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Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
... as a woman artist during an age of intense social reform. [email protected] © 2022 Asia Society 2022 Republican period (1911–1949) modernist art women artists consumer culture nationalism social reform In 1935 a Shanghai art association called the Storm Society (Juelanshe 決瀾社...
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Journal Article
Archives of Asian Art (2018) 68 (1): 47–66.
Published: 01 April 2018
.... By discussing texts from the sixteenth century through the twentieth, this article investigates how concepts of “feminine space”—in the sense of ideas of femininity in an artist's oeuvre and in the physical, economic, and social spaces of women—changed and created a phantom of an artist whose personality...
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Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
... in the Inner Chambers, and, as a consequence, the artistic work of talented women tended to be hidden and lost, too. Yet, for Luo, Guan's inkplay represented more than mere “diversion.” Ink Bamboo testified to Guan's exceptional talent, and it drew many admirers. 3 In her tihuashi 題畫詩, a poem that may...
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Journal Article
Archives of Asian Art (2020) 70 (2): 119–149.
Published: 01 October 2020
.... By the eighteenth century such Qing imagery was brought to Japan both in paintings and printed media, inspiring the production of images of women with a circular window by literati artists, as well as painters of the Maruyama-Shijō 円山四条, Akita Ranga 秋田蘭画, and ukiyo-e 浮世絵 schools. 28 An exquisite example can...
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Journal Article
Archives of Asian Art (2022) 72 (1): 97–127.
Published: 01 April 2022
...: Chinese Women Artists, 1300–1912 . Indianapolis : Indianapolis Museum of Art , 1988 . Wu, Hung . “ Beyond Stereotypes: The Twelve Beauties in Qing Court Art and the Dream of the Red Chamber .” In Writing Women in Late Imperial China , edited by Ellen Widmer and Kang-i Sun Chang , 306...
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Journal Article
Archives of Asian Art (2005) 55 (1): 39–52.
Published: 01 April 2005
... Weidner, Views From Jade Terrace: Chinese Women Artists, any historian who declares wholeheartedly for a single theme must
1300-1912 (Indianapolis and New York: Indianapolis Museum of Art sacrifice an awareness that paradox and contradiction are distinguishing
and Rizz oh, '988); Marsha Weidner, ed...
Journal Article
Archives of Asian Art (2007) 57 (1): 121–150.
Published: 01 April 2007
... and fiction by these and after Teruo’s death, Sakakibara Shiho¯ (1887–1971), a
other artists and authors, works that focused on ordi- friend and fellow Nihonga painter, remembered Teruo’s
nary people and their lives, were a revelation to many fascination with these women, who existed on the edge
Nihonga...
Journal Article
Archives of Asian Art (2013) 63 (2): 189–207.
Published: 01 October 2013
... of Mexican folk- group of four women bathing, possibly alluding to the
ways in the early twentieth century. In his survey of such ‘‘Fuentes Brotantes the famous springs of Tlalpan. He
images, James Oles noted that artists visiting Mexico singled out the motif of bathers for separate treatment
‘‘stressed...
Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
... garden culture, art, and beautiful women. Clearly occupying contested ground as an icon of wealth, power, and nation, the peony soon appeared at the Qing court. All of the above artists—Hua Yan, Jin Nong, and Huang Shen—contributed to an ongoing discourse of Ming loyalism common among Han literati...
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Journal Article
Archives of Asian Art (2004) 54 (1): 7–22.
Published: 01 April 2004
... an artificial device are usually products of highly imag-
total neglect of the historical records and achievements of inative non-Yoshiwara male artists. Such artificial devices
individual women. Although quantities of letters and would have embarrassedYoshiwara women or made them
poetry in fine...
Journal Article
Archives of Asian Art (2018) 68 (2): 111–132.
Published: 01 October 2018
.... 3 In 1968 Ezekiel said to Patel: “Indian reality does not have to be village women at the well.” 4 Instead the Bombay painters and poets turned to the everyday, city street, and found objects and images, and developed a practice of lifting and loafing. 5 Although many artists in India...
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Journal Article
Archives of Asian Art (2024) 74 (1): 79–128.
Published: 01 April 2024
... trajectory of artistic training. 94 That Ishwari Prasad's lineage was forged through maternal lines offers a rare insight into workshop practices. He noted that women in the family participated in producing sets of occupations ( firka ) and devotional works in particular. Three of Sona Kumari's paintings...
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Journal Article
Archives of Asian Art (2013) 63 (1): 27–58.
Published: 01 April 2013
... come from about
culture of the court. Several built ambitiously in the im- six hundred Bikaner court artists’ workshop drawings,
perial style, sponsored mosques as well as temples, and sketches, pounces, and paintings, which are now in a
patronized paintings infused with Persian patterns and private...
Journal Article
Archives of Asian Art (2016) 66 (2): 213–238.
Published: 01 October 2016
... of pinewood burnt in kilns. Woodblock
of this postwar patronage.2 print artists, however, may opt to express wood as an
214 ARCHIVES OF ASIAN ART
aesthetic property of their prints, or not. They may Mokuhanga Tenrankai), held in Tokyo in 1914, consist-
create images...
Journal Article
Archives of Asian Art (2017) 67 (2): 237–256.
Published: 01 October 2017
... luxury goods. Among the least studied objects from this period are export paintings of Asian inhabitants, costumes, and occupations by Chinese and Filipino artists that are now in various American and Asian collections. It is my contention that many export watercolors attributed to Filipino artists...
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Journal Article
Archives of Asian Art (2009) 59 (1): 81–103.
Published: 01 April 2009
...-
profiles are insistently planar, resulting in what can ful.5 ‘‘Despite the concern of some artists to depict spatial
look like two pictures forced into one; this is particu- depth writes Losty, ‘‘their difficulty was that they natu-
larly common in eighteenth-century Awadhi portraiture. rally drew figures...
Journal Article
Archives of Asian Art (2014) 64 (1): 93–95.
Published: 01 April 2014
... to students of Chinese
art history. Her studies of Wen Zhengming and Tang
Yin were groundbreaking treatments of these artists’
works in their milieu. Her research and writing skills
made these books models of their kind. Her ability to
analyze artistic styles and describe them in prose that
verged...
Journal Article
Archives of Asian Art (2003) 53 (1): 54–70.
Published: 01 April 2003
... is by recovering and reformulating a certain including two portraits and three group paintings—com-
tradition of representation: leaving one that defines women missioned by a Begam Samna in the early part of the nine-
primarily as objects, i.e., as passively affected or acted upon teenth century...
Journal Article
Archives of Asian Art (2014) 64 (2): 191–209.
Published: 01 October 2014
...), a long-standing institutional practice of categorizing and
himself a painter of international prominence. Assess- classifying this large corpus as craft. With its dense and
ments of Swaminathan’s artistic career have become complex history in India, crafts found validation in
more laudatory since his...
Journal Article
Archives of Asian Art (2013) 63 (1): 103–129.
Published: 01 April 2013
...-dimensional works and photographs are so con-
Hof recuperation, yet few are as intriguingly prob- ceptually and formally sympathetic with works classi-
lematic as those surrounding Korean artist Lee Seung- fied as Land Art, Mono-ha, or Post-Minimalism as to
taek. Best known for his sustained engagement...
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