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Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 43–78.
Published: 01 April 2010
... of wisdom18 Similarly, the record of rich interior. This multiplicity in function and doctrinal 634, which commemorates the installation of the entire meaning was recreated through an eclectic configuration Avatamsaka Su¯ tra inside Cave 8, declares: of material objects inside the cave, which was...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 81–105.
Published: 01 April 2016
...˜ jus´rı¯ ciation with wisdom that received the greatest emphasis. MICHELLE C. WANG The Thousand-armed Man˜ jus´rı¯ at Dunhuang 85 Fig. 4. Man˜ jus´rı¯ from the Vimalakı¯rti Su¯ tra, Mogao Cave 420, west wall, Sui dynasty. Dunhuang, China, mural painting. From...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 119–163.
Published: 01 October 2014
...Akiko Walley Copyright © Asia Society 2014 Figuring Salvation: The Ho¯ ryu¯ ji Clay Su¯ tra Tableaux akiko walley University of Oregon Introduction...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 19–42.
Published: 01 April 2010
... (hereafter, Shichibutsu Yakushi Su¯ tra).5 a specific scripture with the iconographical origins of He fails, however, to carefully analyze another scripture Shichibutsu Yakushi. In tracing the origin and devel- concerning Yakushi which was in circulation at the opment of this iconography, rather than...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 107–151.
Published: 01 April 2016
... and the twenty-five akin to the copying out of a su¯ tra, a task . . . performed dharma-gates they expounded. Therefore, when paint- . . . to gain karmic merit through the state of mind he ing the album, which was probably commissioned by a brought to the endeavor25 According to Chen Jiru’s patron...
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 105–133.
Published: 01 April 2009
... visual format of the steles and their vent the stele form, but adopted it from the long tra- new iconography. The stele was a fairly novel form of dition of using a stele for commemorative purposes, monument in the history of Korean Buddhist art.6 It 2 which...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 25–46.
Published: 01 April 2012
... 35 A complex psychological portrait is therefore sug- Yuanjue jing (Su¯ tra of Perfect Enlightenment). This gested through these juxtapositions: Qianlong is a devoted Maha¯ya¯na Buddhist su¯ tra was composed in Chinese in Buddhist without neglecting his governing responsibilities; approximately...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 59–73.
Published: 01 April 2014
... Buddhas´r surrounded by strong intellect that allowed him to become a great the Cittama¯tra lineage holders of the bodhisattva vow scholar. In turn, he taught a number of famous Ngor (Fig. 8), and a painting of Gorampa sitting with the JOONA REPO...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
.... ‘‘The Universal Gateway of Bodhisattva Avalokites´ vara Chapter Twenty-Five of the Lotus Su¯ tra (Miaofa lianhua jing Guanshiyin pusa pumen-pin), with an appended Heart Su¯ tra (Xin jing). 1432. Ming dynasty. China. Accordion-fold book. Gold ink on indigo-dyed paper. Palace copy. Overall...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 121–150.
Published: 01 April 2007
... stand this painting, we must account for the unexpected parable in the Lotus Su¯ tra.4 Perhaps the ostensibly secu- variations he introduced into his composition. lar crowd in Teruo’s work also carries religious signifi- Variation in itself is by no means startling, if only cance, waiting to be...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81–90.
Published: 01 April 2012
... ART Fig.5. Left, ‘‘The Universal Gateway of Bodhisattva Avalokites´ vara Chapter Twenty-Five of the Lotus Su¯ tra (Miaofa lianhua jing Guanshiyin pusa pumen-pin), with an appended Heart Su¯ tra (Xin jing). 1432. Ming dynasty. China. Accordion-fold book. Gold ink on indigo-dyed paper. Palace...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 1–15.
Published: 01 April 2005
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 51–94.
Published: 01 April 2007
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 63–93.
Published: 01 April 2004
... Pratapaditya Pal has been especially useful in thinking about these bronzes of Kerala; he was the first scholar to draw attention to these figures as a distinct tra- dition in south India and to carefully analyze some of their particular physiognomic features. He has, for example, pointed out that...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 1–42.
Published: 01 April 2008
.... Dengfeng County, Henan Province. Front fac¸ade. After Laurence G. Liu, Chinese Architecture (New York: Rizzoli, 1989), p. 106. rinirva¯ naSu¯ tra). As at Kaihuasi, the central axial halls cause the building is so stylistically similar to the Kai...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 27–58.
Published: 01 April 2013
... translation in the context of sociability.4 and indigenous musical traditions like dhrupad. Among Akbar’s courtiers were Rajput aristocrats, some of them I. The Discovery rulers of regional kingdoms who brought their own tra- ditions into the mix while also embracing the broader The preparatory materials...
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 7–22.
Published: 01 April 2004
... period; it also ignores the continuities within the tra- the artists suggests the widespread appearance (if not a dition of erotic imagery. Another approach might be to precise percentage) of coercive imagery in the eighteenth contrast the unique aspects of sexual imagery of that peri- century. It...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 191–209.
Published: 01 October 2014
..., framed paintings (Fig. 7). Indeed, the Bereft of the formal content such manifestations remain purposeful act of framing recontextualizes painting tra- only icons and therefore not worthy of being considered ditions that may have been part of a ritual, performative as art19 action, while painting...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 75–92.
Published: 01 April 2014
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 87–111.
Published: 01 April 2008
... recently to the ‘‘end of the 5th century—beginning of the 6th century’’ (or c. 490– 510).38 On the basis of these attributions, the Ahiccha- tra S´iva head should be understood as dating at least a century earlier than Pal’s attribution of circa 600 for the LACMA Uma¯-Mahes´vara. A stylistic...