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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 5. Fan Shi Stele , 235 ce . Carved stone, 96 × 67.2 cm. Small Stele Hall, Jining Municipal Museum, Shandong Province, China. Photograph: Michael J. Hatch.
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Image
in Curating the Christian Arts of Asia: Global Art Histories at the Asian Civilisations Museum
> Archives of Asian Art
Published: 01 October 2020
Figure 12. Rubbing of the stele commemorating Christianity in China. Stele : Xi'an, China, 781 ce (Tang dynasty). Stone, h. 279 cm. Rubbing : Beilin Museum, Xi'an. Collection of the Asian Civilisations Museum, Gift of Ethel Kum Lin Chong, 2017-00670.
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 1. Reproductions of the Fan Shi Stele rubbings, from Huang Yi 黃易 (1744–1802), Engraved Texts of the Lesser Penglai Pavilion [ Xiao Penglaige jinshi wenzi ] (1800), 4: fig. 1a–b . Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 2. Transcription of the text of the Fan Shi Stele rubbings, from Huang, Engraved Texts , 4: fig. 1a. Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 3. Transcription of colophons to the Fan Shi Stele rubbings by Bi Yuan 畢沅 (1730–1797), and Yan Zhangming 嚴長明 (1731–1789), from Huang, Engraved Texts , 4: figs. 6b–7a. Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 4. Page from a set of rubbings of the Fan Shi Stele owned by Huang Yi, thirteenth century. Ink on paper, mounted as an album, 34 × 34 cm. Palace Museum, Beijing (新00046690). Photographer: Li Mingjie.
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 7. Reproductions of the Fan Shi Stele rubbings, from Huang, Engraved Texts , 4: fig. 9b. Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 10. Rubbings of the Fan Shi Stele (left) and its header (right), after 1787. Ink on paper, 100 × 66 cm. Courtesy of Special Collections, Fine Arts Library, Harvard University (W284107).
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 11. Weng Fanggang, Reproductions of a stele inscription dated 1239, as reproduced in Yuedong jinshi lue , 1771 (1889 ed.), supplementary volume 1: fig. 7a. Woodblock print on paper, 13.3 × 10 cm. The University Library, University of Illinois at Urbana-Champaign.
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Image
in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 17c. Rubbing of relief carved dedicatory inscription on the stele, Niche 304, Guyang Cave. After Mizuno and Nagahiro, Kanan Rakuyō Ryūmon sekkutsu , rubbings 15.
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Image
in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 26. Rubbing of the Stele dedicated by Sun Qiusheng and Liu Qizu with dates 483 and 502, Niche 106, Guyang Cave south wall. Image courtesy of Longmen Research Institute.
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Image
in Inscriptional Practices of the Song Literati: Revisiting Su Shi's Old Tree, Rock, and Bamboo
> Archives of Asian Art
Published: 01 April 2022
Figure 9. Mi Fu, Dai jun bei ming 戴君碑銘 (inscription for the Dai jun Stele), dated 1104. Detail of a rubbing from the Shaoxing Mi tie 紹興米帖. From Zhongguo fatie quanji , 5:229.
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Journal Article
Archives of Asian Art (2009) 59 (1): 105–133.
Published: 01 April 2009
...Sunkyung Kim Copyright © Asia Society 2009 Contesting the Lost Land, New Land, and Pure Land:
Buddhist Steles of Seventh-Century Korea
sunkyung kim
University of Southern...
View articletitled, Contesting the Lost Land, New Land, and Pure Land: Buddhist <span class="search-highlight">Steles</span> of Seventh-Century Korea
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for article titled, Contesting the Lost Land, New Land, and Pure Land: Buddhist <span class="search-highlight">Steles</span> of Seventh-Century Korea
Journal Article
Archives of Asian Art (2021) 71 (1): 93–122.
Published: 01 April 2021
... elements on the lower registers of stone steles, such as the devotees/donors, other individuals in the service of the Mother Goddess, potfuls of offerings, and the environment of cremation grounds in which worship took place. The main deity and associated figures occupying the larger space in the middle...
FIGURES
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Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
...Figure 5. Fan Shi Stele , 235 ce . Carved stone, 96 × 67.2 cm. Small Stele Hall, Jining Municipal Museum, Shandong Province, China. Photograph: Michael J. Hatch. ...
FIGURES
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Journal Article
Archives of Asian Art (2021) 71 (2): 131–170.
Published: 01 October 2021
...Figure 17c. Rubbing of relief carved dedicatory inscription on the stele, Niche 304, Guyang Cave. After Mizuno and Nagahiro, Kanan Rakuyō Ryūmon sekkutsu , rubbings 15. ...
FIGURES
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Journal Article
Archives of Asian Art (2006) 56 (1): 11–30.
Published: 01 April 2006
...
study of the patronage practices of "ordinary people" risks patrons and those sponsored by groups of patrons include
overlooking differences in practice between these various much the same range of sculptural forms (altarpiece,
groups. group, stele, etc...
Journal Article
Archives of Asian Art (2001) 52 (1): 63–82.
Published: 01 April 2001
... Buddha sculptures from Bodhgaya recall images
a dominant one only after the seventh century. from Sarnath (in present-day Uttar Pradesh).28
Since the vast majority of eastern Indian sculptures are Influence from Sarnath, a site well known for its fifth-
steles with figures carved in deep...
Journal Article
Archives of Asian Art (2011) 61 (1): 91–106.
Published: 01 April 2011
... Rajput chatrı¯s also contain a stele under the dome that
where Hindu aristocrats were cremated. A portion of provides information about the memorialized king and
92 ARCHIVES OF ASIAN ART
Fig. 2. Chatrı¯ of Maha¯ ra¯ ja¯ Jankoji Rao Scindia...
View articletitled, Keeping Up with the Rajputs: Appropriation and the Articulation of Sacrality and Political Legitimacy in Scindia Funerary Art
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for article titled, Keeping Up with the Rajputs: Appropriation and the Articulation of Sacrality and Political Legitimacy in Scindia Funerary Art
Journal Article
Archives of Asian Art (2015) 65 (1-2): 139–179.
Published: 01 October 2015
..., and what were his aims lous image continued to be published in every imperial
of such a mate rial transfer? Even though no buildings and nonimperial guidebook. In fact, the absence of the
from Baodi Si are extant, and no stele inscriptions sur original image had in all...
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