1-20 of 233

Search Results for society

Save search
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article

Letter from the Director of the Asia Society Galleries and Cultural Programs

Available to Purchase
Vishakha N. Desai
Archives of Asian Art (2001) 52 (1): 7.
DOI: https://doi.org/10.1484/aaa.2001.0002
Published: 01 April 2001
...Vishakha N. Desai Copyright © Asia Society 2001 Letter from the Director of the Asia Socie Galleries and Cultural Programs Archives of Asian Art epitomizes the Asia Society's com- fully embraced modern and contemporary notions of arts mitment to supporting the scholarly exploration...
View articletitled, Letter from the Director of the Asia <span class="search-highlight">Society</span> Galleries and Cultural Programs View PDF for article titled, Letter from the Director of the Asia <span class="search-highlight">Society</span> Galleries and Cultural Programs
Journal Article

Asia Society Statement

Available to Purchase
Melissa Chiu
Archives of Asian Art (2014) 64 (1): 1.
DOI: https://doi.org/10.1353/aaa.2014.0010
Published: 01 April 2014
...Melissa Chiu Copyright © Asia Society 2014 Asia Society Statement sia Society’s commitment to publishing scholarship we present Buddhist Art of Myanmar, the first major Aon Asian art now has a history of more than half a American loan exhibition...
View articletitled, Asia <span class="search-highlight">Society</span> Statement View PDF for article titled, Asia <span class="search-highlight">Society</span> Statement
Image
Figure 26. Jairam Das (fl. 1815–1840), “A Jewaun or Trooper belonging to Col. Skinner's Irregular Cavalry,” Patna, ca. 1818. Part of an album of 36 watercolors and drawings illustrating costumes, customs, and castes of India. The album is inscribed, in ink: “Thirty six drawings presented to the Royal Asiatic Society by Lieut. Colonel Carlo Joseph Doyle 15th of March 1834.” Watercolor on paper, 20 cm ×12.2 cm. Royal Asiatic Society of Great Britain and Ireland. Photograph: © Royal Asiatic Society of Great Britain and Ireland (RAS 015.066).

Jairam Das (fl. 1815–1840), “A Jewaun or Trooper belonging to Col. Skinne...

Available to Purchase
in To Fill “a Gap in Indian History”: An Archival Reckoning with the Term Company Painting > Archives of Asian Art
Published: 01 April 2024
to the Royal Asiatic Society by Lieut. Colonel Carlo Joseph Doyle 15th of March 1834.” Watercolor on paper, 20 cm ×12.2 cm. Royal Asiatic Society of Great Britain and Ireland. Photograph: © Royal Asiatic Society of Great Britain and Ireland (RAS 015.066). More
Image
A snow cave structure with a hollow entrance stands in a snowy field, surrounded by bare trees and mountains.

David Nash, Snow Stove , February 1982. Kōtoku Marsh, Okunikkō, Tochigi Pr...

Free
in An Appetite for Flames in the Japanese Art World during the 1980s > Archives of Asian Art
Published: 01 October 2024
Figure 2. David Nash, Snow Stove , February 1982. Kōtoku Marsh, Okunikkō, Tochigi Prefecture. Not extant. Photograph: © 2024 Artists Rights Society (ARS), New York / DACS, London. More
Image
A large, hollow log sits in the middle of a stream, bordered by trees on both sides.

David Nash, River Tunnel , February 1982. Kōtoku Marsh, Okunikkō, Tochigi ...

Free
in An Appetite for Flames in the Japanese Art World during the 1980s > Archives of Asian Art
Published: 01 October 2024
Figure 3. David Nash, River Tunnel , February 1982. Kōtoku Marsh, Okunikkō, Tochigi Prefecture. Not extant. Photograph: © 2024 Artists Rights Society (ARS), New York / DACS, London. More
Image
Figure 4. Qiu Ti, Flower, 1933. Lost and presumed destroyed. From Pang, Storm Society and Post-Storm Art Phenomenon, 35. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation.

Qiu Ti, Flower , 1933. Lost and presumed destroyed. From Pang, Storm Soci...

Available to Purchase
in Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai > Archives of Asian Art
Published: 01 April 2022
Figure 4. Qiu Ti, Flower , 1933. Lost and presumed destroyed. From Pang, Storm Society and Post-Storm Art Phenomenon , 35. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation. More
Image
Figure 5. Qiu Ti, Untitled, 1933. Lost and presumed destroyed. Reproduction from photographic review of the Second Annual Storm Society Exhibition in Shidai huabao 5, no. 1 (1933). Image in the public domain.

Qiu Ti, Untitled , 1933. Lost and presumed destroyed. Reproduction from ph...

