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Journal Article
Archives of Asian Art (2022) 72 (2): 221–253.
Published: 01 October 2022
...Yong Cho Abstract In 1345 the Mongol ruling house of the Yuan (1271–1368) built Juyong Gate along China's Great Wall. The gate stood on a road connecting the empire's twin capitals, Dadu and Shangdu. Those two cities possessed vastly different built environments. Dadu, the emperor's winter...
FIGURES | View All (25)
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Published: 01 October 2020
Figure 4. Southeast wall, Muṇḍeśvarī temple, Kaimūr District, Bihar. Photograph: Fiona Buckee. More
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Published: 01 October 2020
Figure 10. Kiṅkiṇikājāla from the lower right-hand portion of the southwest wall, Muṇḍeśvarī temple, Kaimūr District, Bihar. Photograph: Fiona Buckee. More
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Published: 01 October 2020
Figure 20. Left-hand section of the southwest wall, Muṇḍeśvarī temple, Kaimūr District, Bihar. Photograph: Adam Hardy. More
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Published: 01 October 2021
Figure 1. Maitreya Buddha Tableau , Mogao Cave 148, upper portion of the south wall, High Tang (705–780) period, Dunhuang, China. Mural painting. From Dunhuang wenwu yanjiusuo, Zhongguo shiku: Dunhuang Mogaoku , 4: pl. 28. Reproduced by permission of the Dunhuang Academy. More
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Published: 01 October 2021
Figure 2. Maitreya Buddha Tableau (detail), Yulin Cave 25, north wall, Tang dynasty (618–907), Anxi, China. Mural painting. At the top of the image Mahākāśyapa meditates in a mountain cave while kneeling and offering Śākyamuni's robe to Maitreya. At the bottom of the image is an agricultural More
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Published: 01 October 2021
Figure 3. Clothes Tree , Maitreya Buddha Tableau , Mogao Cave 116, north wall, High Tang (705–780) period, Dunhuang, China. Mural painting. Two figures are donning clothes from the clothes tree. From Wang, Mile fo yu Yueshi fo , 61. Reproduced by permission of the Dunhuang Academy. More
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Published: 01 October 2021
Figure 4. Marriage Scene , Maitreya Buddha Tableau , Yulin Cave 25, north wall, Tang dynasty (618–907), Anxi, China. Mural painting. A man and a woman sit at a table underneath a tent and one person is visible seated across from them. Two standing figures serve them. One figure bows prostrate More
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Published: 01 October 2021
Figure 5. Living Funeral Scene , Maitreya Buddha Tableau , Yulin Cave 25, north wall, Tang dynasty (618–907), Anxi, China. Mural painting. An elderly man is seated in his tomb, a rounded structure enclosed within a walled compound. Painted inside the tomb is a mountain scene. The elderly man More
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Published: 01 October 2021
Figure 6. Maitreya Buddha Tableau (detail) Yulin Cave 25, north wall, Tang dynasty (618-907), Anxi, China. Mural painting. The Seven Treasures are laid out below Maitreya's feet, almost as if they are an offering to the Buddha. Starting at the viewer's left are the Maiden and the Elephant More
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Published: 01 October 2021
Figure 2. Niche with seated Buddha, Yungang Cave 10, antechamber east wall. Photograph courtesy of Joy Lidu Yi. More
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Published: 01 October 2021
Figure 11. Standing Buddha and bodhisattvas, Yungang Cave 6 east wall. Photograph: courtesy of Joy Lidu Yi. More
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Published: 01 October 2021
Figure 14. Principal seated Buddha image and standing figures north wall, ca. 500–523, Longmen Binyang Central Cave. Photograph: Katherine Tsiang. More
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Published: 01 October 2021
Figure 16a. South wall drawing, detail, Longmen Guyang Cave. Image courtesy of the Longmen Research Institute. More
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Published: 01 October 2021
Figure 16b. Detail showing Niche 304, north wall drawing, GuyangCave. Image courtesy of the Longmen Research Institute. More
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Published: 01 October 2021
Figure 17a. Niche 304, dedicated to the Duke of Shiping, Guyang Cave, north wall. Image courtesy of Longmen Research Institute. More
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Published: 01 October 2021
Figure 22a. Niche 228, Guyang Cave north wall. Image courtesy of Longmen Research Institute. More
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Published: 01 October 2021
Figure 24b. Base of throne (detail), Niche 134, Guyang Cave north wall. Image courtesy of Longmen Research Institute. More
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Published: 01 October 2021
Figure 9. Chen Shizeng, Wall with Ears with Chen's Own Inscription and an Inscription by Tong Danian , from the album Beijing Fengsu ,ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 11. West Wall Ink Rubbing at the Wu Liang Shrine , 147–68, East Han dynasty (25–220 ce ). Ink rubbing on paper, 119 × 139.5 cm. Philadelphia Museum of Art, Purchased with the Print Revolving Fund, 1974, 1974-20-41. More