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Journal Article
Afro-American Poetics: Revisions of Harlem and the Black Aesthetic
Available to Purchase
Black Sacred Music (1989) 3 (1): 75.
Published: 01 March 1989
... Daniel." Boles, the editor, is a Professor of History at Rice University. Baker, Houston A., Jr. Afro-American Poetics: Revisions of Harlem and the Black Aesthetic. Madison: The University of Wisconsin Press, 1988. In Baker's collection of essays the subjects of blues, jazz, and rap music are presented...
Journal Article
“Happy in the Service of the Lord”: Afro-American Gospel Quartets in Memphis
Available to Purchase
Black Sacred Music (1989) 3 (1): 74.
Published: 01 March 1989
... that re-awakens the protagonist to existence. Knapp is Professor ofFrench and Comparative Literature at Hunter College and the Graduate Center of City University of New York. Lornell, Kip. "Happy in the Service of the Lord": Afro-American Gospel Quartets in Memphis. Urbana: University of Illinois Press...
Journal Article
The Signifying Monkey: A Theory of Afro-American Literary Criticism
Available to Purchase
Black Sacred Music (1989) 3 (1): 75.
Published: 01 March 1989
... Daniel." Boles, the editor, is a Professor of History at Rice University. Baker, Houston A., Jr. Afro-American Poetics: Revisions of Harlem and the Black Aesthetic. Madison: The University of Wisconsin Press, 1988. In Baker's collection of essays the subjects of blues, jazz, and rap music are presented...
Journal Article
A Postmodern Afro-American Secular Spirituality: Michael Jackson
Available to Purchase
Black Sacred Music (1989) 3 (2): 98–124.
Published: 01 September 1989
... religious reflections and moral musings was shaped by his experience as a Jehovah's Witness, his art reflects perceptions and consciousness that are easily generalized from the larger stream of Afro-American spirituality. Thus we may draw similarities, without extensive complication, between Jackson's work...
Journal Article
The Signifying Monkey: A Theory of Afro-American Literary Criticism
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Black Sacred Music (1990) 4 (2): 72–75.
Published: 01 September 1990
...Henry Louis Gates, Jr. Gates , Henry Louis , Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism . New York : Oxford University Press , 1988 . Copyright © 1990 by Duke University Press 1990 flection and the goal toward which all of life strives"-is its...
Journal Article
On Afro-American Popular Music: From Bebop to Rap
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Black Sacred Music (1992) 6 (1): 282–294.
Published: 01 March 1992
...Cornel West Copyright © 1992 by Duke University Press 1992 On Afro-American Popular Music: From Bebop to Rap Corne] West The salient feature of popular music in First World capitalist and Third World neocolonialist societies is the appropriation and imitation of Afro-American musical forms...
Journal Article
An Afro-American Composer’s Viewpoint
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Black Sacred Music (1992) 6 (2): 232.
Published: 01 September 1992
... Copyright © 1992 by Duke University Press 1992 An Afro-American Composer's Viewpoint Melody, in my opinion, is the most important musical element. After melody comes harmony; then form, rhythm, and dynamics. I prefer music that suggests a program to either pure or program music in the strict...
Journal Article
Old Ship of Zion: The Afro-Baptist Ritual in the African Diaspora
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Black Sacred Music (1994) 8 (2): 113–116.
Published: 01 September 1994
...Irene V. Jackson-Brown Walter F. Pitts , Jr. Old Ship of Zion: The Afro-Baptist Ritual in the African Diaspora . New York : Oxford University Press , 1993 . 199 pp. Copyright © 1994 by Duke University Press 1994 Book Reviews 113 Walter F. Pitts, Jr. Old Ship of Zion: The Afro...
Journal Article
In Memory of Marvin Gaye
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Black Sacred Music (1992) 6 (1): 224–226.
Published: 01 March 1992
...Cornel West Copyright © 1992 by Duke University Press 1992 In Memory of Marvin Gaye Comel West Much of the significant truth about the career of the Afro-American singer Marvin Gaye may be obscured by the problems of his later life and the manner of his dying !he was shot to death by his...
Journal Article
They Looked for a City: A Comparative Analysis of the Ideal of Community in the Thought of Howard Thurman and Martin Luther King, Jr.
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Black Sacred Music (1990) 4 (2): 70–72.