Available to Purchase
in Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai > Archives of Asian Art
Published: 01 April 2022
Figure 5. Qiu Ti, Untitled , 1933. Lost and presumed destroyed. Reproduction from photographic review of the Second Annual Storm Society Exhibition in Shidai huabao 5, no. 1 (1933). Image in the public domain. More
Image
Figure 20. Gold dinar of Muhammad II (r. 1463–1482), minted in Muhammadabad/Bidar, 1473. Diam. 10.5 mm. [images not to scale]. Knot symbol in lower left of obverse (left). Photograph: American Numismatic Society 0000.999.22920.

Gold dinar of Muhammad II (r. 1463–1482), minted in Muhammadabad/Bidar, 147...

Available to Purchase
in Interpreting the Eye ( ‘ain ): Poetry and Painting in the Shrine of Aḥmad Shāh al-Walī al-Bahmanī (r. 1422–1436) > Archives of Asian Art
Published: 01 October 2017
Figure 20. Gold dinar of Muhammad II (r. 1463–1482), minted in Muhammadabad/Bidar, 1473. Diam. 10.5 mm. [images not to scale]. Knot symbol in lower left of obverse ( left ). Photograph: American Numismatic Society 0000.999.22920. More
Image
Figure 8. Pang Xunqin (Chinese, 1906–1985), Son of the Earth, 1934. Original destroyed by the artist, black-and-white reproduction from a photographic review of the Storm Society's annual exhibition. Dazhong huabao 12 (October 1934): 22. Image in the public domain.

Pang Xunqin (Chinese, 1906–1985), Son of the Earth , 1934. Original destro...

Available to Purchase
in Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai > Archives of Asian Art
Published: 01 April 2022
Figure 8. Pang Xunqin (Chinese, 1906–1985), Son of the Earth , 1934. Original destroyed by the artist, black-and-white reproduction from a photographic review of the Storm Society's annual exhibition. Dazhong huabao 12 (October 1934): 22. Image in the public domain. More
Image
An annotated drawing labeled “Mizunara 20 days with a water oak, Kotoku, Japan, February 1982.” Various structures, such as a capped arch, wood stove, and river tunnel, are drawn with notes detailing each component and its connection to the oak.

David Nash, MIZUNARA, 20 Days with a ‘Water Oak,’ Kotoku Japan , 1982. Pen...

Free
in An Appetite for Flames in the Japanese Art World during the 1980s > Archives of Asian Art
Published: 01 October 2024
Figure 4. David Nash, MIZUNARA, 20 Days with a ‘Water Oak,’ Kotoku Japan , 1982. Pencil, Conté on paper. 209.5 × 272.5 cm. Collection of Museum of Contemporary Art, Tokyo. Photograph: © 2024 Artists Rights Society (ARS), New York / DACS, London. More
Journal Article

Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai

Available to Purchase
Amanda Wangwright
Archives of Asian Art (2022) 72 (1): 129–150.
DOI: https://doi.org/10.1215/00666637-9577729
Published: 01 April 2022
...Figure 4. Qiu Ti, Flower , 1933. Lost and presumed destroyed. From Pang, Storm Society and Post-Storm Art Phenomenon , 35. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation. ...
FIGURES | View All (11)
View articletitled, Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai View PDF for article titled, Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai
Image
Figure 20. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 7 from Album of Making Porcelain, album of twenty paired leaves and one explanatory text. Ink and color on silk. From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan (Chinese art from the Ching Wan Society collections) (Taibei Shi: Chang Foundation of Art, 1998), 78, fig. 7.

Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (...

Available to Purchase
in An Art of Transformation: Reproducing Yaobian Glazes in Qing-Dynasty Porcelain > Archives of Asian Art
Published: 01 October 2018
art from the Ching Wan Society collections) (Taibei Shi: Chang Foundation of Art, 1998), 78, fig. 7. More
Image
Figure 2. (Left) Georges Braque (France, 1882–1963), Still Life with Fruit Dish and Glass, 1912. Charcoal and cut-and-pasted printed wallpaper with gouache on white laid paper, subsequently mounted on paperboard, 62.9 × 45.7  cm. Metropolitan Museum of Art, New York, Leonard A. Lauder Cubist Collection, Gift of Leonard A. Lauder, 2016, 2016.237.33. Photograph: © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris. (Above) An exemplary sheet from the Ishiyama Folia: page from the Tsurayuki Collection II, ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver leaf, and glue, approximately 20 × 16  cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Purchase—Charles Lang Freer Endowment, F1969.4. Photograph: © Freer Gallery of Art. (Reproduced to relative scale.)

( Left ) Georges Braque (France, 1882–1963), Still Life with Fruit Dish an...

