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Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 7–25.
Published: 01 April 2003
...Donald F. McCallum Copyright © Asia Society 2003 A Standing Kannon in the Tokyo National Museum DONALD E MCCALLUM UNIVERSITY OF CALIFORNIA, LOS ANGELES INTRODUCTION One of the most beautiful pieces of Buddhist sculpture in East Asia is a small gilt-bronze...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 55–72.
Published: 01 April 2019
...Jung-Ah Woo Abstract This article analyzes the various practices of the WAWA Project as a case study of community-based art after the Great East Japan Earthquake on 11 March 2011 (“3.11”). Organized by Masato Nakamura (b. 1963), the Tokyo-based artist, college professor, and director of an artist...
Image
Published: 01 October 2017
Figure 7. Okada Kenzō (1902–1982), Between [Kankaku 間隔], 1956. Meguro Museum of Art, Tokyo. Estate of Okada Kenzō. Figure 7. Okada Kenzō (1902–1982), Between [Kankaku 間隔], 1956. Meguro Museum of Art, Tokyo. Estate of Okada Kenzō. More
Image
Published: 01 October 2017
Figure 2. Tanaka Kōki, A Piano Played by 5 Pianists at Once (First Attempt) , 2012. Photograph: courtesy of the artist; Vitamin Creative Space, Guangzhou; and Aoyama Meguro, Tokyo. Figure 2. Tanaka Kōki, A Piano Played by 5 Pianists at Once (First Attempt), 2012. Photograph: courtesy of the More
Image
Published: 01 October 2017
Figure 6. Umehara Ryūzaburō (1888–1986), Forbidden City , 1940. Oil and mineral pigment on canvas, 114.5 × 89 cm. Collection of the Eisei Bunkō Museum, Tokyo. Figure 6. Umehara Ryūzaburō (1888–1986), Forbidden City, 1940. Oil and mineral pigment on canvas, 114.5 × 89 cm. Collection of the More
Image
Published: 01 April 2019
Figure 2. Saki Satom (Japanese, b. 1969), Owl Space 1, 2 , 2000. Installation view at Akihabara TV 2, organized and curated by commandN in Akihabara, Tokyo. Photograph: commandN. Figure 2. Saki Satom (Japanese, b. 1969), Owl Space 1, 2, 2000. Installation view at Akihabara TV 2, organized and More
Image
Published: 01 October 2017
Figure 1. Tanaka Kōki (b. 1975), Abstract Speaking—Sharing Uncertainty and Collective Acts , Fifty-Fifth Venice Biennale, 2013. Photograph: courtesy of the artist; Vitamin Creative Space, Guangzhou; and Aoyama Meguro, Tokyo. The neon sign on the facade of the Japanese pavilion indicates the More
Image
Published: 01 October 2017
Figure 5. View of Japanese gallery, Twenty-Sixth Venice Biennale, 1952. Miwa Harumi 三輪晴美, ed. Venechia Biennāre: Nihon sanka no yonjūnen ヴェネチア. ビエンナーレ : 日本参加の40年 [The Venice Biennale: Forty years of Japanese participation]. Tokyo: Mainichi Shinbunsha and the Japan Foundation, 1995. Figure 5 More
Image
Published: 01 April 2018
Figure 22. Jinjō shōgaku shintei gajō dai rokunen danseiyō 尋常小學新定畫帖第六學年男生用 [Standard elementary sketchbook, newly determined, for the use of sixth-grade males] (Tokyo: Monbushō, 1910), diagram 12 (digitally flattened and color-corrected). Printed codex, 16 × 24  cm. Yokohama City Library More
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 108–110.
Published: 01 April 2003
...Richard L. Wilson Copyright © Asia Society 2003 Yamane Yfizo (1919-2001) Yamane Yfizo, Professor Emeritus of Tokyo National Yamane's research method, based on a rigorous organi- University, passed away on Tuesday, 22 May, at the age of zation of biographical and formal evidence...
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 99–100.
Published: 01 April 2004
... flashlight and ty-seven of heart failure in Tokyo on 6 magnifying glasses. She analyzed pigments, September, 2003. In that nation's art history counted threads of silk, searched for traces of establishment, she had risen to higher posi...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 165–178.
Published: 01 October 2013
... centuries. Tokyo National Museum. Image 6 TNM Image Archives. other fragments from Mı¯ra¯n are described there simply difficult to determine whether this placement reflects as ‘‘Mural Fragments of the Six Dynasties Period their original disposition. While the theme of the upper In the 1950s, Kumagai...
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 7–22.
Published: 01 April 2004
... Tokyo), of shunga images. Time and again absurd sexual situations also the centre of printing, which may have been two- or unlikely encounters in embarrassing circumstances sug- thirds male. This had clear implications for auto-eroticism gest the same level of sexual humor found in kyuka and and...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 121–150.
Published: 01 April 2007
... Museum, Tokyo National University of Fine Arts and Debates regarding the appropriateness of mining Ja- Music. As Hosono Masanobu explains, many aspiring pan’s premodern Buddhist painting tradition in search young painters were drawn to the Kangakai between of new themes for painterly expression began...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 19–42.
Published: 01 April 2010
... Deities, No. 196. Now in the ¯ Tokyo National Museum Collection. Photograph by permission Yakushi seated on a Mt. Sumeru pedestal. In the of DNP Art Publications. circular halo [there are] Shichibutsu Yakushi [Compiler’s note: incised?] in bas...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 83–104.
Published: 01 April 2001
.... Shaka triad. oya-dera, Utsunomiya city, Tochigi Prefecture. loth c. Stone; h. of central image 354.0 cm. From Kuno Takeshi, Sekibutsu; vol. 36 of Book of Books, Nihon no Bijutsu (Tokyo: Shogakkan, 1975), F1. 42, p. 57. Photograph courtesy of Shogakkan...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 151–152.
Published: 01 April 2007
... came across Drucker noted that ‘‘it is space that determines the line the famous Sesshu¯ haboku landscape (now in the Tokyo rather than the line that determines the space but he National Museum). Nothing in European art had pre- also noted an ‘‘irrepressible tendency towards design pared him for the...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 37–60.
Published: 01 April 2011
... [Kita Akita-gun, Ani City, Akita Pref 1963. Oil on canvas; h. 91.1 cm, w. 116.5 cm. Mukai Junkichi Annex of Setagaya Art Museum, Tokyo. therefore not enough to point out that the Japanese to study oil painting at the Kansai Art Institute (Kansai government was becoming increasingly oppressive and...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 69–79.
Published: 01 April 2012
... she held a Fulbright-Hays Fellow- saving his devotee, was given in thanksgiving to Fudo¯ ship in Tokyo and was a Visiting Researcher at Keio for his cure.41 Unlike the other Danju¯ ro¯ ema, this paint- University. [hsnow@mica.edu] ing’s subject bears witness to the divine power of Fudo¯ . In the...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 209–236.
Published: 01 October 2017
...Figure 7. Okada Kenzō (1902–1982), Between [Kankaku 間隔], 1956. Meguro Museum of Art, Tokyo. Estate of Okada Kenzō. Figure 7. Okada Kenzō (1902–1982), Between [Kankaku 間隔], 1956. Meguro Museum of Art, Tokyo. Estate of Okada Kenzō. ...