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Sadāśiva from Mandhal temple site, ca. fifth century. University of Nagpur ...
Available to Purchase
in A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
> Archives of Asian Art
Published: 01 October 2022
Figure 23. Sadāśiva from Mandhal temple site, ca. fifth century. University of Nagpur Museum. Photograph: Elizabeth A. Cecil.
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Pārvatī from Mandhal temple site, ca. fifth century. University of Nagpur M...
Available to Purchase
in A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
> Archives of Asian Art
Published: 01 October 2022
Figure 24. Pārvatī from Mandhal temple site, ca. fifth century. University of Nagpur Museum. Photograph: Elizabeth A. Cecil.
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Dhaka construction site. Photograph: Louis I. Kahn Collection, University o...
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 12. Dhaka construction site. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1967.
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Journal Article
A Response to Paul Berry's Review of the Book, Sex in the Floating World: Erotic Images in Japan, 1700–1820 (University of Hawai'i Press, 1999)
Available to Purchase
Archives of Asian Art (2006) 56 (1): 107.
Published: 01 April 2006
...Timon Screech Copyright © Asia Society 2005 A Response to Paul Berry's Review of the Book, Sex
in the Floating World: Erotic Images in Japan, 1700-1820
(University of Hawai'i Press, 1999)
TIMON SCREECH
SCHOOL OF ORIENTAL AND AFRICAN STUDIES, UNIVERSITY OF LONDON...
View articletitled, A Response to Paul Berry's Review of the Book, Sex in the Floating World: Erotic Images in Japan, 1700–1820 (<span class="search-highlight">University</span> of Hawai'i Press, 1999)
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for article titled, A Response to Paul Berry's Review of the Book, Sex in the Floating World: Erotic Images in Japan, 1700–1820 (<span class="search-highlight">University</span> of Hawai'i Press, 1999)
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Sanskrit manuscript on palm leaves, Nepal, twelfth–thirteenth century. Leid...
Available to PurchasePublished: 01 October 2023
Figure 15. Sanskrit manuscript on palm leaves, Nepal, twelfth–thirteenth century. Leiden University Libraries, I.KERN Skr. A 8. Photograph: Leiden University Libraries.
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in Child of the Cranes: Sesshū's Birds and Flowers of the Four Seasons and the Painterly Profession in Muromachi Japan
> Archives of Asian Art
Published: 01 April 2023
Figure 7. Yin Xie (Chinese, active 1430s–1504), Birds and Flowers , Ming dynasty (1368–1644). Hanging scroll; ink and colors on silk. Nanjing University. Photograph courtesy of Zhao Jing. Reproduced by permission of Nanjing University.
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Weng Fanggang, Reproductions of a stele inscription dated 1239, as reproduc...
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in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 11. Weng Fanggang, Reproductions of a stele inscription dated 1239, as reproduced in Yuedong jinshi lue , 1771 (1889 ed.), supplementary volume 1: fig. 7a. Woodblock print on paper, 13.3 × 10 cm. The University Library, University of Illinois at Urbana-Champaign.
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in Qian Xuan Pounding the Balustrade: Multivalent Views of Displaced Scholars in Wang Xizhi Watching Geese
> Archives of Asian Art
Published: 01 April 2024
Figure 10. Attributed to Liang Kai 梁楷 (ca. 1140–1210), Wang Xizhi Writing Calligraphy , undated. Handscroll; ink on paper, painting 27 × 61 cm. Princeton University Art Museum, Gift of DuBois Schanck Morris, Class of 1893 (y1947–254). Photograph: courtesy of Princeton University Art Museum.
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Journal Article
Vernacular Painting and Transitional Beijing: Chen Shizeng's Beijing Fengsu Album, ca. 1915
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Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
...Ren
Wei Abstract Created around 1915, Chen Shizeng's Beijing Fengsu album represents a pictorial experiment that led to his subsequent well-known theoretical recasting of Chinese literati painting as a progressive and universally comprehensible visual language. Through an examination...
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Journal Article
The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
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Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... by the Nanjing painter Chen Shu 陳舒 (active ca. 1649–ca. 1687) from the ex-Qing (1644–1911) imperial collection and an inscribed folding fan. These are now reunited in the library collection of SOAS University of London, where Johnston taught Chinese after his return to Britain in 1931. Together with Puyi's...
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Taq-i Bustan, Kermanshah Province, Iran. Photograph: Sally Bjork, 2015. © R...
Available to PurchasePublished: 01 October 2023
Figure 23. Taq-i Bustan, Kermanshah Province, Iran. Photograph: Sally Bjork, 2015. © Regents of the University of Michigan.
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Published: 01 April 2017
Figure 15. Attributed to Guan Daosheng (China, 1262–1319), A Bamboo Grove in Mist , late 13th–14th century. Handscroll, ink on paper, 14.9 × 112.4 cm. Yale University Art Gallery, Hobart and Edward Small Moore Memorial Collection, Gift of Mrs. William H. Moore. Artwork in the public domain
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Diagram of the tomb of the Prince of Chu. Xuzhou Museum and Archaeology Div...
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in Gateways to Power and Paradise: Twin Towers in Early Chinese Architecture
> Archives of Asian Art
Published: 01 April 2018
Figure 11. Diagram of the tomb of the Prince of Chu. Xuzhou Museum and Archaeology Division, Department of History of Nanjing University, Xuzhou Beidongshan , 8.
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Telegram terminating contract, 27 March 1971. Louis I. Kahn Collection, Uni...
Available to Purchase
in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 13. Telegram terminating contract, 27 March 1971. Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1971.
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in Qian Xuan Pounding the Balustrade: Multivalent Views of Displaced Scholars in Wang Xizhi Watching Geese
> Archives of Asian Art
Published: 01 April 2024
Figure 27. Wang Zhenpeng 王振鵬 (ca. 1280–ca. 1329), Pavilion of Prince Teng ( Tengwangge tu ), 1312. Handscroll; ink on silk, painting 35.9 × 71.4 cm. Princeton University Art Museum, Museum purchase in honor of Professor Jerome Silbergeld, Fowler McCormick, Class of 1921, Fund; with a gift from
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Funerary urn ( hunping ), Western Jin dynasty. Glazed stoneware, h. 47.6 cm...
Available to PurchasePublished: 01 October 2023
Figure 6. Funerary urn ( hunping ), Western Jin dynasty. Glazed stoneware, h. 47.6 cm. Photograph: courtesy Johnson Museum of Art, Cornell University.
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in The Literary and Legendary Lives of the Onoe Bell: A Korean Celebrity in Japan
> Archives of Asian Art
Published: 01 April 2021
Figure 4. Onoe no kane yurai (Legacy of the Onoe Bell), eighteenth–nineteenth century. Woodblock print on paper, 29 × 40 cm. Waseda University Library, Tokyo.
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in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111.
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in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111.
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Louis Kahn Architecture office, working on the model of the Assembly comple...
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 8. Louis Kahn Architecture office, working on the model of the Assembly complex. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1967.
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