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Errata: Archives of Asian Art , Vol. 59 (2009)
Available to Purchase
Archives of Asian Art (2010) 60 (1): 161.
Published: 01 April 2010
... Copyright © Asia Society 2010 ERRATA
Archives of Asian Art, Vol. 59 (2009)
Please note the following corrections to the Sunkyung Kim article ‘‘Contesting the Lost Land, New Land,
and Pure Land: Buddhist Steles...
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in To Fill “a Gap in Indian History”: An Archival Reckoning with the Term Company Painting
> Archives of Asian Art
Published: 01 April 2024
Figure 1. Map of the “Political Divisions of the Indian Empire,” in the Imperial Gazetteer of India , vol. 26, Atlas (Oxford: Clarendon Press, 1909), 20.
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 3. Chicken Beak Rock. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 240, fig. 77.
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in The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
> Archives of Asian Art
Published: 01 April 2020
Figure 16. Zheng Xiaoxu, Painted Pine ( Hua song 畫松). Reproduced in The National Fine Arts Exhibition of 1929 , vol. 1 ( Jin ), n.p.
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 7. Ink rubbing of Inscription A5. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 286, fig. 93.
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 10. Aerial view of the eastern gorge. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 243, fig. 79.
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 1. Map of the six mountains in and around Zoucheng. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 45, fig. 8.
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Inscription B28 at the center of the western plateau. After Wang and Wenzel...
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 16. Inscription B28 at the center of the western plateau. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2, 249, fig. 80.
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Buddha and Mahākāśyapa of Luohandong at Dongyan in Zizhong (Sichuan), befor...
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in Where the Blessed One Paced Mindfully: The Issue of Caṅkrama on Mathurā's Earliest Freestanding Images of the Buddha
> Archives of Asian Art
Published: 01 October 2019
Figure 24. Buddha and Mahākāśyapa of Luohandong at Dongyan in Zizhong (Sichuan), before 1118 (Northern Song). H. 720 cm. From Liu Changjiu, Zhongguo shiku diaosu quanji , vol. 8, pl. 200.
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Inscription B31.2, the last carved stone of Mount Gang's path taken by devo...
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 12. Inscription B31.2, the last carved stone of Mount Gang's path taken by devotees. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 253, fig. 81.
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Inscription B25 in the foreground, B26 (invisible in the photo) and B27 in ...
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 14. Inscription B25 in the foreground, B26 (invisible in the photo) and B27 in the middle ground, and B28 in the background. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 387, fig. 156.
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Ink rubbing of Inscription B3, showing that the text reads from top to bott...
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 13. Ink rubbing of Inscription B3, showing that the text reads from top to bottom, right to left. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 310, fig. 101.
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Ink rubbing of Inscription B28, showing that the characters are framed by d...
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 6. Ink rubbing of Inscription B28, showing that the characters are framed by double gridlines and further adorned with lotuses at the top. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 400, fig. 166.
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Ink rubbing of the north face of the Chicken Beak Rock, showing Inscription...
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 8. Ink rubbing of the north face of the Chicken Beak Rock, showing Inscription E interspersed with Inscription D1. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 456, fig. 193.
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Published: 01 October 2023
Figure 5. Jules Alphonse Eugene Itier (French, 1802–1877), Floating City of Canton . Lithographic reproduction of daguerreotype plate, reproduced in Itier, Journal d'un Voyage en Chine , frontispiece for vol. 2. Getty Research Institute. Public domain.
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Topographic map showing the distribution of inscribed stones on Mount Gang....
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 5. Topographic map showing the distribution of inscribed stones on Mount Gang. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 228, fig. 73. See also Appendix 1 for a transcription of the A and B inscriptions.
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 9. Inscription B1, which includes the characters of Mo-luo-ye (Chinese transliteration of Mālāya). It reads from top to bottom, left to right. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 303, fig. 96.
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in Between Concealment and Revelation: Empress Dowager Cixi's Experiments with Representation
> Archives of Asian Art
Published: 01 April 2022
Figure 8. John Thomson (Scottish, 1837–1921), Male Heads, Chinese and Mongolian . From John Thomson, Illustrations of China and Its People , 4 vols. (London: Sampson Low, Marston, Low, and Searle, 1873–74), 2: pl. 9, nos. 20–25.
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in To Fill “a Gap in Indian History”: An Archival Reckoning with the Term Company Painting
> Archives of Asian Art
Published: 01 April 2024
Figure 14. Sita Ram (fl. 1810–1822), A Tamarind Tree at Allahabad , 1814–1815. In “Views by Seeta Ram from Benares to Nazibghur Vol. III,” produced for Lord Moira, later Marquess of Hastings. Watercolor on paper, 31.5 × 48 cm. Photograph: © The British Library Board (Add Or 4737).
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Published: 01 October 2023
Figure 4. Jules Alphonse Eugene Itier (French, 1802–1877), Maison de Campagne de Pan Tsen Chea (Country Estate of Pan Sichen). Lithographic reproduction of daguerreotype plate, reproduced in Itier, Journal d'un Voyage en Chine , frontispiece for vol. 1. Getty Research Institute. Public domain.
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