1-20 of 131 Search Results for

set

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Image
Published: 01 October 2017
Figure 33. A set of main motifs cropped from the Yiliangdi mirror Figure 33. A set of main motifs cropped from the Yiliangdi mirror More
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 59–73.
Published: 01 April 2014
...Joona Repo Copyright © Asia Society 2014 Distinguishing ‘‘Set’’ from ‘‘Series’’ in Tibetan Painting joona repo University of Helsinki Introduction...
Image
Published: 01 October 2017
2. Altar Set , China, Qing dynasty (1644–1911), Jiaqing reign mark and period. Porcelain painted in overglaze enamels (famille rose), ( a ) 27 × 15.2 cm; ( b ) 27 × 15.2 cm; ( c ) 27.3 × 27.9 cm; ( d ) 9.2 × 16.8 cm; ( e ) 27 × 15.2 cm. Art Institute of Chicago, 2016.47a–e. Charles H. and Mary More
Image
Published: 01 October 2018
Epitaph Panels for Hwan Yun-gil (1536–unknown), Set of 7 , Korea, Joseon dynasty (1392–1910), late sixteenth century. Porcelain with underglaze and iron decoration, each tile 24 × 20 cm. Brooklyn Museum, 2017.29.20–.26. Carroll Family Collection. Epitaph Panels for Hwan Yun-gil (1536–unknown More
Image
Published: 01 April 2019
Figure 9. Paintings of the Six Paths, Japan, fourteenth century. Set of three hanging scrolls, ink and color on silk, each 140 × 120.8 cm. Gokurakuji, Hyōgo Prefecture. Figure 9. Paintings of the Six Paths, Japan, fourteenth century. Set of three hanging scrolls, ink and color on silk, each 140 More
Image
Published: 01 April 2019
Figure 21. Paintings of the Ten Realms, Japan, thirteenth century. Set of two hanging scrolls, ink and color on silk, each 133.4 × 125.4 cm. Zenrinji, Kyoto. Figure 21. Paintings of the Ten Realms, Japan, thirteenth century. Set of two hanging scrolls, ink and color on silk, each 133.4 × 125.4 More
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
... compositions to devise a royal portrait that confirmed monarchic ideals in uncertain times yet also modernized the genre in step with broader trends. Until recently the creative agency of such artists was mostly set aside as insufficiently modern to be art historically significant, with the result that...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 191–214.
Published: 01 October 2018
... art was transformed to fit the institutional setting of the Victoria and Albert Museum. It then explores how the authoritative knowledge of Chinese art communicated in Bushell's book was appropriated in China by the journal Guocui xuebao 國粹學報 (Journal of National Essence) in the context of attempts to...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 21–53.
Published: 01 April 2019
...Figure 9. Paintings of the Six Paths, Japan, fourteenth century. Set of three hanging scrolls, ink and color on silk, each 140 × 120.8 cm. Gokurakuji, Hyōgo Prefecture. Figure 9. Paintings of the Six Paths, Japan, fourteenth century. Set of three hanging scrolls, ink and color on silk, each 140...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 73–101.
Published: 01 April 2019
.... This two-part article first considers the contexts of production, consumption, and signification of painted fans in twelfth- and thirteenth-century China, particularly in the urban setting of the capital city at Hangzhou. It then turns to the painted fans' transformation into collectibles in the late...
Image
Published: 01 April 2019
Figure 11. Jigoku gokurakuzu byōbu 地獄極楽図屏風 ( Hell and Pure Land Screens ), Japan, fourteenth century. Set of two folding screens, ink and color on silk, each 101 × 84 cm. Konkaikōmyōji, Kyoto. Figure 11. Jigoku gokurakuzu byōbu 地獄極楽図屏風 (Hell and Pure Land Screens), Japan, fourteenth century More
Image
Published: 01 April 2019
Figure 5. Jin Chushi (Chinese, active late twelfth c.), King Enma , before 1195. One from a set of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk, 129.5 × 49.5 cm. The Metropolitan Museum of Art, Rogers Fund, 1930 (30.76.293). Artwork in public domain. Photograph More
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 1–42.
Published: 01 April 2008
... southeastern Shanxi Province. After ‘‘Jin dongnan p. 26. 4 ARCHIVES OF ASIAN ART Dongnan or Shangdang in secondary scholar- bracket sets on column tops only); bevelled bracket-arms; ship on its architecture. The name Southeastern Jin re- and lute-face/split-bamboo–styled descending cantilever...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 93–95.
Published: 01 April 2014
..., and then went on to the Yale Univer- to contribute the introductory essay ‘‘The Sources of sity School of Drama. There she specialized in design, Wen Cheng-ming’s Style’’ to Professor Richard Edwards’ taking courses in painting, and working on sets, and exhibition catalogue, The Art of Wen Cheng...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 102–103.
Published: 01 April 2012
... sculpture such as the standing Buddha ˙ 70.1 (2010): 123–149. She is working on a book exam- (Cover and Fig. 1) would have appeared very different ining Buddhist sculpture from Andhra Pradesh, India. in its original temple setting: probably one of a group [cathbeck@uic.edu...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 153–185.
Published: 01 October 2016
.... components of the Sino-Thai art of Siam’s Third Reign After a brief introduction to the history of glass paint- (1824–51), inspiring new aesthetic directions in mural ings, considerable effort is made to identify and enumerate painting and reflecting the intimate relationships between the sets of glass...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 25–56.
Published: 01 October 2015
... man with which focus­ on charac­ ter­ inter­ ac­ tion­ and use landscape­ few pos­ses­sions.1 Ippen 一遍 (1239–1289), as he be­ ele­ments­ to set the scene, the Ippen scrolls en­gulf their came known, traversed­ the main part of the Japa­­nese pro­tag­o­nist in a fully elab­o­rated...
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 97.
Published: 01 April 2004
... Art Jerome Silbergeld of the Brush (1974) set a new standard in the translation and Yoshiaki Shimizu annotation of ancient texts, placing this tenth-century essay Wen Fong in a wider art theoretical and philosophical framework and relating it to the various intellectual strains of Neo...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81.
Published: 01 April 2012
... reports from partici- Stanley Abe is Associate Professor of Art History at pants in the workshop. Duke University. His recent publications include ‘‘Locat- The Ando structure (Fig. 1) is a stunning setting for ing World Art in Migrant’s Time (2011) and ‘‘General art...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 133–154.
Published: 01 October 2013
... markers Alongside the careful enhancement of the forest cover 136 ARCHIVES OF ASIAN ART Fig. 4. Temple cluster, Jageshwar, as seen from approach road. and the rivulet’s hydrology, successive generations of sets its northern. Eight shrines stand just outside this ascetics and Brahmin...