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Image
Published: 01 October 2017
Figure 5. Mañjuśrī (detail), south side of west wall of Akaniṣṭha Shrine (3.9), first half of seventeenth century. Photograph: author. Figure 5. Mañjuśrī (detail), south side of west wall of Akaniṣṭha Shrine (3.9), first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
Figure 6. Standing female Bodhisattva (detail), northern end of west wall in Akaniṣṭha Shrine (3.16), first half of seventeenth century. Photograph: author. Figure 6. Standing female Bodhisattva (detail), northern end of west wall in Akaniṣṭha Shrine (3.16), first half of seventeenth century More
Image
Published: 01 October 2017
Figure 8. Akaniṣṭha Heaven, south end of east wall of Akaniṣṭha Shrine (3.2), first half of seventeenth century. Photograph: author. Figure 8. Akaniṣṭha Heaven, south end of east wall of Akaniṣṭha Shrine (3.2), first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
Figure 11. Amitāyus, west end of south wall of Akaniṣṭha Shrine (3.7), first half of seventeenth century. Photograph: author. Figure 11. Amitāyus, west end of south wall of Akaniṣṭha Shrine (3.7), first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
Figure 12. Amoghasiddhi, west end of south wall of Akaniṣṭha Shrine (3.8), first half of seventeenth century. Photograph: author. Figure 12. Amoghasiddhi, west end of south wall of Akaniṣṭha Shrine (3.8), first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
Figure 20. Avalokiteśvara, northern end of west wall in Akaniṣṭha Shrine (3.16), first half of seventeenth century. Photograph: author. Figure 20. Avalokiteśvara, northern end of west wall in Akaniṣṭha Shrine (3.16), first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
Figure 22. Syāmātārā and retinue figures, north end of east wall of Akaniṣṭha Shrine (3.21), first half of seventeenth century. Photograph: author. Figure 22. Syāmātārā and retinue figures, north end of east wall of Akaniṣṭha Shrine (3.21), first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
Figure 31. Arhats (on left wall) and Drukpa Kagyu lineage, in Lama Lhakhang, Chemre Monastery, Ladakh, ca. mid-seventeenth century. Photograph: author, 2015. Figure 31. Arhats (on left wall) and Drukpa Kagyu lineage, in Lama Lhakhang, Chemre Monastery, Ladakh, ca. mid-seventeenth century More
Image
Published: 01 October 2017
Figure 42. Śākyamuni Buddha, slightly west of center on north wall of Akaniṣṭha Shrine (3.18), first half of seventeenth century. Photograph: author. Figure 42. Śākyamuni Buddha, slightly west of center on north wall of Akaniṣṭha Shrine (3.18), first half of seventeenth century. Photograph More
Image
Published: 01 October 2017
Figure 7. Shrine of Ahmad Shah, hexagonal patterned wall painting. Photograph: Finbarr Barry Flood. Figure 7. Shrine of Ahmad Shah, hexagonal patterned wall painting. Photograph: Finbarr Barry Flood. More
Image
Published: 01 April 2018
Figure 4. Inscriptions, northwest wall, passageway leading to Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. Photograph: Phillip E. Bloom. Figure 4. Inscriptions, northwest wall, passageway More
Image
Published: 01 April 2018
Figure 8. Scenes from the Gaṇḍavyūha , northwest wall, Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. Photograph: Phillip E. Bloom. Figure 8. Scenes from the Gaṇḍavyūha, northwest wall More
Image
Published: 01 April 2018
Figure 5. Eastern Han mural showing a tower within the city wall. From Hebei sheng wenwu yanjiusuo, Anpint Dong Han bihuamu , pls. 52, 53. Figure 5. Eastern Han mural showing a tower within the city wall. From Hebei sheng wenwu yanjiusuo, Anpint Dong Han bihuamu, pls. 52, 53. More
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 67–86.
Published: 01 April 2018
...Figure 5. Eastern Han mural showing a tower within the city wall. From Hebei sheng wenwu yanjiusuo, Anpint Dong Han bihuamu , pls. 52, 53. Figure 5. Eastern Han mural showing a tower within the city wall. From Hebei sheng wenwu yanjiusuo, Anpint Dong Han bihuamu, pls. 52, 53. ...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 187–212.
Published: 01 October 2016
... walled town. A newly discovered Liao pagoda site in Xishanpo, Inner Mongolia, is presented. Finally, the article proposes sources for the three-monument arrangement at Kherlen-Bars in Northern Wei, Northern Qi, and the Silla kingdom of Korea. Copyright © Asia Society 2016 Bars-Khot Dule...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 81–105.
Published: 01 April 2016
...Michelle C. Wang Abstract The Thousand-armed Mañjuśrī is an enigmatic form of the bodhisattva that appeared primarily in the Mogao cave shrines in northwestern China. There, the deity was nearly always paired with the Thousand-armed Avalokiteśvara on opposite walls or on opposite sides of a doorway...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 119–163.
Published: 01 October 2014
... the exterior walls 側柱 Shizaicho¯ itself in 747. The pivotal question is: when (kawabashira) of the first story. Curiously, the wood did the initial alteration to the platform take place? The was equally weathered on the sections that were hidden fact that the size of the platform was altered at some...
Image
Published: 01 October 2017
Figure 18. Southwest corner of Akaniṣṭha Shrine, showing Amoghasiddhi (3.8), west end of south wall, and four Bodhisattvas, south end of west wall, first half of seventeenth century. Photograph: author. Figure 18. Southwest corner of Akaniṣṭha Shrine, showing Amoghasiddhi (3.8), west end of More
Image
Published: 01 October 2017
Figure 10. Ratnasambhava (left), Akṣobhya (center), and Mahāvairocana (right), east end of south wall of Akaniṣṭha Shrine (3.4–6, respectively), first half of seventeenth century. Photograph: author. Figure 10. Ratnasambhava (left), Akṣobhya (center), and Mahāvairocana (right), east end of More
Image
Published: 01 October 2017
Figure 13. Dolpopa Sherab Gyaltsen (1292–1361) with monastic and other followers, north side of east wall of Akaniṣṭha Shrine (3.22), first half of seventeenth century. Photograph: author. Figure 13. Dolpopa Sherab Gyaltsen (1292–1361) with monastic and other followers, north side of east wall More