Search Results for wang

Figure 6. Wang Xizhi 王羲之 (303–361), Eastern Jin dynasty (317–420), Xingrang tie 行穰帖 [Ritual to Pray for Good Harvest], Tang dynasty (618–901). Outlined and filled-in tracing copy, ink on paper, 24.4 × 8.9 cm. Princeton University Art Museum. Bequest of John B. Elliott, Class of 1951 (1998–140 More

Figure 1. Luo Qilan (China, b. 1755), Herbaceous Peony , 1795. Inscription by Wang Wenzhi (1730–1802). Hanging scroll, ink and colors on paper, 85.7 × 39 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. More

Figure 6. Wang Yuyan (China, fl. late 18th c.), Orchid and Rock . Fan, ink and colors on paper, 16. × 55.1 cm. Cheng Xun Tang Collection. More

Figure 8. Colophons by Wang Wenzhi (1730–1802), including his transcription of Luo Qilan’s “Viewing Mount Ping in Springtime,” a poem of his own, and a record of the visit and Ding Yicheng’s portrait of Luo, for the handscroll illustrated in Figure 7 . Photograph: © The Palace Museum, Beijing More

Figure 11. Detail of You Zhao (China, fl. 18th c.) and Wang Gong (China, fl. 18th c.), Yuan Mei and His Female Students [a.k.a. The Thirteen Female Disciples of Suiyuan Request Instruction at Lake Tower ] with a colophon by Yuan Mei (China, 1716–1797) dated 1796. Handscroll, ink and color More

Figure 13. Detail of Pan Simu (China, 1756–after 1843) and Wang Wenzhi (China, 1730–1802), Record of Dreams from the Listening-to-Autumn Studio , 1796. From an album of eight facing leaves, ink and color on paper, each 23.4. × 17 cm. Private collection. Photograph: Sotheby’s and used More

Figure 11. Wang Yuan (active 1310–50), Peonies . Handscroll, ink on paper, 37.7 × 61.6 cm. Collection of the Palace Museum, Beijing. Photograph: Collection of the Palace Museum. More

Figure 17. Images and inscriptions on the Han-dynasty funerary towers of Wang Zhizi, Song-dynasty illustration reproduced in Lixu . From Hong, Lixu , 361. More

Figure 16. Wang Juzhen, (Chinese, active late twelfth c.), One Hundred Children at Play. Fan mounted as an album leaf, ink and color on silk, image 28.7 × 31.2 cm. Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1961.261. More

Figure 20a and b. Tangdai 唐岱, Sun Hu 孫祜, Shen Yuan 沈源, Ding Guanpeng 丁觀鵬, Wang Youxue 王幼學, Zhou Kun 周鯤, and Wu Gui 吳桂 (all Chinese, early–mid-eighteenth c.), The New Feng City ( Xinfeng tu 新豐圖), 1744. Hanging scroll; ink and color on silk, 203.8 × 96.4 cm. National Palace Museum, Taipei More

Figure 3. Detail of Figure 1 , with seals postdating Wang Houzhi (1131–1204) digitally removed. More

Figure 4. Detail of Figure 1 , with Wang Houzhi's seals outlined in black. More

Figure 6. Su Shi, Old Tree, Rock, and Bamboo (details), with Wang Houzhi's seals outlined in black and Yang Zun's (ca. 1320–after 1368) seals outlined in yellow. More

Figure 7. Mi Fu (1052–1107), inscription to Chu Suiliang's Copy of Wang Xizhi's Lanting Preface , dated 1102. Ink on paper, 24×47.5cm. Palace Museum, Beijing. Photograph provided by the Palace Museum. More

Figure 8. Mi Fu's six small seals on inscription to Chu Suiliang's Copy of Wang Xizhi's Lanting Preface (see Figure 6). Clockwise from upper left: Mi shi 米氏, Mi shi zhi yin 米氏之印, Mi Fu 米芾, Mi Fu zhi yin 米芾之印, xinmao Mi Fu 辛卯米芾, Mi Fu xinmao yin 米芾辛卯印. From Nakata, Bei Futsu , 1 More

Figure 3. Formerly attributed to Wang Wei, Chunxi buyu tu , seventeenth century. Handscroll; ink and colors on silk, approx. 28 × 100 cm. Current location unknown. From Fujii Zensuke 藤井善助, Yūrin taikan 有鄰大觀 (Kyoto: Yūrinkan, 1929). More

Figure 5. Formerly attributed to Wang Shen, Wanhe qiuyun tu , seventeenth century. Handscroll; ink and colors on silk, approx. 28.8 × 166.7 cm. Current location unknown. From Tō So Gen Min meiga taikan (Tokyo: Ōtsuka Kōgeisha, 1929). More