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Journal Article
Archives of Asian Art (2004) 54 (1): 63–93.
Published: 01 April 2004
...Mary Beth Coffman Heston Copyright © Asia Society 2004 Powerful Bodies: "Kerala Style" Bronzes and
Thinking about a Regional Style'
MARY BETH COFFMAN HESTON
COLLEGE OF CHARLESTON
Power is manifest when it is exercised in a particular
body in a particular context...
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in Vernacular Painting and Transitional Beijing: Chen Shizeng's Beijing Fengsu Album, ca. 1915
> Archives of Asian Art
Published: 01 October 2021
Figure 6. Chen Shizeng, Beijing-style Mover with an Inscription by He Binsheng and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing.
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in An Art of Transformation: Reproducing Yaobian Glazes in Qing-Dynasty Porcelain
> Archives of Asian Art
Published: 01 October 2018
Figure 15. Jun-style flowerpot, Jingdezhen, Yongzheng (r. 1723–1735). Porcelain with glaze, h. 20 cm. Beijing Capital Museum. Photograph: Patricia Yu.
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in An Art of Transformation: Reproducing Yaobian Glazes in Qing-Dynasty Porcelain
> Archives of Asian Art
Published: 01 October 2018
Figure 16. Jun-style planter, Jingdezhen, Yongzheng (r. 1723–1735). Porcelain with flambé glaze, diam. 23.8 cm. Victoria and Albert Museum, Bequeathed by E. A. Brooks, Esq., CIRC.1237-1926. Photograph: © Victoria and Albert Museum.
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in An Art of Transformation: Reproducing Yaobian Glazes in Qing-Dynasty Porcelain
> Archives of Asian Art
Published: 01 October 2018
Figure 17. Jun-style vase (detail), Jingdezhen, Qianlong (r. 1736–1795), eighteenth–nineteenth century. Porcelain with flambé glaze, h. 35 cm. Cantor Arts Center, Stanford University, 1958.78. Artwork in public domain. Photograph: Ellen Huang.
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Journal Article
Archives of Asian Art (2008) 58 (1): 1–42.
Published: 01 April 2008
...Tracy Miller Copyright © Asia Society 2008 The Eleventh-century Daxiongbaodian of Kaihuasi and
Architectural Style in Southern Shanxi’s Shangdang Region1
tracy miller
Vanderbilt...
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Published: 01 April 2018
Figure 13. Diagram of “butterfly-style” binding. From Japanese Bookbinding , by Kōjirō Ikegami, © 1979, 1986 by Kōjirō Ikegami. Reprinted by arrangement with The Permissions Company, Inc., on behalf of Shambhala Publications Inc., Boulder, Colorado, www.shambhala.com .
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in “Utterly False, Utterly Undeniable”: Visual Strategies in the Akaniṣṭha Shrine Murals of Takden Phuntsokling Monastery
> Archives of Asian Art
Published: 01 October 2017
Figure 34. Gnarled pine tree behind leafy bamboo in Chinese painting style (detail of Figure 18 , upper center), southwest corner of Akaniṣṭha Shrine, first half of seventeenth century. Photograph: author.
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in “Utterly False, Utterly Undeniable”: Visual Strategies in the Akaniṣṭha Shrine Murals of Takden Phuntsokling Monastery
> Archives of Asian Art
Published: 01 October 2017
Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara, north wall of Akaniṣṭha Shrine (3.17), first half of seventeenth century. Photograph: author.
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Journal Article
Archives of Asian Art (2022) 72 (2): 255–272.
Published: 01 October 2022
...” and “repentance rituals,” as Wang mainly argues, or (perhaps also) locales for gestalt experience of the presence of consecrated deities? The attribution of the visual style to a Nepalese-derived Tibetan mode is also examined. Works Cited Abé, Ryūichi . The Weaving of Mantra: Kūkai and the Construction...
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Journal Article
Archives of Asian Art (2016) 66 (1): 25–49.
Published: 01 April 2016
... Gonglin style in the late Northern Song court. Copyright © Asia Society 2016 Qiao Zhongchang Red Cliff Su Shi Liang Shicheng eunuch Li Gonglin court painting late Northern Song literati painting memorial appropriation The Literati, the Eunuch, and a Memorial...
Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
...Figure 6. Chen Shizeng, Beijing-style Mover with an Inscription by He Binsheng and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. ...
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Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
...Figure 15. Jun-style flowerpot, Jingdezhen, Yongzheng (r. 1723–1735). Porcelain with glaze, h. 20 cm. Beijing Capital Museum. Photograph: Patricia Yu. ...
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Journal Article
Archives of Asian Art (2020) 70 (2): 173–197.
Published: 01 October 2020
...Fiona Buckee Abstract The Muṇḍeśvarī temple near Bhabuā in southwest Bihar is an octagonal, sandstone monument without a spire. Scholars have dated the temple to the first half of the seventh century, primarily on account of early inscriptions from the site and the style of the door frames. Few...
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Journal Article
Archives of Asian Art (2016) 66 (2): 153–185.
Published: 01 October 2016
... Chinese objects and images to nineteenth-century Siam. The ideals of accretion and abundance characteristic of Thai Buddhism and the sinophilia of Rama III facilitated the construction of “Chinese-style” Thai temples. Glass paintings with scenes of the Pearl River Delta, Romance of the Three Kingdoms...
Journal Article
Archives of Asian Art (2017) 67 (1): 25–59.
Published: 01 April 2017
...Molly Emma Aitken Abstract Nineteenth-century court painters in India's princely states reconfigured traditional portraiture to address British, Indian courtly and local values and conventions. At Bikaner, a father and son, Rahim and Chotu, experimented with a number of different styles...
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Journal Article
Archives of Asian Art (2017) 67 (2): 189–208.
Published: 01 October 2017
... genealogy of Deccani refractions of the Timurid International Style. While the large-scale migration of Ni‘matullahi Sufis from Iran to the Deccan imported certain aesthetic sensibilities, this research also draws attention to how local visual culture is reflected in the shrine's murals. It speculates how...
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Journal Article
Archives of Asian Art (2023) 73 (1): 25–54.
Published: 01 April 2023
... of the painter's career. In style and subject matter, Birds and Flowers provides insight into Sesshū's encounter with imperial painting at the Ming academy during this time. This symbolic analysis also offers a fresh approach to deciphering the heretofore mysterious patronage context surrounding the screens...
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Published: 01 October 2018
Kobayakawa Kiyoshi (Japanese, 1899–1948), Tipsy, from the series “Modern Styles of Women,” Japan, Shōwa period (1926–89), 1930. Color woodblock print with mica; sheet 52.1 × 30.5 cm. Saint Louis Art Museum, 119:2016. The Langenberg Endowment Fund.
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in Changing Notions of “Feminine Spaces” in Chosŏn-Dynasty Korea: The Forged Image of Sin Saimdang (1504–1551)
> Archives of Asian Art
Published: 01 April 2018
Figure 13. Chukhyang (fl. mid-nineteenth c.), “Day Lilies, Daisies, and Butterfly in the Style of Chen Chun (1483–1544),” from Plant and Insects , a ten-leaf album, nineteenth century. Ink and colors on silk, 24.8 × 25.4 cm. The National Museum of Korea, Seoul. Photograph: courtesy
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