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Journal Article
Distinguishing “Set” from “Series” in Tibetan Painting
Available to Purchase
Archives of Asian Art (2014) 64 (1): 59–73.
Published: 01 April 2014
...Joona Repo Copyright © Asia Society 2014 Distinguishing ‘‘Set’’ from ‘‘Series’’ in Tibetan Painting
joona repo
University of Helsinki
Introduction...
Image
Epitaph Panels for Hwan Yun-gil (1536–unknown), Set of 7 , Korea, Joseon dy...
Available to PurchasePublished: 01 October 2018
Epitaph Panels for Hwan Yun-gil (1536–unknown), Set of 7 , Korea, Joseon dynasty (1392–1910), late sixteenth century. Porcelain with underglaze and iron decoration, each tile 24 × 20 cm. Brooklyn Museum, 2017.29.20–.26. Carroll Family Collection.
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Paintings of the Six Paths, Japan, fourteenth century. Set of three hanging...
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in Constructing the Afterlife, Reenvisioning Salvation: Enma Halls and Enma Veneration in Medieval Japan
> Archives of Asian Art
Published: 01 April 2019
Figure 9. Paintings of the Six Paths, Japan, fourteenth century. Set of three hanging scrolls, ink and color on silk, each 140 × 120.8 cm. Gokurakuji, Hyōgo Prefecture.
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Paintings of the Ten Realms, Japan, thirteenth century. Set of two hanging ...
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in Constructing the Afterlife, Reenvisioning Salvation: Enma Halls and Enma Veneration in Medieval Japan
> Archives of Asian Art
Published: 01 April 2019
Figure 21. Paintings of the Ten Realms, Japan, thirteenth century. Set of two hanging scrolls, ink and color on silk, each 133.4 × 125.4 cm. Zenrinji, Kyoto.
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in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 4. Page from a set of rubbings of the Fan Shi Stele owned by Huang Yi, thirteenth century. Ink on paper, mounted as an album, 34 × 34 cm. Palace Museum, Beijing (新00046690). Photographer: Li Mingjie.
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 28a. Bell stand and set of chime bells ( bianzhong) of Marquis Yi of Zeng, early Warring States period, fifth century bce . Excavated in 1978 from Leigudun tomb 1, Suizhou, Hubei province. Bronze bells with bronze, wood, and lacquer stand: western stand l. 748 cm, h. 265 cm; southern
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Published: 01 October 2017
Figure 33. A set of main motifs cropped from the Yiliangdi mirror
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Altar Set , China, Qing dynasty (1644–1911), Jiaqing reign mark and period....
Available to PurchasePublished: 01 October 2017
2. Altar Set , China, Qing dynasty (1644–1911), Jiaqing reign mark and period. Porcelain painted in overglaze enamels (famille rose), ( a ) 27 × 15.2 cm; ( b ) 27 × 15.2 cm; ( c ) 27.3 × 27.9 cm; ( d ) 9.2 × 16.8 cm; ( e ) 27 × 15.2 cm. Art Institute of Chicago, 2016.47a–e. Charles H. and Mary
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Journal Article
Hidden in Plain Sight: An Art-Historical Response to Janet Gyatso's Being Human in a Buddhist World: An Intellectual History of Medicine in Early Modern Tibet (2015)
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Archives of Asian Art (2020) 70 (2): 225–244.
Published: 01 October 2020
..., Medicalizing the State” and based on a perceptive art-historical reading of a set of medical paintings and its copies—had yet to be reviewed by an academically-trained art historian. This review underscores the fine art-historical insights deserving the attention of art historians working in parallel contexts...
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View articletitled, Hidden in Plain Sight: An Art-Historical Response to Janet Gyatso's Being Human in a Buddhist World: An Intellectual History of Medicine in Early Modern Tibet (2015)
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Photograph of the flask ( bianhu ) illustrated in Figure 18, opened up. The...
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 19. Photograph of the flask ( bianhu ) illustrated in Figure 18, opened up. The set of eighteen bronze plates and four round, covered containers, previously contained inside, are laid out in front of the vessel. Reproduced by permission of Cultural Relics Press.
