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Volume 3, Issue 1

March 1, 1989

ISSN 1043-9455

EISSN 2640-9879

In this Issue

Articles
Historic Reprints
Hymnal Reviews
Book Reviews
From The Black Sacred Music Archive
Contributors

Articles

Music as Cultural Expression in Black Church Theology and Worship

Jeremiah A. Wright, Jr.

When Mahalia Sings: The Black Singer of Sacred Song as Icon

Willie J. Jennings

Historic Reprints

Introduction to Joshua Simpson’s Original Anti-Slavery Songs

Vicki L. Eaklor

Original Anti-Slavery Songs

Joshua McCarter Simpson

Hymnal Reviews

The Hymnal of the Christian Methodist Episcopal Church

Jon Michael Spencer

Lead Me, Guide Me: The African American Catholic Hymnal

Wendelin J. Watson

Book Reviews

American Antislavery Songs: A Collection and Analysis

Vicki L. Eaklor

Music, Archetype, and the Writer: A Jungian View

Bettina L. Knapp

“Happy in the Service of the Lord”: Afro-American Gospel Quartets in Memphis

Kip Lornell

Masters and Slaves in the House of the Lord: Race and Religion in the American South, 1740-1870

John B. Boles

Afro-American Poetics: Revisions of Harlem and the Black Aesthetic

Houston A. Baker, Jr.

The Signifying Monkey: A Theory of Afro-American Literary Criticism

Henry Louis Gates, Jr.

From The Black Sacred Music Archive

A Bibliography of Holdings on American Antislavery Song

Contributors

Contributors

Cover Image

Cover Image
Front Matter
Table of Contents
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Dedication

Preface

Chapter 3. Dances, Blues, and Ballads

Chapter 13. Urban-Rural Cycle

Chapter 5. Imagery and Nature of the Work Song

About Black Sacred Music
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Online ISSN 2640-9879
Print ISSN 1043-9455
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