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the Qianlong emperor

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Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
...Cheng-hua Wang Abstract This research focuses on one of the most famous paintings made at the court of the Qing dynasty (1644–1911)— Qingming shanghe (Up the River during Qingming). Commissioned by the Yongzheng emperor (r. 1723–1735) and completed in the second year of the Qianlong emperor's reign...
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 139–179.
Published: 01 October 2015
...Wen-Shing Chou Abstract This essay reconsiders the Qing imperial appropriation of the sacred mountain range of Wutai Shan through a study of three Manchu monasteries, Baodi Si, Baoxiang Si, and Shuxiang Si, built at the court of the Qianlong emperor between 1750 and 1775. Qianlong's consuming...
Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... lies in their very inexplicability of craftsmanship and ability to index both physical transformation as well as infinite formal transformation for the Qing empire, particularly during the reign of the Qianlong emperor (1736–1795). Descriptions of the epiphenomenon of yaobian appear intermittently...
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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
... in poetic imagery was deemed seditious by the Qianlong emperor (r. 1736–1795), paintings by Yun Shouping, Shitao, Hua Yan, and Jin Nong, among many others, endured a century and a half of censorship, all the while contributing to portrayals of the flower in court imagery. This study examines peony paintings...
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Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
... of such portraits may well Zito briefly employed the ‘‘silk and skin’’ bodies of have been produced during the Qing-dynasty (1644– Qianlong present in One or Two to illustrate the multi- 1911) reign of the Qianlong emperor (r. 1736–1795), faceted role of the imperial body in the annual Grand who frequently...
Image
Published: 01 April 2020
Figure 16. Detail of the handscroll illustrated in Figure 1 , showing the poem and inscription of the Qianlong Emperor. Photograph: National Palace Museum, Taipei. More
Journal Article
Archives of Asian Art (2021) 71 (1): 123–129.
Published: 01 April 2021
... on the Yongzheng and Qianlong Emperors' involvement in the production of the court version of the 1737 Qingming Shanghe tu 1 is timely and welcome, particularly as regards Qianlong's early interest in the work of the artisans in the court workshops, an interest which he was to sustain for the whole of his...
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 117–137.
Published: 01 October 2015
... in its dialectic relationship to Chinese imperial culture. Copyright © Asia Society 2015 Chinese calligraphy Wang Xizhi (303–ca. 361) Qianlong Emperor Song Huizong Dong Qichang Xingrangtie Ritual to Pray for Good Harvest imperial culture seals colophons authenticity letters copy...
Image
Published: 01 October 2018
Figure 19. Incense burner, Qing dynasty (1700–1773), inscribed on base by the Qianlong emperor in 1773. Glazed stoneware, h. 6.5 cm, diam. 10.9 cm. British Museum, PDF.64, on loan from Sir Percival David Foundation of Chinese Art. Photograph: British Museum. More
Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
..., the Shunzhi (r. 1644–1661) and gic pursuit of an interest in China’s artistic tradition as Qianlong emperors (r. 1735–1796) of the Qing dynasty well as its relation to his later experiments in Chinese ordered the construction of the Yong’an si socialist landscape. (Temple...
Journal Article
Archives of Asian Art (2022) 72 (1): 97–127.
Published: 01 April 2022
... of identity to appeal to different cultures within the Qing protectorate. For example, the Qianlong emperor presented himself with the attributes of the bodhisattva Mañjuśrī in a Tibetan-style thangka (a hanging scroll format for Buddhist painting), which the court sent to the newly discovered Eighth Dalai...
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Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... the ritual enacted either through display (or viewing) or in the repurposing of the album as an imperial parting gift. There are cases in the Qing context where such albums were seen to have a key leaf or leaves embedded within. The inquisitional Qianlong emperor, for example, was ever sensitive about...
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Journal Article
Archives of Asian Art (2001) 52 (1): 105–120.
Published: 01 April 2001
... OF ART Dr.Vidya Dehejia, Deputy Director Fig. 55 Fig. 53. / Imperial workshop, with face by Giuseppe Castiglione (Lang Shining, 1688-1766). The Qianlong Emperor as an Embodiment of the Bodhisattva Manjushri...
Journal Article
Archives of Asian Art (2006) 56 (1): 61–80.
Published: 01 April 2006
... Longmen 龙门 luohan 罗汉 A/Iohe Zhiguan Puji 普济 Qianlong, emperor...
Journal Article
Archives of Asian Art (2014) 64 (1): 3–32.
Published: 01 April 2014
... in ‘‘curios’’ that sparkle from top to bottom. To the Emperor Qianlong’s Study (Fig. 2). Beginning in the north stands a table. And on the table [is] a vase eighteenth century, the Qing court installed these curio containing a bouquet of pheasant’s feathers. A 6 ARCHIVES OF ASIAN ART...
Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
... Xiao and Xiang, were included: ‘‘Wild Geese Descend- academy. Apart from Xie’s own signature there is no ing to a Shore’’ and ‘‘Evening Snow over River and Song documentation on the scroll. Once, however, it Sky Since early Joseon renderings of this theme (in was in the Qianlong emperor’s collection...
Journal Article
Archives of Asian Art (2019) 69 (1): 103–120.
Published: 01 April 2019
... with the purported original. When, for example, the Qianlong emperor inaugurated the stone creek in the Ningshou Palace 寧壽宮, he and his guests floated wine cups on leaves, replicating what Wang Xizhi 王羲之 (303–361) and his guests had famously done in 353. 43 In the case of events that memorialized past literary...
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Journal Article
Archives of Asian Art (2018) 68 (2): 157–190.
Published: 01 October 2018
..., Hangzhou : Zhejiang renmin meishu chubanshe , 2013 . Wu Weiping 吳偉蘋 . “Qianlong huangdi yu yu banzhi” 乾隆皇帝與玉板指 [ The Qianlong emperor and jade finger rings ]. Gugong wenwu yuekan 故宮文物月刊 / The National Palace Museum Monthly of Chinese Art 367 ( October 2013 ): 94 – 109 . Xi'an shi...
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Journal Article
Archives of Asian Art (2014) 64 (1): 59–73.
Published: 01 April 2014
... for the Qianlong Emperor’s Fori Lou Tem- 25. Jackson, The Nepalese Legacy, 199. ple in the Forbidden City in ca. 1772; see Patricia Berger, 26. The numbering here is in contrast to the apparent ‘‘Religion in China: The Three Emperors, 1662–1795, lack of such notes on the other paintings...
Journal Article
Archives of Asian Art (2008) 58 (1): 1–42.
Published: 01 April 2008
... miles) directly north for the other three. A Qianlong-period (1736–1795) TRACY MILLER The Eleventh-century Daxiongbaodian 31 Fig. 35. Zishengsi tower at southern end of complex. No date. Photograph by author. 32 ARCHIVES OF ASIAN...