22–52.
Published: 01 March 1989
... the Auctioneers, Though hard the blood-hounds did pursue. Far in the south I was a slave Where Sugar-cane, and cotton grows; ~vly .\faster was a cruel knave, As every body may suppose. 32 The Journal of Black Sacred Music 12 My old master dont like me; I begged him so to set me freeHe swore before he'd let me go...
Journal Article
Black Sacred Music (1992) 6 (2): 245–251.
Published: 01 September 1992
... mother bought that house as well as other property in Little Rock. This was a city comparable to other American cities of that era, with many fine homes, theatres and a thriving business section. Even so, it was not far removed from typical rural life: women in sunbonnets, farms, cane fields. About five...
Journal Article
Black Sacred Music (1990) 4 (2): 116–117.
Published: 01 September 1990
..., and back to back-kept the city pulse so that New York could breathe. Indeed, the streets and the cabarets, from the house-rent parties to the Cotton and Sugar Cane clubs, were the locales from which Hughes drew his subject matter as he searched for the meaning and essence of the black experience. Wintz...
Journal Article
Black Sacred Music (1991) 5 (1): 80–83.
Published: 01 March 1991
... you were three-fifths of a man! But Nat Turner was a preacher, Hated slavery worse than sin. Called his sword his Freedom Bible, Killed a hundred slavery men! Now Doctor DuBois went to Harvard, you know. He was hip to the ivy, so he purloined the show. He dressed like a diplomat, he sported a cane...
Journal Article
Black Sacred Music (1990) 4 (2): 117–120.
Published: 01 September 1990
... flatted fifths from their toned brasses. Clubs bebopped when the city crowd-dancing, sweating, and back to back-kept the city pulse so that New York could breathe. Indeed, the streets and the cabarets, from the house-rent parties to the Cotton and Sugar Cane clubs, were the locales from which Hughes drew...
Journal Article
Black Sacred Music (1989) 3 (2): 98–124.
Published: 01 September 1989
... that it is time to "go" (i.e., engage in petty criminal behavior), the scene changes to a street comer where a man with a cane is transacting a drug sale with another man. After the man with the cane completes the sale, Darryl and his friends are seen leaning against a car, regarding him in cautious silence...
Journal Article
Black Sacred Music (1995) 9 (1-2): 35–65.
Published: 01 September 1995
... country. Negroes refer to the Louisiana lowlands as "cane bottoms" and "sugar bottoms," and the rich soil of the Mississippi lowlands around the Delta is referred to as the "black bottoms Negroes living here had a wonderful opportunity to develop their own dances as well as other folklore. The region...
Journal Article
Black Sacred Music (1995) 9 (1-2): 243–338.
Published: 01 September 1995
... come sweet Miss Sally Brown, Folks all watchin' her pass by, She's sweeter den de sugar cane, An' better den peach pie. Chorus Shoo 'long, Sally Brown, Da, da, da, de o, Shoo 'long, Sally Brown, Da, da, da, de o. Sally Brown &# ~II ! ); ., ~CHORUS ., Shoo 'long, Dance Song Sal-ly Brown, _ Da, da, da...
Journal Article
Black Sacred Music (1992) 6 (2): 1–77.
Published: 01 September 1992
..., and those who have waited, but now are ready, are colored" Americans who have advanced significantly from the days of the jungle and the cane fields. We've added modern ways to ancestral lore; We've worked to prepare ourselves to be wise, to prove our worth. The black speakers in the poem...