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Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 59–73.
Published: 01 April 2014
...Joona Repo Copyright © Asia Society 2014 Distinguishing ‘‘Set’’ from ‘‘Series’’ in Tibetan Painting joona repo University of Helsinki Introduction...
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Published: 01 October 2017
Figure 14. First episode in Life Story series, depicting bestowal of Bodhisattva's crown to Maitreya, east end of south wall of Akaniṣṭha Shrine (3. a ), first half of seventeenth century. Photograph: author. Figure 14. First episode in Life Story series, depicting bestowal of Bodhisattva's More
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Published: 01 October 2017
Figure 15. Episode in Life Story series, depicting Dream of Queen Māyā, conception of Buddha, east end of south wall of Akaniṣṭha Shrine (3. b ), first half of seventeenth century. Photograph: author. Figure 15. Episode in Life Story series, depicting Dream of Queen Māyā, conception of Buddha More
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Published: 01 October 2017
Figure 16. Episode in Life Story series, depicting Māravijaya (Defeat of Māra), near north corner of west wall of Akaniṣṭha Shrine (3. l ), first half of seventeenth century. Photograph: author. Figure 16. Episode in Life Story series, depicting Māravijaya (Defeat of Māra), near north corner More
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Published: 01 October 2017
Figure 17. Episode in Life Story series, depicting first sermon at Sarnath, near west corner of north wall of Akaniṣṭha Shrine (3. m ), first half of seventeenth century. Photograph: author. Figure 17. Episode in Life Story series, depicting first sermon at Sarnath, near west corner of north More
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Published: 01 October 2017
6. Liang Airu (Chinese, active 1810–1850), A Series of Eight Landscapes , Qing dynasty (1644–1911), reign of emperor Jiaqing (1796–1820) or Daoguang (1820–1850), 1814. Album of eight ink-on-paper landscapes, 24.1 × 23.5 cm. Asian Art Museum, San Francisco, 2015.64. Gift of the Yeh Family. 6 More
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Published: 01 October 2018
Kobayakawa Kiyoshi (Japanese, 1899–1948), Tipsy, from the series “Modern Styles of Women,” Japan, Shōwa period (1926–89), 1930. Color woodblock print with mica; sheet 52.1 × 30.5 cm. Saint Louis Art Museum, 119:2016. The Langenberg Endowment Fund. Kobayakawa Kiyoshi (Japanese, 1899–1948), Tipsy More
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 21–53.
Published: 01 April 2019
...Miriam Chusid Abstract By the thirteenth century in Japan, King Enma (Sanskrit: Yama-rāja) had become a familiar deity in the Buddhist pantheon. Largely understood as the judge of one's past deeds, Enma's position as one king in a series of ten was common knowledge, and offerings made to him, as...
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Published: 01 October 2018
Munakata Shikō (Japanese, 1903–75), Maudgalyāyana, Master of Supernatural Forces, from the series Ten Great Disciples of Buddha , Japan, Shōwa period (1926–89), 1939/1948 (blocks carved), 1960 (printed). Woodblock print; ink on paper, sheet 106 × 47.6 cm. The Metropolitan Museum of Art, 2017.245.9 More
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Published: 01 October 2018
Michael Cherney (American [active China], b. 1969), Sacred Tree on Mount Lu, from the series “Shadow Curtains,” no. 8b , China, 2011. Photographs mounted as a four-panel folding screen; ink on xuan-type cotton, 182.9 × 213.4 cm. Saint Louis Art Museum, 61:2016. William K. Bixby Trust for Asian Art More
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Published: 01 October 2018
Kitagawa Utamaro (Japanese, 1754–1806), Hands inside the Sleeves (Futokorode), from the series Eight Views of Tea Stalls in Celebrated Places (Meisho koshikake hakkei) , ca. 1795–96. Woodblock print; ink and color on paper, sheet 38.1 × 24.1 cm. Seattle Art Museum, 2017.23.6. Gift of Mary and More
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 99–100.
Published: 01 April 2012
... in effect, a reconsecration of the temple, with the work- articulate this interchange through a series of short pre- shop participants as officiants. sentations organized into thematic panels. As a starting None of the foregoing is meant to be critical. Every- point for the...
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 97.
Published: 01 April 2004
... series of rich, carefully researched essays entitled The doctoral program in Chinese Art and Archaeology, with a Geography and Topography of the Sacred Mountains," dissertation entitled The Rise of Ink-Wash Landscape "Early Symbolic Images," "Mountains and Daoistic Painting in the Tang Dynasty...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 100–102.
Published: 01 April 2012
...Catherine Becker Copyright © Asia Society 2012 100 ARCHIVES OF ASIAN ART capable of relaying this information—that it was specific workshops in which former prisoners and homeless locality that rendered the sculpture legible. Would a veterans developed and staged a series of...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81.
Published: 01 April 2012
.... sal Buddha Amita¯ bha, attributed to Kaikei. The gradu- Renouncing a narrative or historically contextual- ate student workshop was one of a series of symposia ized approach to exhibition design, the Pulitzer staff devoted to the research, conservation, and display of divided the objects into four...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 102–103.
Published: 01 April 2012
... and Bodhisattvas was effaced. wishes to harmonize architecture and landscape, man The juxtaposition of Buddhist idols and modernism and nature: ‘‘I seek to instill the presence of nature within within Ando¯ ’s minimalist space opened up a series of architecture [that is] austerely constructed by...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 27–58.
Published: 01 April 2013
... Album suggests they originally belonged to a com- plete Ra¯ gama¯ la¯ series like the roughly contemporaneous Chunar (1591), Chawand (1605), and Manley (ca. 1605...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 233–262.
Published: 01 October 2018
...Kobayakawa Kiyoshi (Japanese, 1899–1948), Tipsy, from the series “Modern Styles of Women,” Japan, Shōwa period (1926–89), 1930. Color woodblock print with mica; sheet 52.1 × 30.5 cm. Saint Louis Art Museum, 119:2016. The Langenberg Endowment Fund. Kobayakawa Kiyoshi (Japanese, 1899–1948), Tipsy...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 43–85.
Published: 01 April 2008
... as a small formal series light gray schist and stands 1.7 meters high, the most within the larger, imaginary series of Gandha¯ran art. common size among Gandha¯ran Buddhas. It is charac- Primary and related objects within a series are not sim- terized by a plump, round face and by distinctive fea...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 105–120.
Published: 01 April 2001
... Fig. 8. / Four Mandalas of the Vajravali Series (ca. 1429-56) Tibet. Tangka; gouache on cotton; 89 x 73.7 cm. AP 2000.01. Photography by Michael Bodycomb...