1-20 of 139 Search Results for

see

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Image
Published: 01 October 2017
Figure 25. Comparison of one unit of the Yiliangdi mirror ( top right ; see Figure 7 ) with unit D4 of the Guokeda M4 mirror ( top left ; see Figure 13 ). Unit E4 (bottom left) was rotated to the same orientation as well. Figure 25. Comparison of one unit of the Yiliangdi mirror (top right More
Image
Published: 01 October 2017
Figure 31. Two slanting-T main motifs cropped from the Yiliangdi mirror (see Figure 7 ) and the superimposition of the top motif over the bottom one. It is better to perform the cropping with this photo, to avoid distortion. Photograph: courtesy of the Yiyang Museum. Figure 31. Two slanting-T More
Image
Published: 01 October 2017
Figure 3. Iconographic layout of Akaniṣṭha Shrine. Numbers indicate main themes, letters indicate Life of the Buddha episodes. Drawing by Mel Keiser. For a detailed identification of the numbers and letters, see appendix . Figure 3. Iconographic layout of Akaniṣṭha Shrine. Numbers indicate More
Image
Published: 01 October 2017
Figure 4. Kālacakra and consort (detail), depicted in mural behind glass and modern clay sculpture at center of Akaniṣṭha Shrine (see point 1 on figure 3 [3.1]), first half of seventeenth century. Photograph: author. Figure 4. Kālacakra and consort (detail), depicted in mural behind glass More
Image
Published: 01 October 2017
Figure 11. ( Left ) An imagined grid of the background pattern of the Guokeda M4 mirror (see Figure 5 , with four adjoining rectangular pattern units cropped out of the grid.( Right ) Detail of D3, D4, E3, and E4. Photograph and artwork: author. Figure 11. (Left) An imagined grid of the More
Image
Published: 01 October 2017
Figure 22. Detail of the bottom part of the Jianshe Yinhang mirror illustrated in Figure 21 . Photograph: author. The image at bottom left is the component model from the Guokeda M4 mirror (see Figure 13 ). Figure 22. Detail of the bottom part of the Jianshe Yinhang mirror illustrated in More
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 25–49.
Published: 01 April 2016
... narrative method and pictorial style are clearly current attribution to Qiao Zhongchang is based on associated with the tradition of Li Gonglin the personal name ‘‘Zhongchang’’ appearing in one of (1049–1106), another of Su’s close friends and the most the colophons (see Appendix).6 Early records tell...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 107–126.
Published: 01 April 2011
... Yuanming, 365–427), which itself conveys The collection emphasizes the Song (30 works by 6 the idea of a paradise-like physical and social space situ- painters, or 14 percent of the Chinese collection) and ated in the distant past. We may also, however, see An Yuan periods (129 works by 21 painters, or...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 81–105.
Published: 01 April 2016
... in each hand. A tiny figure of S´a¯kyamuni Buddha (Shijia fo emerges from the begging bowls that are held in front of the body and in the innermost layer of hands (Fig. 3). The arrangement of Man˜ jus´rs arms is striking in its similarity to Avalokites´vara (see Fig. 2), the only other Buddhist...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 61–82.
Published: 01 April 2017
... artistic activities. 38 Luo was especially busy writing and editing during the years 1795–97, and though extant artworks are few, evidence suggests that she was painting actively, too. In the summer of 1795, Luo painted Herbaceous Peony (see Figure 1 ). This hanging scroll reveals both her...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 187–212.
Published: 01 October 2016
... century (see Fig. struct the pagoda, as well as Buddhist remains on site 22). According to Perlee, the four sides of Bars-Khot 1 and pagodas he had seen in Mongolia that he believed measured 1,900, 1,770, 1,770, and 1,530 meters begin- to be Khitan, Perlee posited that the pagoda in question ning at...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 1–25.
Published: 01 April 2013
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 143–187.
Published: 01 October 2017
...Figure 3. Iconographic layout of Akaniṣṭha Shrine. Numbers indicate main themes, letters indicate Life of the Buddha episodes. Drawing by Mel Keiser. For a detailed identification of the numbers and letters, see appendix . Figure 3. Iconographic layout of Akaniṣṭha Shrine. Numbers indicate...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): iv.
Published: 01 April 2012
... ministrations of our long-time editor Naomi Noble Richard (for more on Naomi, please see p. vi); starting with volume 63, manuscript editing will be the responsibility of Manuscript Editors Joseph Newland and Sheryl Conkelton; e manuscripts on all periods of Asian art are welcome; the Editorial Board...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 75–92.
Published: 01 April 2014
... not completely unrealistic, but one Zhaowen who taught the general education would have to be east of the Archway of Accumulated course ‘‘Art and Literary Theory on Creative Method’’ Emeralds, a position outside the scope of the picture, to at the Central Academy of Fine Arts from 1950 to see it...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 69–79.
Published: 01 April 2012
... inscriptions by the poets in the commissioning personally through participation in the same poetry 74 ARCHIVES OF ASIAN ART circles. Donation of the ema was an act of group fan- dom. There were precedents for fan group activities, such as joint excursions to see Danju¯ ro¯ perform or group...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 3–36.
Published: 01 April 2011
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 51–94.
Published: 01 April 2007
... Table 1 Inventory of numbered niches and caves at the Shimen Shan site. No. Content summary Size (in meters) Date Inscription(s) 1 Bhaisajyaguru and ten 1.64 Â 1.11 Â 1.53 Southern Song dynasty, 1151 See Appendix, no. 6...
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 81–104.
Published: 01 April 2006
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 1–5.
Published: 01 April 2009
... have been frequently Delhi’s Qutbi Complex (founded 1192–1193)—is an treated in the historiography. See, e.g., Alexander Cun- important contribution to future analyses, particularly ningham, Four Reports Made during the Years 1862–63– 22 art-historical studies...