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archetype

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Journal Article
Black Sacred Music (1989) 3 (1): 74.
Published: 01 March 1989
...Bettina L. Knapp Knapp , Bettina L. Music, Archetype, and the Writer: A Jungian View . University Park : Pennsylvania State University Press , 1988 . © Copyright 1989 JBSM /Jon Michael Spencer 1989 74 The Journal of Black Sacred Music that the political songs still embodied...
Journal Article
Black Sacred Music (1989) 3 (1): 74.
Published: 01 March 1989
... that there were "Christian soldiers" in the North who were singing and politicking for their liberation was sufficient fuel for their insurrections and flights toward freedom. Eaklor is a Professor of History in the Division of Human Studies at Alfred University. Knapp, Bettina L. Music, Archetype, and the Writer...
Journal Article
Black Sacred Music (1989) 3 (1): 74–75.
Published: 01 March 1989
.... Music, Archetype, and the Writer: A Jungian View. University Park: Pennsylvania State University Press, 1988. Knapp's book is an analysis of the way in which archetypal music allegedly impacts creator, composition, and characterization in literary writing. This thesis is postulated by exploring...
Journal Article
Black Sacred Music (1989) 3 (1): 72–74.
Published: 01 March 1989
... is a Professor of History in the Division of Human Studies at Alfred University. Knapp, Bettina L. Music, Archetype, and the Writer: A Jungian View. University Park: Pennsylvania State University Press, 1988. Knapp's book is an analysis of the way in which archetypal music allegedly impacts creator, composition...
Journal Article
Black Sacred Music (1994) 8 (2): 99–104.
Published: 01 September 1994
... observation in arguing that, although Lee's characters are not stereotypical, they are archetypal. Although they may extend the limited list of black characters that Hollywood traditionally sanctions, these archetypes still obstruct the potential for engaging the complex, transforming, ever-evolving...
Journal Article
Black Sacred Music (1989) 3 (2): 57–67.
Published: 01 September 1989
.... Nelson George, The Death of Rhythm etJ Blues (New York: Pantheon Books, 1988), 103. 3. Ibid., 104. ffleology olBlodcPower 59 psyche, 'Blackness' equals evil. But Black Power, as a theological concept, reverses this symbol. Now 'Blackness' becomes the archetypal symbol of righteousness and thus, instead...
Journal Article
Black Sacred Music (1989) 3 (2): 50–56.
Published: 01 September 1989
...-the conscious and the unconscious-that should (but usu- 1. Anthony Storr, The Essential Jung (Princeton, N.J.: Princeton University Press, 1983), 20. 2. C. G. Jung, The Archetypes and the Collective Unconscious (New York: Pantheon Books, 1959), 275-89. 3. C. G. Jung, The Development of Personality (New York...
Journal Article
Black Sacred Music (1994) 8 (2): 43–63.
Published: 01 September 1994
... and virtuous man, but he also represents a black archetype: the traditional folk character who is the trusting, talking dupe in the presence of whites. We may look again at black folk tradition as a storehouse for formations of racial identity and ideology to locate the character of the talker who is so...
Journal Article
Black Sacred Music (1994) 8 (1): 265–268.
Published: 01 March 1994
... of the American Academy of Religion, 1983. James, William. The Varieties of Religious Experience. New York: Modem Library, 1902. Knapp, Bettina L. Music, Archetype, and the Writer: A fungian View. University Park: Pennsylvania State University Press, 1988. Larson, Bob. Rock and the Church. Carol Stream, Ill...
Journal Article
Black Sacred Music (1992) 6 (1): 1–29.
Published: 01 March 1992
..., instrumental, and "archetypal." This is something ethnomusicology has not done, as Philip Bohlman illustrated. In fact, one reason scholarship on jazz and blues often seems counterfeit is that such writing often takes the form of reduction to the language of ethnomusicology in the researcher's attempt...
Journal Article
Black Sacred Music (1994) 8 (1): 36–63.
Published: 01 March 1994
... and discourses with the theology in all forms of music-sacred, secular, and profane; popular, folk, and classical; vocal, instrumental, and "archetypal:' This is something ethnomusicology has not done, as Philip Bohlman illustrated. In fact, one reason scholarship on jazz and blues often seems counterfeit...
Journal Article
Black Sacred Music (1992) 6 (1): 170–176.
Published: 01 March 1992
... Black Sacred Music not speaking of "the animal11 that Western civilization has taught us to suppress, "the animal11 that is "mere brute. 11 I am referring to "the animal" that primal traditions in Africa and native America have respected for millennia, "the animal" that is part of our archetypal...
Journal Article
Black Sacred Music (1989) 3 (2): 17–49.
Published: 01 September 1989
... their theodicies. As clarified and interpreted by Jungian scholar John Sanford, the thought of Carl Jung on the Self-the archetype of wholeness whose nature it is to unite opposites-is very useful in trying to comprehend the mythical creation and character of the "blues god": The traditional Christian attitude...
Journal Article
Black Sacred Music (1992) 6 (1): 177–200.
Published: 01 March 1992
... a metronome is to be called a Swiss music-box."44 Thus, the Negro becomes the archetypical mimic, a Yahoo capable of aping the motions of civilization (one will recall that the Houybnhnms, in Book IV of Gulliver's Travels, contend that Yahoos do not "speak" so much as imitate "speech his music becomes...
Journal Article
Black Sacred Music (1994) 8 (1): 178–201.
Published: 01 March 1994
..., lost, or stolen-ideals, integrity, health, relationships, a semblance of ordinary life, even one's soul. For some, the special case of the puer aeternus, the archetype of eternal youth, seems to serve Tommy who used his messianic pretensions to establish a tyrannical cult. Popular revolt ensued and he...
Journal Article
Black Sacred Music (1992) 6 (1): 36–46.
Published: 01 March 1992
... and the gospel songs. This "mood" or mode is the emotional archetype from which the blues spring. The blues, with all of their contradictions, represent, for better or for worse, the essential vector of the Afro-American sensibility and identity. Birthing themselves sometimes between the end of formal slavery...
Journal Article
Black Sacred Music (1988) 2 (2): 1–18.
Published: 01 September 1988
... concatenation: singing ._ testifying - shouting, which corresponds to the maturational catena into spontaneous communitas: I-Thou - essential We.- ultimate-We. Music is an archetypal and atavistic means of drawing worshipers into the numinous realm of ritual dance. Indeed music functions for the purpose...
Journal Article
Black Sacred Music (1994) 8 (1): 135–156.
Published: 01 March 1994
... not come back to earth prior to the conclusion of Verna's incarnation. As for Billy's life of suffering, Thomas finished, it was his pattern for he had chosen it before incarnating.91 In light of the foregoing, perhaps the archetype of all Still's published articles was "The Art of Musical Creation" (1936...
Journal Article
Black Sacred Music (1992) 6 (1): 98–140.
Published: 01 March 1992
..., it was the conjurer rather than the trickster trait that was dominant. However, it was the trickster element that seemed to be prototypal in terms of a paradigm of personality in the African-American community and archetypal in terms of what the blues was when personified. This means of understanding an aspect...