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in Constructing the Afterlife, Reenvisioning Salvation: Enma Halls and Enma Veneration in Medieval Japan
> Archives of Asian Art
Published: 01 April 2019
Figure 11. Jigoku gokurakuzu byōbu 地獄極楽図屏風 ( Hell and Pure Land Screens ), Japan, fourteenth century. Set of two folding screens, ink and color on silk, each 101 × 84 cm. Konkaikōmyōji, Kyoto.
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Journal Article
Colonial-Period Court Painting and the Case of Bikaner
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Archives of Asian Art (2017) 67 (1): 25–59.
Published: 01 April 2017
... and compositions to devise a royal portrait that confirmed monarchic ideals in uncertain times yet also modernized the genre in step with broader trends. Until recently the creative agency of such artists was mostly set aside as insufficiently modern to be art historically significant, with the result...
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Journal Article
Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
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Archives of Asian Art (2018) 68 (2): 191–214.
Published: 01 October 2018
... art was transformed to fit the institutional setting of the Victoria and Albert Museum. It then explores how the authoritative knowledge of Chinese art communicated in Bushell's book was appropriated in China by the journal Guocui xuebao 國粹學報 (Journal of National Essence) in the context of attempts...
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View articletitled, Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
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for article titled, Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
Journal Article
Two Tales of Song-Dynasty Painted Fans
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Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
.... This two-part article first considers the contexts of production, consumption, and signification of painted fans in twelfth- and thirteenth-century China, particularly in the urban setting of the capital city at Hangzhou. It then turns to the painted fans' transformation into collectibles in the late...
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Journal Article
Constructing the Afterlife, Reenvisioning Salvation: Enma Halls and Enma Veneration in Medieval Japan
Available to Purchase
Archives of Asian Art (2019) 69 (1): 21–53.
Published: 01 April 2019
...Figure 9. Paintings of the Six Paths, Japan, fourteenth century. Set of three hanging scrolls, ink and color on silk, each 140 × 120.8 cm. Gokurakuji, Hyōgo Prefecture. ...
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Journal Article
Art | Adrift: Curating Selves aboard Ming-Dynasty Painting-and-Calligraphy Boats
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Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
...Einor K. Cervone Abstract A floating gallery, a drifting studio where sprawling waterscapes set off artwork on display and inspire original creation—the painting-and-calligraphy boat ( shuhua chuan) may sound like a postmodern experimental installation. For its Ming patrons, however, it was nothing...
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Journal Article
A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
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Archives of Asian Art (2022) 72 (2): 155–180.
Published: 01 October 2022
... noted in previous studies, they have not been viewed as part of a set. The reason for this is their separation from an unpublished Pārvatī that currently is displayed in the Mandasor Archaeological Museum and identified as a yakṣī . When viewed as part of a triad, the double-phallus figure...
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Journal Article
The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
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Archives of Asian Art (2021) 71 (1): 1–36.
Published: 01 April 2021
...Anne N. Feng Abstract This paper reconsiders how and why the representation of landscape became an increasingly central component of Pure Land art in the Tang dynasty. Focusing on the seventh-century Cave 209, I examine the first set of mountain panels at Dunhuang, arguing that those polychrome...
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Journal Article
Juyong Gate: Wall Hangings in Stone
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Archives of Asian Art (2022) 72 (2): 221–253.
Published: 01 October 2022
... residence, evoked the tradition of Chinese imperial-city building. It provided the ruler with wooden and stone buildings laid out on an orthogonal grid. Shangdu, the emperor's summer residence, delivered a space for grassland containing pastures, where the ruler could set up collapsible tents filled...
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Journal Article
Anchoring the Sacred in the Mundane: Construction of the Great Buddha Bend in Baodingshan, Dazu
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Archives of Asian Art (2024) 74 (2): 129–151.
Published: 01 October 2024
... and the world of the earthly activities, this paper argues that the Great Buddha Bend reflects an intentional blurring of the boundaries between the sacred and the mundane. While pre-Song Buddhist settings exuded a detached, dignified solemnity separate from ordinary existence, the design philosophy...
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