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Journal Article
Archives of Asian Art (2003) 53 (1): 7–25.
Published: 01 April 2003
...Donald F. McCallum Copyright © Asia Society 2003 A Standing Kannon in the Tokyo National Museum DONALD E MCCALLUM UNIVERSITY OF CALIFORNIA, LOS ANGELES INTRODUCTION One of the most beautiful pieces of Buddhist sculpture in East Asia is a small gilt-bronze...
Journal Article
Archives of Asian Art (2019) 69 (1): 55–72.
Published: 01 April 2019
...Jung-Ah Woo Abstract This article analyzes the various practices of the WAWA Project as a case study of community-based art after the Great East Japan Earthquake on 11 March 2011 (“3.11”). Organized by Masato Nakamura (b. 1963), the Tokyo-based artist, college professor, and director of an artist...
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Image
Published: 01 April 2024
Figure 29. Qian Xuan, fragment of a colophon to the Lantingxu , Dugu version of the Dingwu rubbing. Ink on paper, approx. 32 × 17 cm. Tokyo National Museum, Gift of Mr. Takashima Kikujirō (TB-1351). Photograph: courtesy of Tokyo National Museum. More
Journal Article
Archives of Asian Art (2003) 53 (1): 108–110.
Published: 01 April 2003
...Richard L. Wilson Copyright © Asia Society 2003 Yamane Yfizo (1919-2001) Yamane Yfizo, Professor Emeritus of Tokyo National Yamane's research method, based on a rigorous organi- University, passed away on Tuesday, 22 May, at the age of zation of biographical and formal evidence...
Journal Article
Archives of Asian Art (2004) 54 (1): 99–100.
Published: 01 April 2004
... flashlight and ty-seven of heart failure in Tokyo on 6 magnifying glasses. She analyzed pigments, September, 2003. In that nation's art history counted threads of silk, searched for traces of establishment, she had risen to higher posi...
Journal Article
Archives of Asian Art (2004) 54 (1): 7–22.
Published: 01 April 2004
... is the literal meaning of warai, "laughter," the first chapter he sets out the importance of demo- which points to the humorous intent of a large proportion graphics: the shogunal capital of Edo (modern Tokyo), of shunga images. Time and again absurd sexual situations also the centre of printing, which may...
Journal Article
Archives of Asian Art (2010) 60 (1): 19–42.
Published: 01 April 2010
... in the ¯ Tokyo National Museum Collection. Photograph by permission Yakushi seated on a Mt. Sumeru pedestal. In the of DNP Art Publications. circular halo [there are] Shichibutsu Yakushi [Compiler’s note: incised?] in bas-relief. Between the flames there are many flying apsara¯ ses.30 Deities...
Image
Published: 01 October 2017
Figure 7. Okada Kenzō (1902–1982), Between [Kankaku 間隔], 1956. Meguro Museum of Art, Tokyo. Estate of Okada Kenzō. More
Journal Article
Archives of Asian Art (2001) 52 (1): 83–104.
Published: 01 April 2001
.... Shaka triad. oya-dera, Utsunomiya city, Tochigi Prefecture. loth c. Stone; h. of central image 354.0 cm. From Kuno Takeshi, Sekibutsu; vol. 36 of Book of Books, Nihon no Bijutsu (Tokyo: Shogakkan, 1975), F1. 42, p. 57. Photograph courtesy of Shogakkan...
Journal Article
Archives of Asian Art (2007) 57 (1): 121–150.
Published: 01 April 2007
... Museum, Tokyo National University of Fine Arts and Debates regarding the appropriateness of mining Ja- Music. As Hosono Masanobu explains, many aspiring pan’s premodern Buddhist painting tradition in search young painters were drawn to the Kangakai between of new themes for painterly expression began...
Journal Article
Archives of Asian Art (2013) 63 (2): 165–178.
Published: 01 October 2013
... centuries. Tokyo National Museum. Image 6 TNM Image Archives. other fragments from Mı¯ra¯n are described there simply difficult to determine whether this placement reflects as ‘‘Mural Fragments of the Six Dynasties Period their original disposition. While the theme of the upper In the 1950s, Kumagai...
Journal Article
Archives of Asian Art (2011) 61 (1): 37–60.
Published: 01 April 2011
.... Oil on canvas; h. 91.1 cm, w. 116.5 cm. Mukai Junkichi Annex of Setagaya Art Museum, Tokyo. therefore not enough to point out that the Japanese to study oil painting at the Kansai Art Institute (Kansai government was becoming increasingly oppressive and Bijutsu-in) in 1916. coercive even...
Journal Article
Archives of Asian Art (2021) 71 (1): 37–61.
Published: 01 April 2021
.... Reproduction of print from 1885. Collection of Sherry Fowler. Photograph: Mark Olson, 2019. Figure 4. Onoe no kane yurai (Legacy of the Onoe Bell), eighteenth–nineteenth century. Woodblock print on paper, 29 × 40 cm. Waseda University Library, Tokyo. Figure 4. Onoe no kane yurai (Legacy...
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Journal Article
Archives of Asian Art (2013) 63 (2): 189–207.
Published: 01 October 2013
... reentry to Japanese society? with his arrival on the West Coast, continuing with his After a brief period studying oil painting at the Pre- years in New York City, traveling next through the paratory Division of Waseda University in Tokyo, Kita- South, then on to Cuba, and finally through Mexico...
Journal Article
Archives of Asian Art (2017) 67 (2): 209–236.
Published: 01 October 2017
...Figure 7. Okada Kenzō (1902–1982), Between [Kankaku 間隔], 1956. Meguro Museum of Art, Tokyo. Estate of Okada Kenzō. ...
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Journal Article
Archives of Asian Art (2017) 67 (1): 1–24.
Published: 01 April 2017
... , edited by Satō Yasuhiro 佐藤康宏 , 81 – 100 . Tokyo : Tokyo Daigaku Shuppan , 2005 . Bialock, David . “ Nation and Epic: The Tale of the Heike as Modern Classic .” In Inventing the Classics: Modernity, National Identity, and Japanese Literature , edited by Shirane Haruo and Suzuki Tomi...
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Image
Published: 01 October 2017
Figure 6. Umehara Ryūzaburō (1888–1986), Forbidden City , 1940. Oil and mineral pigment on canvas, 114.5 × 89 cm. Collection of the Eisei Bunkō Museum, Tokyo. More
Image
Published: 01 April 2021
Figure 4. Onoe no kane yurai (Legacy of the Onoe Bell), eighteenth–nineteenth century. Woodblock print on paper, 29 × 40 cm. Waseda University Library, Tokyo. More
Journal Article
Archives of Asian Art (2023) 73 (1): 25–54.
Published: 01 April 2023
... with circular holes, is also a typical characteristic of Sesshū's painting. Watada Minoru has further noted that the moistness of the ink work in the screens, particularly in the rocks and mountains, is comparable to Sesshū's treatment of the rocks in his Landscapes of the Four Seasons (Tokyo National Museum...
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Journal Article
Archives of Asian Art (2012) 62 (1): 69–79.
Published: 01 April 2012
... in 2010 from Stanford University. we know that Danju¯ ro¯ VIII’s 1851 ema, showing Fudo¯ From 2005 to 2006 she held a Fulbright-Hays Fellow- saving his devotee, was given in thanksgiving to Fudo¯ ship in Tokyo and was a Visiting Researcher at Keio for his cure.41 Unlike the other Danju¯ ro¯ ema...