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Published: 01 April 2018
Figure 18. The “Tōji” Landscape Screen, eleventh century. Six-panel folding screen, ink and pigment on silk, each panel 146.4 × 42.7  cm. Tōji (a.k.a. Kyōōgokokuji) and the Kyoto National Museum. Photograph: © Kyoto National Museum. Note the rectangular cartouche in the upper left corner of the More
Image
Published: 01 April 2018
Figure 16. Feathered Seal Script Screen ( Torige tensho no byōbu 鳥毛篆書屏風) (detail), before mid-eighth century (repaired in the seventeenth and nineteenth centuries). Six-panel folding screen, bird feathers, ink, and pigment on paper, each panel 149 × 56  cm. Upper right , a character in seal More
Image
Published: 01 April 2018
Figure 20. Inscribed by Hon'ami Kōetsu, the left screen of Folding Screens Mounted with Poems from the Anthology Shinkokinshū, ca. 1624–37. Two six-panel screens, ink color and gold on paper, each screen 168 × 376  cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution More
Image
Published: 01 April 2018
Figure 21. Detail of the far right panel of the screen illustrated in Figure 20 . Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Gift of Charles Lang Freer, F1902.195-6. Photograph: Kristopher Kersey. Figure 21. Detail of the far right panel of More
Image
Published: 01 April 2019
Figure 11. Jigoku gokurakuzu byōbu 地獄極楽図屏風 ( Hell and Pure Land Screens ), Japan, fourteenth century. Set of two folding screens, ink and color on silk, each 101 × 84 cm. Konkaikōmyōji, Kyoto. Figure 11. Jigoku gokurakuzu byōbu 地獄極楽図屏風 (Hell and Pure Land Screens), Japan, fourteenth century More
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 1–24.
Published: 01 April 2017
... closely to the reception of other formats. Studying the “Chishakuin group”—a canonical group of paintings for elites depicting two battles in the Heike monogatari —and analyzing in particular the pair of screens in the British Museum, I will bring to light some intended functions of a social, political...
Image
Published: 01 April 2017
Figure 1. Attributed to Kanō painter, Battle of Ichinotani , early seventeenth century. Right side of a pair of six-panel screens. Ink, color, and gold leaf on paper, 155.4 × 373.8 cm. British Museum, London (1950,1111,0.23). Photographs: © Trustees of the British Museum. Figure 1. Attributed More
Image
Published: 01 April 2017
Figure 3. Attributed to Kanō painter, Battle of Yashima , early seventeenth century. Left side of a pair of six-panel screens. Ink, color, and gold leaf on paper, 155.4 × 373.8 cm. British Museum, London (1950,1111,0.22). Photographs: © Trustees of the British Museum. Figure 3. Attributed to More
Image
Published: 01 April 2018
Figure 7. Attributed to Sin Saimdang, Plants and Insects , before 1946. Tenfold screen, ink and colors on paper, each leaf 34 × 28.3  cm. The National Museum of Korea, Seoul. Photograph: courtesy of the National Museum of Korea. Figure 7. Attributed to Sin Saimdang, Plants and Insects, before More
Image
Published: 01 October 2018
Choi Seok-Hwan (Korean, b. 1808), Grapevine , Korea, Joseon dynasty (1392–1910), 1876. Ink on paper, mounted as screen, with mount 149.2 × 322.6 cm. Philadelphia Museum of Art, 2017-136-3. Purchased with the Kim Endowment for Korean Art, 2017. Choi Seok-Hwan (Korean, b. 1808), Grapevine, Korea More
Image
Published: 01 October 2017
47. Vajracarya’s Ritual Crown , Nepal (Kathmandu Valley), Early Malla period, thirteenth century. Hanging scroll remounted as a two-panel folding screen, gilt-copper alloy inlaid with semiprecious stones. 30.5 × 22.9 × 21 cm. The Metropolitan Museum of Art, 2016.408. Gift of Barbara and David More
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Published: 01 October 2017
52. Kagawa Michiko (Japanese, b. 1928), Man-Woman-Child , Japan, Shōwa period (1926–1989), ca. 1950. Ink on paper mounted as two-fold screen, image 118.7 × 59.7 cm, mount 138.4 × 70.8 cm. Philadelphia Museum of Art, 2015–75–1. Gift of Theodore T. Newbold and Helen Cunningham in honor of Bill More
Image
Published: 01 October 2017
55. Shiokawa Bunrin (Japanese, 1808–1877), Rocks , Japan, Meiji period (1868–1912), 1870. Ink on paper mounted as a four-fold screen, overall, open 138.5 × 59 cm. Philadelphia Museum of Art, 2016–194–8. Purchases with the Hollis Fund for East Asian Art Acquisitions, 2016. 55. Shiokawa Bunrin More
Image
Published: 01 October 2017
56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More
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Published: 01 October 2017
56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More
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Published: 01 October 2017
63. Matsubayashi Keigetsu (Japanese, 1876–1963), Bird on a Pine Tree (& Bamboo) , 1912–1926. Screen; ink and color on double-sided gold and silver paper, 91 × 97 cm. The San Diego Museum of Art, 2016.67. Gift of Wilson Grabill in honor of Gordon Brodfuehrer. 63. Matsubayashi Keigetsu More
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Published: 01 October 2017
63. Matsubayashi Keigetsu (Japanese, 1876–1963), Bird on a Pine Tree (& Bamboo) , 1912–1926. Screen; ink and color on double-sided gold and silver paper, 91 × 97 cm. The San Diego Museum of Art, 2016.67. Gift of Wilson Grabill in honor of Gordon Brodfuehrer. 63. Matsubayashi Keigetsu More
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Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry. Imanaka Soyū (Japanese, 1886 More
Image
Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry. Imanaka Soyū (Japanese, 1886 More
Image
Published: 01 October 2018
Kikuji Kawada (Japanese, b. 1933), The Map , Japan, Heisei era (1989–), 2017. Pair of six-panel folding screens; photograph, platinum print on handmade Japanese Tosa paper, each 76.2 × 283.6 cm. Museum of Fine Arts, Boston, 2017.3912.1–2. Museum purchase with funds donated by Edward A. Studzinski More