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serial art
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Journal Article
Archives of Asian Art (2003) 53 (1): 108–110.
Published: 01 April 2003
..., had little par-
eighty-two. He was a towering figure in the Japanese art allel or precedent in early postwar Japan. He began with
field, leaving behind an impressive record in teaching, schol- Sotatsu. Over the late 194os and 195os he assembled mate-
arship, collection building, cultural...
Journal Article
Archives of Asian Art (2018) 68 (2): 191–214.
Published: 01 October 2018
... was serialized from 8 June to 21 October 1918, and the first from 26 February to 23 June 1919. 52. Previous scholarship has primarily been concerned with textual translation and appropriation of foreign art publications. See Wong, Parting the Mists , chaps. 3 and 4; Li, “Yizhong Riben jindai,” 273–99...
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Journal Article
Archives of Asian Art (2022) 72 (1): 1–53.
Published: 01 April 2022
... translation mirrors mingqi court art serial art decorative arts In 1982 Chinese archaeologists carried out large-scale excavations in Shuo 朔 county, Shanxi province, excavating close to two thousand Qin-dynasty (221–207 bce ) and Han-dynasty (202 bce –220 ce ) tombs. Among those excavated...
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Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... of Buddhism in imperial China, and the literary presence of supernatural entities such as ghosts, as demonstrative of an interest in boundary crossing in the late Ming to early Qing. 9 At the same time, scholarship in Chinese art history has revealed a general ethos of qi 奇 (variously understood...
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Journal Article
Archives of Asian Art (2018) 68 (2): 215–232.
Published: 01 October 2018
... the crucial link with the artistic traditions of Gandhara, India, and Persia in explicating the Chinese adaptation of a complex, foreign visual culture through the introduction of Buddhism. This essay reviews a number of significant publications on the art and archaeology of Kucha that have appeared...
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Journal Article
Archives of Asian Art (2013) 63 (2): 155–163.
Published: 01 October 2013
... painting and calligraphy) by O lated interest in traditional art with the intention of
Sech’ang (1864–1953) in 1917 represents the reviving research into indigenous culture. The project
first tangible achievement of a growing ‘‘national’’ and of constructing ‘‘art’’ and ‘‘beauty’’ was instigated...
Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
... painted altered the
home through their placement and position and asked
people who encountered them to look at that space
through new eyes. Hence, the question might be asked:
what did it mean to invite a black bear into your home?
To echo art historian John Berger, why look at animals?2...
Journal Article
Archives of Asian Art (2009) 59 (1): 105–133.
Published: 01 April 2009
... of the visual format of the steles and their
vent the stele form, but adopted it from the long tra- new iconography. The stele was a fairly novel form of
dition of using a stele for commemorative purposes, monument in the history of Korean Buddhist art.6 It
2
which...
Journal Article
Archives of Asian Art (2013) 63 (1): 103–129.
Published: 01 April 2013
...-dimensional works and photographs are so con-
Hof recuperation, yet few are as intriguingly prob- ceptually and formally sympathetic with works classi-
lematic as those surrounding Korean artist Lee Seung- fied as Land Art, Mono-ha, or Post-Minimalism as to
taek. Best known for his sustained engagement...
Journal Article
Archives of Asian Art (2021) 71 (2): 219–241.
Published: 01 October 2021
... then it has cleaved many realms. Those realms include art and devotion, text and textile, astral science and genealogy, classical epics and vernacular histories, and cyclical time and linear time. I then postulate that understanding this short scroll's ability to nimbly separate and join those realms can help...
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Journal Article
Archives of Asian Art (2018) 68 (2): 111–132.
Published: 01 October 2018
... at the Royal College of Art, London, which was serialized and published in Vrishchik in 1971 and 1972. 82 In that essay she articulated the artist's special role in a postcolonial society where cultures are broken and confused and modernity is “a haphazard, eclectic and at best incomplete phenomenon.” 83...
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Journal Article
Archives of Asian Art (2023) 73 (2): 145–199.
Published: 01 October 2023
...-on-glass negative. From Thomson, Illustrations of China and Its People, 1: pl. XX. Getty Research Institute. Public domain. Figure 12. Attributed to Lai Afong (Chinese, ca. 1839–1890), Street Scene, Canton , 1880s. Albumen print, 28 × 23.8 cm. Princeton University Art Museum / Art Resource, NY...
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Journal Article
Archives of Asian Art (2024) 74 (1): 37–63.
Published: 01 April 2024
... : China Academy of Art Press , 2014 . Wang, Yongbo , and Claudia Wenzel , eds. Buddhist Stone Sutras in China: Shandong Province, Vol. 2 . Wiesbaden : Harrassowitz; Hangzhou: China Academy of Art Press , 2015 . Wang, Yongbo , and Tsai Suey-Ling , eds. Buddhist Stone Sutras in China...
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Journal Article
Archives of Asian Art (2017) 67 (2): 143–187.
Published: 01 October 2017
... with contemporaneous recognition of the potential for consecrated works of art to provide direct contact with the deity depicted. By eliminating framing and boundaries between scenes, minimizing inscriptions, employing the gaze to foster internal and external coherence, and using detailing, highlighting...
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Journal Article
Archives of Asian Art (2024) 74 (1): 79–128.
Published: 01 April 2024
... as well as sets of occupations. Sewak Ram might then be seen as a progenitor of serial, market-oriented art whose practice intersected with other artists—Lallji and Dip Chand, for example, who had been trained in a Mughal, courtly manner even as they turned their attention to European commissions...
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