Published: 01 September 1990
... Christian cultures, the ideal community-"the norm for ethical re- flection and the goal toward which all of life strives"-is its normative criterion, too. Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988. The blues...
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Journal Article
Foreword
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Black Sacred Music (1991) 5 (2): vii–ix.
Published: 01 September 1991
...Dominique-René de Lerma Copyright © 1991 by Duke University Press 1991 Foreword There was a time when the musical genius of the African American was restricted to rags and coon songs and nothing was known about the talent of such Afro-European composers as the Chevalier de Saint-Georges...
Journal Article
Masters and Slaves in the House of the Lord: Race and Religion in the American South, 1740-1870
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Black Sacred Music (1989) 3 (1): 74–75.
Published: 01 March 1989
... that re-awakens the protagonist to existence. Knapp is Professor ofFrench and Comparative Literature at Hunter College and the Graduate Center of City University of New York. Lornell, Kip. "Happy in the Service of the Lord": Afro-American Gospel Quartets in Memphis. Urbana: University of Illinois Press...
Journal Article
The Theology of Black Power and Black Song: James Brown
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Black Sacred Music (1989) 3 (2): 57–67.
Published: 01 September 1989
...Earlston E. DeSilva ffte Theology olB/11,k Power and B/11,k Song: Jomes Brown Earlston E. DeSilva James Brown is an Afro-American performing artist and soul singer who reigned as "Soul Brother No. 1" during the sixties and seventies, and whose two decades at the top of the pop music charts allow...
Journal Article
The Ethos of the Blues
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Black Sacred Music (1992) 6 (1): 36–46.
Published: 01 March 1992
... and the gospel songs. This "mood" or mode is the emotional archetype from which the blues spring. The blues, with all of their contradictions, represent, for better or for worse, the essential vector of the Afro-American sensibility and identity. Birthing themselves sometimes between the end of formal slavery...
Journal Article
Preface
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Black Sacred Music (1989) 3 (2): v.
Published: 01 September 1989
... of intellectual inquiry into the theology of American popular culture can be pivotal and prophetic scholarship. A number of essays published prior to this collection help substantiate this assertion: "On Afro-American Popular Music," "Sex and Suicide," and "In Memory of Marvin Gaye" by philosopher Comel West...
Journal Article
Troubling Biblical Waters: Race, Class, and Family
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Black Sacred Music (1990) 4 (2): 67–70.
Published: 01 September 1990
... Waters is to correct misinterpretations of the relation of the Bible to ancient Africa and to diaspora Afro-Christians. Of major concern is the notion that the Bible is the product of the "white man's religion" and that due to the misconstruals of Eurocentric scholars and missionaries the relation...
Journal Article
Black Sacred Music (1989) 3 (2): 1–16.
Published: 01 September 1989
... of what Comel West has aptly termed "the Afro-American spiritualblues impulse," in which the music of certain popular musicians "direct[s] the Christian religiosity of black church music into the secular spirituality of Afro-American popular music.1130 Amiri Baraka (LeRoi Jones) made a similar comment...
Journal Article
Preface
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Black Sacred Music (1990) 4 (1): xi–xii.
Published: 01 March 1990
... and Pentecostals. But in relation to the larger Afro-Christian community, Jones's reputation as a hymnist is incommensurate with his prolific output of some thousand hymns. While Rev. Charles Albert Tindley, the celebrated Methodist hymnist, composed less than one-twentieth the number of gospel hymns of Jones...
Journal Article
From Black to Blues
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Black Sacred Music (1992) 6 (1): 47–54.
Published: 01 March 1992
... that black music land, by extension, the blues) is the best example of what he calls the "Afro-American humanist1' tradition. He describes this tradition in terms of the breadth of black musical expression: "The rich pathos of sorrow and joy which are simultaneously present in spirituals, the exuberant...
Journal Article
New Acquisitions
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Black Sacred Music (1988) 2 (1): 87–88.
Published: 01 March 1988
.... - - - . The Soul of Black Worship: Praying, Preaching, Singing. New York: Martin Luther King Fellows Press, 1984. Walton, Ortiz M. Music: Black, White and Blue: A Sociological Survey of the Use and Misuse of Afro-American Music. New York: William Morrow, 1972. White, Don Lee, comp. The Afro-American Hymnal...
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