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Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 11–43.
Published: 01 April 2001
...Susan E. Nelson Copyright © Asia Society 2001 Catching Sight of South Mountain: Tao Yuanming, Mount Lu, and the Iconographies of Escape SUSAN E. NELSON INDIANA UNIVERSITY To engage with the world or to withdraw from it—that associated with him were used as decorative designs...
Image
Published: 01 October 2017
64. Attributed to Tao Hongjing (Chinese, Southern dynasties, 420–589), Rubbing of Yihe Ming 瘞鶴銘 [Inscription on Burying a Crane], original carving dated to 514, rubbing made ca. 2010s. Rubbing; ink on paper, 64 × 96 cm. Spencer Museum of Art, 2016.0021.A. Museum purchase: R. Charles and Mary More
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Published: 01 October 2018
Figure 20. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 7 from Album of Making Porcelain , album of twenty paired leaves and one explanatory text. Ink and color on silk. From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan (Chinese More
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Published: 01 October 2018
Figure 21. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 1 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 76, fig. 1. Figure 21. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by More
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Published: 01 October 2018
Figure 22. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 4 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 77, fig. 4. Figure 22. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by More
Image
Published: 01 October 2018
Figure 23. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 15 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 80, fig. 15. Figure 23. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations More
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Published: 01 October 2018
Figure 24. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 20 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 82, fig. 20. Figure 24. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations More
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 25–49.
Published: 01 April 2016
... a long-missing section that recently came to light that had opposed his father’s reform policy.12 In the and is published here in full for the first time, and I ninth month of the same year, Cai Tao 蔡絛 (d. 1147), identify new evidence regarding the early provenance of a noted scholar and...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 133–156.
Published: 01 October 2018
...Figure 20. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 7 from Album of Making Porcelain , album of twenty paired leaves and one explanatory text. Ink and color on silk. From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan (Chinese...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 117–137.
Published: 01 October 2015
... of Tao Qian 陶潛 (365–427).4 Coinci­ helped set up the Eastern Jin dynasty­ at Jiankang in 317. dentally, the first known col­lec­tor of Wang Xizhi’s cal­ Among other desig­ ­na­tions, Wang Xizhi held the mili­­ lig­ra­phy appears­ to have been Huan Xuan 桓玄 tary ti­tle “Commander-of-the-right...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 61–82.
Published: 01 April 2017
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 7–24.
Published: 01 April 2012
...- could also carry specific meanings in pictures intended ist—an easy matter in the all-but-classless society that for officials.7 Chrysanthemums, through their associa- this version of Ming painting history supposes. If the re- tion with Tao Yuanming, stood for retirement, or a cipient gave some gift in...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 121–127.
Published: 01 April 2001
... (1986), pp. 23-47; Picture Listening: The Sight of Content, vol. 45 (1992), pp. 29-41. Sound in Chinese Painting, vol. 51 (1998-1999), pp. 30-55; Catching Sight of South Mountain: Tao Yuanming...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 95–120.
Published: 01 April 2007
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 107–126.
Published: 01 April 2011
... more antique air.3 In addition, the The latest known master listed is Wang Mian (1287– iconography of Dream Journey is based on the well- 1359) who died a decade before the end of the Yuan. known prose-poem Peach Blossom Spring by Tao Qian No contemporaneous mid-Ming master is mentioned. (aka Tao...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 277–306.
Published: 01 October 2017
...64. Attributed to Tao Hongjing (Chinese, Southern dynasties, 420–589), Rubbing of Yihe Ming 瘞鶴銘 [Inscription on Burying a Crane], original carving dated to 514, rubbing made ca. 2010s. Rubbing; ink on paper, 64 × 96 cm. Spencer Museum of Art, 2016.0021.A. Museum purchase: R. Charles and Mary...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 165–190.
Published: 01 October 2014
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 97–118.
Published: 01 October 2014
... traveled to the south, and this poem may more of a literary construct than a literal description of also have literary origins such as a possible reference to the Chu scenery in the first of the joint paintings. It does Tao Qian’s 陶潛 (365–427) beloved South or Southern not mention Mi Youren’s art, only...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 67–86.
Published: 01 April 2018
... Ni Tao 倪濤 show that stone towers were sometimes erected to celebrate the virtuous characteristics of the deceased. For example, a tower inscription from 121 ce , entitled “The filial son Dong Pu from Yili community of Cheng town” ( Chengxiang Yilili xiaozi Dong Pu 澄鄉宜利里孝子董蒲), mentions no official...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
... Peonies is part of an album exploring Song and Yuan dynasty pictorial modes. Landscape themes include reclusion and eremitism, such as Wang Hui's depiction on leaf seven of the utopian paradise “Peach Blossom Spring,” by the poet and recluse Tao Qian 陶潛 (365–427). 40 Such subjects were common to...