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Journal Article
Archives of Asian Art (2006) 56 (1): 107.
Published: 01 April 2006
...Timon Screech Copyright © Asia Society 2005 A Response to Paul Berry's Review of the Book, Sex in the Floating World: Erotic Images in Japan, 1700-1820 (University of Hawai'i Press, 1999) TIMON SCREECH SCHOOL OF ORIENTAL AND AFRICAN STUDIES, UNIVERSITY OF LONDON...
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Published: 01 April 2020
Figure 11. Weng Fanggang, Reproductions of a stele inscription dated 1239, as reproduced in Yuedong jinshi lue , 1771 (1889 ed.), supplementary volume 1: fig. 7a. Woodblock print on paper, 13.3 × 10 cm. The University Library, University of Illinois at Urbana-Champaign. Figure 11. Weng More
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Published: 01 April 2018
Figure 11. Diagram of the tomb of the Prince of Chu. Xuzhou Museum and Archaeology Division, Department of History of Nanjing University, Xuzhou Beidongshan , 8. Figure 11. Diagram of the tomb of the Prince of Chu. Xuzhou Museum and Archaeology Division, Department of History of Nanjing More
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Published: 01 April 2017
Figure 15. Attributed to Guan Daosheng (China, 1262–1319), A Bamboo Grove in Mist , late 13th–14th century. Handscroll, ink on paper, 14.9 × 112.4 cm. Yale University Art Gallery, Hobart and Edward Small Moore Memorial Collection, Gift of Mrs. William H. Moore. Artwork in the public domain More
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Published: 01 April 2021
Figure 4. Onoe no kane yurai (Legacy of the Onoe Bell), eighteenth–nineteenth century. Woodblock print on paper, 29 × 40 cm. Waseda University Library, Tokyo. Figure 4. Onoe no kane yurai (Legacy of the Onoe Bell), eighteenth–nineteenth century. Woodblock print on paper, 29 × 40 cm. Waseda More
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Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111. Figure 4. Temple of Heaven. (Left) From Bushell, Chinese Art, 1: fig. 31. The Bodleian Library, University of Oxford More
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Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111. Figure 4. Temple of Heaven. (Left) From Bushell, Chinese Art, 1: fig. 31. The Bodleian Library, University of Oxford More
Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... by the Nanjing painter Chen Shu 陳舒 (active ca. 1649–ca. 1687) from the ex-Qing (1644–1911) imperial collection and an inscribed folding fan. These are now reunited in the library collection of SOAS University of London, where Johnston taught Chinese after his return to Britain in 1931. Together with Puyi's...
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Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... Ren Wei Abstract Created around 1915, Chen Shizeng's Beijing Fengsu album represents a pictorial experiment that led to his subsequent well-known theoretical recasting of Chinese literati painting as a progressive and universally comprehensible visual language. Through an examination...
FIGURES | View All (23)
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Published: 01 October 2018
Figure 3. Sacrificial Hall of Yongle. ( Left ) From Bushell, Chinese Art , 1: fig. 28. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 91. Figure 3. Sacrificial Hall of Yongle. (Left) From Bushell, Chinese Art, 1: fig. 28. The Bodleian Library More
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Published: 01 October 2018
Figure 3. Sacrificial Hall of Yongle. ( Left ) From Bushell, Chinese Art , 1: fig. 28. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 91. Figure 3. Sacrificial Hall of Yongle. (Left) From Bushell, Chinese Art, 1: fig. 28. The Bodleian Library More
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Published: 01 October 2019
Figure 1. Wu Bin (Chinese, 1573–1620), Painting of the Mi Family Shao Garden , 1615. Handscroll, ink and color on paper, 30.6 × 288.5 cm. Beijing University Library. Figure 1. Wu Bin (Chinese, 1573–1620), Painting of the Mi Family Shao Garden, 1615. Handscroll, ink and color on paper, 30.6 More
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Published: 01 October 2018
Figure 2. Ruined gateway of a mosque in Beijing. ( Left ) From Bushell, Chinese Art , 1: fig. 44. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 122. Figure 2. Ruined gateway of a mosque in Beijing. (Left) From Bushell, Chinese Art, 1: fig. 44 More
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Published: 01 October 2018
Figure 2. Ruined gateway of a mosque in Beijing. ( Left ) From Bushell, Chinese Art , 1: fig. 44. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 122. Figure 2. Ruined gateway of a mosque in Beijing. (Left) From Bushell, Chinese Art, 1: fig. 44 More
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Published: 01 October 2018
Figure 7. Statue of guardians at the Ming Tombs. ( Left ) From Bushell, Chinese Art , 1: fig. 19. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 143. Figure 7. Statue of guardians at the Ming Tombs. (Left) From Bushell, Chinese Art, 1: fig. 19 More
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Published: 01 October 2018
Figure 7. Statue of guardians at the Ming Tombs. ( Left ) From Bushell, Chinese Art , 1: fig. 19. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 143. Figure 7. Statue of guardians at the Ming Tombs. (Left) From Bushell, Chinese Art, 1: fig. 19 More
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Published: 01 October 2018
Figure 8. Double vase of rock crystal. ( Left ) From Bushell, Chinese Art , 1: fig. 102. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 173. Figure 8. Double vase of rock crystal. (Left) From Bushell, Chinese Art, 1: fig. 102. The Bodleian Library More
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Published: 01 October 2018
Figure 8. Double vase of rock crystal. ( Left ) From Bushell, Chinese Art , 1: fig. 102. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 173. Figure 8. Double vase of rock crystal. (Left) From Bushell, Chinese Art, 1: fig. 102. The Bodleian Library More
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Published: 01 October 2018
Haori , Japan, Shōwa period (1926–89), mid-twentieth century. Costume; silk, 86.36 × 121.92 cm. University of Michigan Museum of Art, 2016/2.74. Gift of Mrs. Kazuko Miyake. Haori, Japan, Shōwa period (1926–89), mid-twentieth century. Costume; silk, 86.36 × 121.92 cm. University of Michigan Museum More
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Published: 01 October 2017
66. Xu Weixin (Chinese, b. 1958), Ba Jin , 2016. Oil on canvas, 250 × 200 cm. University of Michigan Museum of Art, 2016/2.82. Gift of the artist Xu Weixin. 66. Xu Weixin (Chinese, b. 1958), Ba Jin, 2016. Oil on canvas, 250 × 200 cm. University of Michigan Museum of Art, 2016/2.82. Gift More