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Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 11–30.
Published: 01 April 2006
... woman named Zhang Yuanfei, who is These studies are extraordinarily useful: they organize remarkable not for appearing in historical or Buddhist immense amounts of raw material, and they allow the writings of the time, but because she is represented at the authors to draw well-documented...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 179–187.
Published: 01 October 2013
...Hou-Mei Sung Copyright © Asia Society 2013 Rediscovering Zhang Jin and the Ming Painting Academy hou-mei sung Cincinnati Art Museum hang Jin 張錦 was the leading master of Buddhist The Ming...
Image
Published: 01 April 2019
Figure 3. Zhang Zeduan (Chinese, 1085–1145), Along the River on the Qingming Festival (detail). Handscroll, ink and colors on silk, 25.5 × 525 cm. Palace Museum, Beijing. Figure 3. Zhang Zeduan (Chinese, 1085–1145), Along the River on the Qingming Festival (detail). Handscroll, ink and colors More
Image
Published: 01 April 2019
Figures 4 and 5. Zhang Zeduan (Chinese, 1085–1145), Along the River on the Qingming Festival (details). Handscroll, ink and colors on silk, 25.5 × 525 cm. Palace Museum, Beijing. Figures 4 and 5. Zhang Zeduan (Chinese, 1085–1145), Along the River on the Qingming Festival (details). Handscroll More
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 1–24.
Published: 01 October 2015
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 1–25.
Published: 01 April 2013
... experiences of the society middle period (ninth–fourteenth centuries). of the living demonstrates the ritual continuity between the two worlds conceived by middle-period Chinese. 2 ARCHIVES OF ASIAN ART Fig. 1. Mural in the tomb of Zhang...
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 31–60.
Published: 01 April 2006
... expresses his appreciation ofYi's con- graphical statement and self-portrait. After five years of stant friendship through a difficult time. At the same time, banishment, not knowing when or if he would be 34 released, Kim felt bleak, abandoned, and hopeless, yet inscription Zhang relates that Kim...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 107–126.
Published: 01 April 2011
... compared his works evidence, we might imagine the more usual case of a with ancient paintings in the collection and could almost branch protruding into the painting. Broken Branch of not tell them apart20 The antiquarian aspect of Zhang Blossoming Emerald Peach, however, shows that the Yanfu’s style...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 117–137.
Published: 01 October 2015
... twen­ti­eth centuries. Wang Xizhi’s text is not only very short; it is also very diffi­ cult­ to deci­ pher­ (Fig. 1). Dong Qichang’s (1555–1636) transcrip­ ­tion—now part of the scroll— dif­fers in four char­ac­ters from Zhang Yanyuan’s (ninth-cen­tu­ry) first pub­li­ca­tion of the text...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 67–86.
Published: 01 April 2018
... in the palatial complex, at a height of fifty zhang 丈 (115  m), the Divine Terrace ( Shenming tai 神明臺) contained nine rooms accommodating a hundred priests of the nine heavens. 45 A bronze figure of a deity standing above the Divine Terrace held aloft a bronze plate and jade cup, collecting the...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 95–120.
Published: 01 April 2007
... from the earth, which rises up to several teria Medica) explains the relation between qi and zhang high. The color of the smoke has myriad varia- rocks similarly. The author, Li Shizhen (1518–1593), tions53 These texts confirm that the emission of vapor says, ‘‘Rocks are kernels of from the...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 61–82.
Published: 01 April 2017
... Qian Dong 錢東 (b. 1752), husband of Lu Yuansu Zhang Yin 張崟 (1761–1829), husband of Bao Zhihui Women Painters Chen Shu 陳書 (1660–1736) Dong Bai 董白 (1625–1651) Huang Yuanjie 黃媛介 (mid-17th c.) Liu Shi 柳是 (1618–1664) Ma Shouzhen 馬守偵 (1548–1604) Wen Shu 文椒 (1595–1634) Xue Susu...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 165–190.
Published: 01 October 2014
... this was because of the availability of European pigments.14 The color used by the Tianjin bird-and-flower painter Zhang Zhaoxiang (1852– Fig. 6. Guiseppe Castiglione. Painting of a tiger in the 1906), whose work Liu Kuiling studied,15 for instance, collection of a certain ‘‘Bucang laoren Yumei...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 87–102.
Published: 01 April 2013
... modestly. They sold reproductions, tourist Collecting families in the lower Yangzi River Delta, such knickknacks, and occasionally carried everyday sundries as the Pan, Tang, Gu, and Zhang clans, regularly visited that allowed them to double as local apothecaries.32 Shanghai dealers, or allowed those...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 187–212.
Published: 01 October 2016
.... eight-sided. Of the thirty-seven Liao masonry pagodas The Sekino-Takeshima survey shows that Liao pago- that are the focus of Zhang Yuhuan’s study of pagodas das typically have one of two ground plans: squarish and in 2000 and his later work in 2006, all but the three in octagonal. The...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 25–46.
Published: 01 April 2012
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 209–210.
Published: 01 October 2013
... Zhang His interest in things Chinese was kindled by a friendship Daqian, Wu Zuoren, Guan Shanyue, Lin Fengmian, with fellow architecture student Wang Dahong, who Zhao Wuji, Huang Yongyu, Ding Cong, the sculptor many years later designed the Sun Yat-sen Memorial in Liu Kaiqu, and his personal...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 25–49.
Published: 01 April 2016
... LEI XUE The Literati, the Eunuch, and a Memorial 31 Fig. 7. Zhang Xian (China, 990–1078), Illustrations to Ten Poems, ca. 1064. Handscroll, ink and red color on silk, 52 Â 178.7 cm. Palace Museum, Beijing (artwork in the public domain; photography provided by Palace Museum). the event...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 239–269.
Published: 01 October 2016
... the Sui-Tang period.5 Zhu Jing- xuan’s (active ca. 806–40) Tang chao minghua lu (Record of famous painters of the Tang Fig. 5. Attributed to Zhu Rui, Bullock Carts Traveling among dynasty) and Zhang Yanyuan’s Lidai minghua Streams and Mountains. Album leaf, ink and color on silk, ji...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 73–101.
Published: 01 April 2019
...Figure 3. Zhang Zeduan (Chinese, 1085–1145), Along the River on the Qingming Festival (detail). Handscroll, ink and colors on silk, 25.5 × 525 cm. Palace Museum, Beijing. Figure 3. Zhang Zeduan (Chinese, 1085–1145), Along the River on the Qingming Festival (detail). Handscroll, ink and colors...