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Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 102–103.
Published: 01 April 2012
... means of oppositions: the cult object versus the art object, the transparent logic4 The exhibition space is minimalist whole versus the fragment, original appearance versus but not placeless, self-referential but not a void. Trans- present condition, use value versus exchange value, his- forming...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 100–102.
Published: 01 April 2012
... Ando¯ ’s minimalist space opened up a series of architecture [that is] austerely constructed by means of oppositions: the cult object versus the art object, the transparent logic4 The exhibition space is minimalist whole versus the fragment, original appearance versus but not placeless, self...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
... sattva images in very different mediums, gilt bronze of Indo-Tibetan Buddhism and to her personal response versus gold on indigo paper, respectively. Bing Huang to seeing such an object totally removed from its ritual engaged the three-dimensionality of her chosen object, environment. To her, the...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 119–163.
Published: 01 October 2014
... lit interior) the difference between the viation of the folds of the robe that we see behind the texture of the fold of a robe carved into the clay versus statue’s left arm. the flatness of the painted line representing a fold. A similar pattern of abbreviation can...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 239–269.
Published: 01 October 2016
... ‘‘forms versus ideas’’ in paint- visible within inches. ings among the literati circle of the Song and later He claims that he once owned a few old periods.48 Ouyang believed that expressing ideas and paintings—painters’ names are lost in feelings...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 89–94.
Published: 01 April 2010
... up major collections in China, receive the same critical ‘‘a restrictive paradigm, metropolitan versus provin- scrutiny as paintings. cial which, in turn, ‘‘restricts our ability to understand the function of these religious icons in the wider societal...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 33–41.
Published: 01 April 2014
... in the archaeological record, the diffusion of clay bullae versus the sporadic presence of actual Roman coins in the western Deccan should not be ignored. In fact, it...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 97–118.
Published: 01 October 2014
... brush manages to give his tree forms a sense of Misty mountains, rootless trees, dotted foliage, and life and emotional import. Do these two paintings project fishermen are all motifs in the Mi family mode of de- an image of younger versus older in the Chinese tradition picting Chu-region landscape...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 81–105.
Published: 01 April 2016
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 61–80.
Published: 01 April 2006
..., only half-size versus life-size at Kanjingsi. They are also 0 4m Fig. 3. Patriarchs, north interior wall, Kanjingsi Cave, Longmen. 1. Mallakasyapa Photograph by author...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 209–236.
Published: 01 October 2017
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 7–22.
Published: 01 April 2004
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 39–52.
Published: 01 April 2005
... of today look at paintings, people's styles he worked in, is supposed to have led a rev- they are primarily concerned with formal likeness, not olution of personal expression versus mimesis remains knowing that the ancients regarded formal likeness as the unresolved. Still, each art-historical...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 121–150.
Published: 01 April 2007
... year, and is now in the Freer Gallery.9 Ho¯ gai created another version of Kannon as Compassionate Mother ‘‘Buddhist Art’’ versus ‘‘Fine Art’’ in 1888 (Fig. 4), owned today by the University Art...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 95–120.
Published: 01 April 2007
... three porcelain designs versus ‘‘organic’’ forms. Chinese characters and phrases in relation to the visual culture of the Jiajing court, and with auspicious meaning were used as major decorative to investigate the relationship between the auspicious motifs on ceramics no later than the third century...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 103–129.
Published: 01 April 2013
... world and objects the practical or symbolic use for which they in the 1980s and 1990s over the normative value of so- were originally intended. His non-sculptures of the called modernism versus the social realism championed 1960s and 1970s framed the idea of use as a question in the name of Minjung...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 213–238.
Published: 01 October 2016
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 189–208.
Published: 01 October 2017
... something that they are not, as metaphor (versus another form of mimesis) would suggest. I make the distinction here because these examples must be carefully studied for the ways in which the artists interpret, and may add more specificity to the literary text. In the case of the carpets, the murals are not...