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asante

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Journal Article
Black Sacred Music (1990) 4 (2): 47–50.
Published: 01 September 1990
...Molefi Kete Asante Asante , Molefi Kete . The Afrocentric Idea . Philadelphia : Temple University Press , 1987 . Copyright © 1990 by Duke University Press 1990 Book Reviews Asante, Molefi Kete. The Afrocentric Idea. Philadelphia: Temple University Press, 1987. The discussion...
Journal Article
Black Sacred Music (1994) 8 (1): 64–77.
Published: 01 March 1994
... Marimba Richards, "The Implications of African American Spirituality," in African Culture: The Rhythms of Unity, ed. Molefi K. Asante and Kariamu W. Asante (Trenton, N.J. : Africa World, 1990), 220. 26. Spencer, Protest and Praise, 141. 27. John Miller Chernoff, African Rhythm and African Sensibility...
Journal Article
Black Sacred Music (1991) 5 (1): 25–40.
Published: 01 March 1991
..., 1977); Molefi Kete Asante, The Afrocentric Idea (Philadelphia: Temple University Press, 1987). Black Sacred Music 5: 1, Spring 1991. Copyright © 1991 by Duke University Press. CCC 1043-9455/91/$1.50. 26 Blade Sacred Music changes in attitude. It creates unity, identity, and an atmosphere in which...
Journal Article
Black Sacred Music (1994) 8 (1): 36–63.
Published: 01 March 1994
...), 37-38 . Cited in Molefi Kete Asante, Kem et, Afrocentricity, and Knowledge (Trenton, N .J.: Africa World Press, 1990), 152. 38 Black Sacred Music on anthropological research.6 Sociology also can be of value, as medievalist Christopher Page illustrates in positing reasons that explain why the twelfth...
Journal Article
Black Sacred Music (1992) 6 (1): 1–29.
Published: 01 March 1992
... belong to Roy Preiswerk and Dominique Perrot, Ethnocentrism in History jNew York: NOK, 1974), 37-38. Cited in Molefi Kete Asante, Kem et, Afrocentricity and Knowledge jTrenton, N.J.: Africa World Press, 1990), 151. Introduction 3 that some theories on the origin of music that indicate the close...
Journal Article
Black Sacred Music (1990) 4 (2): 50–53.
Published: 01 September 1990
... Press 1990 SO BlodcSIIO'edMusk "The Liberation," with Asante, theomusicology can search for a means of analyzing African cultures from an Afrocentric perspective in hope of establishing harmony with self, neighbor, and nature. Browne, Ray B. Against Academia: The History of the Popular Culture...
Journal Article
Black Sacred Music (1991) 5 (1): 89–94.
Published: 01 March 1991
..., Muhammad, 3, 42 Allen, Harry, 20 Amerikkka's Most Wanted, 7, 78 "America's Slide into the Sewer," 2 As Nasty as They Wanna Be, 41 6, 69, 70, 78 As Nice as They Wanna Be, 6 Asante, Molefi, 26 ashe, 67 Atwater, Lee, 19 Baber, Ceola Ross, 28 "badman" hero, 6-7, 7n.15 "bad nigger," 6-7, 7n. 15 "Banned...
Journal Article
Black Sacred Music (1994) 8 (1): 269–277.
Published: 01 March 1994
..., The, 136 Aristotle, 38-39 Arrested Development, 199 Art Ensemble of Chicago, 199 Art, Modernity, and Faith, 17 Arvey, Verna, 137-56 Asante, Mole£ Kete, 50-51, 72 Astaire, Fred, 187 astrology, 137, 139, 143, 144, 150 Atlantis, 147 atonal music, 159, 164-65, 169, 184 Auerbach, Susan, 42 Augustine, 15, 19...
Journal Article
Black Sacred Music (1992) 6 (1): 299–309.
Published: 01 March 1992
... Star, 245 Armstrong, Louis, 52-53, 164, 290, 291 Arnold, Kokomo, 99-100, 101 Around the World in a Day, 2 51 Art Ensemble of Chicago, 54 As Nasty As They Wanna Be, 2 74 Asante, Molefi, 15-16 Ashford, Nicholas, 225, 285 Ashton, John, 123-24, 140 Aswell, James, 130-31 Auerbach, Susan,7 Babbit, 60 "Bad...