Available to Purchase
in In Defiance of CollageAssembling Modernity, ca. 1112 ce > Archives of Asian Art
Published: 01 April 2018
Collection, Gift of Leonard A. Lauder, 2016, 2016.237.33. Photograph: © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris. ( Above ) An exemplary sheet from the Ishiyama Folia : page from the Tsurayuki Collection II , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver More
Image
Figure 2. (Left) Georges Braque (France, 1882–1963), Still Life with Fruit Dish and Glass, 1912. Charcoal and cut-and-pasted printed wallpaper with gouache on white laid paper, subsequently mounted on paperboard, 62.9 × 45.7  cm. Metropolitan Museum of Art, New York, Leonard A. Lauder Cubist Collection, Gift of Leonard A. Lauder, 2016, 2016.237.33. Photograph: © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris. (Above) An exemplary sheet from the Ishiyama Folia: page from the Tsurayuki Collection II, ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver leaf, and glue, approximately 20 × 16  cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Purchase—Charles Lang Freer Endowment, F1969.4. Photograph: © Freer Gallery of Art. (Reproduced to relative scale.)

( Left ) Georges Braque (France, 1882–1963), Still Life with Fruit Dish an...

Available to Purchase
in In Defiance of CollageAssembling Modernity, ca. 1112 ce > Archives of Asian Art
Published: 01 April 2018
Collection, Gift of Leonard A. Lauder, 2016, 2016.237.33. Photograph: © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris. ( Above ) An exemplary sheet from the Ishiyama Folia : page from the Tsurayuki Collection II , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver More
Journal Article

A CALL TO ACTION: Letter from Vishakha N. Desai

Available to Purchase
Vishakha N. Desai
Archives of Asian Art (2004) 54 (1): 3–4.
DOI: https://doi.org/10.1484/aaa.2004.0000
Published: 01 April 2004
...Vishakha N. Desai Copyright © Asia Society 2004 Editorial Board Marsha Weidner, Chair Frederick Asher Robert L. Brown James Cahill Donald F. McCallum Jerome Silbergeld Stuart Cary Welch Joanna Williams Wu Hung Yi Song-mi Emeritus Richard Barnhart...
View articletitled, A CALL TO ACTION: Letter from Vishakha N. Desai View PDF for article titled, A CALL TO ACTION: Letter from Vishakha N. Desai
Journal Article

Note to Contributors

Available to Purchase
Archives of Asian Art (2003) 53 (1): 4.
DOI: https://doi.org/10.1484/aaa.2003.0001
Published: 01 April 2003
... Copyright © Asia Society 2003 Gary M. Smith and Teresa Kirby Tamson Hamrock Lea Sneider George Ho Mr. and Mrs. Stanley W. Snider Namita Kansal Anthony M...
View articletitled, Note to Contributors View PDF for article titled, Note to Contributors
Journal Article

Notes to Contributors

Available to Purchase
Archives of Asian Art (2004) 54 (1): 4.
DOI: https://doi.org/10.1484/aaa.2004.0001
Published: 01 April 2004
... Copyright © Asia Society 2004 ly and carry heavy advertising, do not subject their submissions neration for their work. All of this striving for excellence is to to the same level of peer review as do serious scholarly journals. continue the study ofAsian art history and to publish...
View articletitled, Notes to Contributors View PDF for article titled, Notes to Contributors
Journal Article

Notes to Contributors

Available to Purchase
Archives of Asian Art (2005) 55 (1): iv.
DOI: https://doi.org/10.1484/aaa.2005.0000
Published: 01 April 2005
... Copyright © Asia Society 2005 Manuscripts submitted for publication may be sent to without substantive change from sources protected by copy- Professor MarshaWeidner, Department of the History of Art, right, including material not previously published. Spencer...
View articletitled, Notes to Contributors View PDF for article titled, Notes to Contributors
Journal Article

Note from the Chair of the Editorial Board

Available to Purchase
Marsha Weidner
Archives of Asian Art (2001) 52 (1): 5–6.
DOI: https://doi.org/10.1484/aaa.2001.0001
Published: 01 April 2001
...Marsha Weidner Copyright © Asia Society 2001 Note from the Chair of the Editorial Board MARSHA WEIDNER UNIVERSITY OF KANSAS It is sobering to take responsibility for the continuation of American Museums!' In 1966, when publication was taken a journal the same age I am...
View articletitled, Note from the Chair of the Editorial Board View PDF for article titled, Note from the Chair of the Editorial Board
Journal Article

Chair's Note—Note of Farewell

Available to Purchase
Marsha Haufler
Archives of Asian Art (2011) 61 (1): 1–2.
DOI: https://doi.org/10.1353/aaa.2011.0004
Published: 01 April 2011
...Marsha Haufler Copyright © Asia Society 2011 Chair’s Note—Note of Farewell hen I began as chair of the editorial board with to publish the work of early career scholars. Indeed, Wvolume 51, Archives of Asian Art still advertised many of us published...
View articletitled, Chair's Note—Note of Farewell View PDF for article titled, Chair's Note—Note of Farewell