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war
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Journal Article
Archives of Asian Art (2011) 61 (1): 37–60.
Published: 01 April 2011
...Maki Kaneko Copyright © Asia Society 2011 Mukai Junkichi’s Transformation from a
War to Minka (Folk House) Painter
maki kaneko
University of Kansas...
Image
in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 14. National Assembly building after Liberation War, showing damage from crashed plane. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1972.
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in Heike Paintings in the Early Edo Period: Edification and Ideology for Elite Men and Women
> Archives of Asian Art
Published: 01 April 2017
Figure 5. Schematic map showing battles in the Genpei War. Artwork by author.
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 14. Hu wine container with cover, Warring States period, 480–221 bce . Excavated in 1972 from Songshan tomb, Zhaoqing city, Guangdong province. Bronze with red lacquer and silver inlay, h. 22 cm, diam. of rim 14.9 cm. Guangdong Provincial Museum. Reproduced by permission of Cultural
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 15. Zun wine container with cover, mid-Warring States period, ca. 330–320 bce . Excavated in 1956 from Wangshan tomb 2, Jiangling, Hubei province. Bronze with silver powder and lacquer inlay, h. 17.1 cm, diam. of rim 24.7 cm. Hubei Provincial Museum. Reproduced by permission
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 16. Fou wine container with cover, mid-Warring States period, ca. 330–320 bce . Excavated in 1956 from Wangshan tomb 2, Jiangling, Hubei province. Bronze with lacquer inlay, h. 37.4 cm, diam. of rim 15 cm, diam. of base 16 cm. Redrawn by Katia Barrios, after Hubei sheng wenwu kaogu
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 18. Flask ( bianhu ) with phoenix and cloud designs, Warring States period, 480–221 bce . Excavated in 2002 from Changtaiguan tomb 7, Xinyang, Henan province. Bronze with silver inlay and polychrome paints, h. 27.6 cm. Reproduced by permission of Cultural Relics Press.
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 21. Ornaments in the shape of human faces, Warring States period, third century bce . Excavated in 2007–2008 from tomb 6 of the Majiayuan cemetery in Zhangjiachuan Hui Autonomous county, Gansu province. Gold with black/brown paint, h. 1.6 cm. Reproduced by permission of Cultural Relics
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 22. Zun wine container, Warring States period, ca. 316 bce . Excavated in 1986–1987 from Baoshan tomb 2, Jingmen, Hubei province. Bronze with silver and gold inlay; interior coated with red lacquer, h. 17.5 cm, diam. of rim 24.8 cm, wt. 4.15 kg. Redrawn by Katia Barrios, after Hubei
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 23. Ding vessel with cover, Warring States period, 480–221 bce . Excavated in 1992 from Mayishun Lane tomb 1, Changsha, Hunan province. Bronze with lacquer exterior, h. 34.6 cm, diam. of rim 22 cm. Redrawn by Katia Barrios, after Changsha shi wenwu kaogu yanjiu suo, “Changsha zhi
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 24. Mirror, Warring States period, 480–221 bce . Excavated in 1956 from Changtaiguan tomb 1, Xinyang, Henan province. Bronze with red, black, and silver lacquer, diam. 14 cm, th. .12 cm. Redrawn by Katia Barrios, after Fu Juyou, “Chunqiu Zhanguo Handai de tezhong gongyi jing (xia),” 16
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 25. Mirror, Warring States period, 480–221 bce . Excavated 1986–1987 from Baoshan tomb 1, Jingmen, Hubei province. Bronze with red, yellow, and gold lacquer, diam. 19.7 cm, th. .2 cm. Reproduced by permission of Cultural Relics Press.
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 26. Square two-layer lattice mirror, Warring States period, 480–221 bce . Excavated in 1993 from Guodian tomb 1, Jingmen, Hubei province. Bronze with red and black lacquer, l. of each side 11 cm, th. .3 cm. Reproduced by permission of Cultural Relics Press.
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 27. Lamp bearer, Warring States period, fourth century bce . Excavated in 1976 from tomb 6 of the royal Zhongshan tombs, Pingshan county, Hebei province. Bronze with red and black lacquer, silver, and black gemstones, h. 66.4 cm, w. 55.2 cm. Hebei Provincial Cultural Relics Research
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Published: 01 October 2023
Figure 7. Silk painting depicting a man riding a dragon, Warring States period (475–221 bce ). Color on silk, 37 × 28 cm. Hunan Provincial Museum.
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Image
Published: 01 October 2017
59. Decorated Eared Cup , China, Eastern Zhou, Warring States period (ca. 470–221 bce ), third century bce . Gray ceramic with glass-paste glazes and red pigment, l. 13.6 cm. Princeton University Art Museum, 2015–6732. Museum purchase, Fowler McCormick, Class of 1921, Fund, Mary Trumbull
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Journal Article
Archives of Asian Art (2018) 68 (1): 67–86.
Published: 01 April 2018
...Li-kuei Chien Abstract Twin gate towers ( que ) were a characteristic feature of urban and palatial architecture in Chinese cities from the Warring States period onward. Although they initially served the practical military purpose of strengthening the defensive characteristics of gates in the city...
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Journal Article
Archives of Asian Art (2016) 66 (2): 213–238.
Published: 01 October 2016
...Bert Winther-Tamaki Abstract The Japanese movement of printmaking known as Sōsaku Hanga (“Creative Prints”) received a tremendous boost after World War II from the patronage of collectors associated with the US military. One appeal of Sōsaku prints by Munakata Shikō, Saitō Kiyoshi, Azechi Umetarō...
Journal Article
Archives of Asian Art (2022) 72 (1): 1–53.
Published: 01 April 2022
...Figure 14. Hu wine container with cover, Warring States period, 480–221 bce . Excavated in 1972 from Songshan tomb, Zhaoqing city, Guangdong province. Bronze with red lacquer and silver inlay, h. 22 cm, diam. of rim 14.9 cm. Guangdong Provincial Museum. Reproduced by permission of Cultural...
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Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... discursively reframed by the heightened cultural nationalism of the Sino-Japanese War: the expansion of modern archaeology, and ethnographic study of minority cultures. In reclaiming folk-minority craft as a generative source of decoration, Pang Xunqin and Lei Guiyuan were also critically engaged...
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