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Volume 6, Issue 2
September 1, 1992
Black Sacred Music Cover Image for Volume 6, Issue 2
Issue Editors
Jon Michael Spencer
Jon Michael Spencer
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ISSN 1043-9455
EISSN 2640-9879
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The William Grant Still Reader: Essays on American Music

Foreword

Foreword
Olly Wilson
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Preface

Preface
Jon Michael Spencer
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Introduction

An Introduction to William Grant Still
Jon Michael Spencer
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The Writings of Still

The Art of Musical Creation
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The American Composer
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Are Negro Composers Handicapped?
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Negro Music in the Americas
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For Finer Negro Music
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A Negro Symphony Orchestra
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Spirituals, Blues Important Section of American Music
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The Music of My Race
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The Negro and His Music
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Nathaniel Dett—One of Our “Cultural Pioneers”
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Leopold Stokowski as I Know Him
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The Men behind American Music
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How Do We Stand in Hollywood?
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The King Is Dead—Long Live the King!
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A Symphony of Dark Voices
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Politics in Music
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American Music and the Well-Timed Sneer
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Can Music Make a Career?
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The Composer Needs Determination and Faith
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A Vital Factor in America’s Racial Problem
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The Structure of Music
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Fifty Years of Progress in Music
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Towards a Broader American Culture
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Serious Music: New Field for the Negro
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Our American Musical Resources
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The Composer’s Creed
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Answer to a Questionnaire
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The Negro Musician in America
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A Composer’s Viewpoint
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An Afro-American Composer’s Viewpoint
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Horizons Unlimited
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My Arkansas Boyhood
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On Orchestration
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What a Composer Is
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Modern Composers Have Lost Their Audience: Why?
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Bibliography

Bibliography of Still’s Published Articles
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Select Bibliography of Writings about Still
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Index

Index
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