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Journal Article
Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
...Jie Shi Abstract Dated to 524 ce , the lavishly carved stone sarcophagus of the Northern Wei Prince Yuan Mi exemplifies an early Chinese method using a diagonal gaze as a visual device to construct a three-dimensional space. On the exterior faces of the sarcophagus, the anonymous artist simulated...
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View articletitled, Image, Body, and Simulation of the Afterlife in the Early Medieval <span class="search-highlight">Sarcophagus</span> of Prince Yuan Mi
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for article titled, Image, Body, and Simulation of the Afterlife in the Early Medieval <span class="search-highlight">Sarcophagus</span> of Prince Yuan Mi
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 1. Stone sarcophagus of Yuan Mi, probably near Luoyang, Henan province, 524 ce . Artwork in the public domain. Photograph: Minneapolis Institute of Art, Minneapolis.
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 2. Stone epitaph tablet for Yuan Mi's sarcophagus, probably near Luoyang, Henan province, 524 ce . Artwork in the public domain. Photograph: Minneapolis Institute of Art, Minneapolis.
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 3. East-side panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Rubbing. After Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 4. West-side panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Rubbing. After Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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![Figure 5a–e. Front panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce. (a) Lotus flower; (b) flying demigods; (c) supporting demigods; (d) warriors; (e) rocks and plants. Rubbing (except for [c], being a negative). After Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” 367.](https://dup.silverchair-cdn.com/dup/Content_public/Journal/archives-of-asian-art/70/2/10.1215_00666637-8620375/3/s_aaa8620375figure5.png?Expires=2147483647&Signature=VKVKBHJakTrv983L24C6CDLYTepzkyqemSaB1FEXQjzke69nRXIbdhdbRwTnFfCfAnryorYxPB2EVD-1hc6vn8XOBSoz1Lcvtfm6TUo4-ZgNHB9VKsdFYCbfDFqt2cc25fxjaURaJjttY-5MVM8xYtv7Wc4v71MisiUTOrmZ6UJoDfLsarsDLv6kWloZiKH6a6I8PCtrCTboF0Q1iwtxSL1wnNcKiLla6K-C9cIqqRjEKOYBcOZlxyHJyd54GDRuzxA4vd1PtdeIJrj~Gtlkk7op9ro8fubb5iaqiy7zWAKEaMck9NOXwF1QngXf4mb6F7fkX~gk2irlSQvCls5oKA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 5a–e. Front panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . (a) Lotus flower; (b) flying demigods; (c) supporting demigods; (d) warriors; (e) rocks and plants. Rubbing (except for [c], being a negative). After Okumura, “Mekki kōshiden sekkan no kokuga
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Image
![Figure 5a–e. Front panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce. (a) Lotus flower; (b) flying demigods; (c) supporting demigods; (d) warriors; (e) rocks and plants. Rubbing (except for [c], being a negative). After Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” 367.](https://dup.silverchair-cdn.com/dup/Content_public/Journal/archives-of-asian-art/70/2/10.1215_00666637-8620375/3/s_aaa8620375figure5a.png?Expires=2147483647&Signature=wvCqk5n7hbpzjwPwlH0gNYEfUQzOVLbmeoylKW0Aim8WldDIAI4~9KtDCPFhaVynxwL5vfcFeitDJAYHFqoW2AxaI3Bo7hqRKLLZVh5MfsNnd-TCfHOlGPkcrIbmj55yiCQ2CZnNU7rCzPdUGmDf2h04FZLV9lML3LUy9A6m5EkuBSiuqwB23PEj1EZZBWDiadQ2oDapRL~DaWbVKOUyTs8mc70Y229kJ8MuSsAVey8BQC0IYuPXMGLGoB9ZUWsO8sFwN1qV-lpenymOOutvqp1mSiv1Z4NZT5yBb3rVLrJ0WvXjxYWYvEYzlm2F07Hj4QzShXCerxxpemJHLJlrtg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 5a–e. Front panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . (a) Lotus flower; (b) flying demigods; (c) supporting demigods; (d) warriors; (e) rocks and plants. Rubbing (except for [c], being a negative). After Okumura, “Mekki kōshiden sekkan no kokuga
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 6. Rear panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Rubbing. After Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” 370.
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 8. Layer 1 (inner layer), the simulated “coffin,” Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Made by Jie Shi, with rubbing from Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 20. Filial paragons within range of the watching eyes on Yuan Mi's sarcophagus, probably near Luoyang, Henan province, 524 ce . Rubbing, (a) east-side panel, (b) west-side panel. Made by Jie Shi, after Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 23. All three layers put together in Yuan Mi's sarcophagus, probably near Luoyang, Henan province, 524 ce . Made by Jie Shi, based on Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 24. “Indoor” and “outdoor” spaces in Yuan Mi's sarcophagus with figures behind windows, probably near Luoyang, Henan province, 524 ce . Dotted lines: second layer of space; solid lines: first layer of space. Diagram by Jie Shi.
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Published: 01 April 2021
Figure 7. Fuxi and Nüwa holding the sun and moon on a sarcophagus, tomb 3 at Guitoushan in Jianyang, Sichuan, latesecond–early third century ce . Ink rubbing. Zhongguo huaxiangshiquanji bianji weiyuanhui et al., Zhongguo huaxiangshi quanji: Di 7 juan , 80.
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Published: 01 October 2023
Figure 2. Sarcophagus of Wang Hui, Lushan County, Eastern Han dynasty, 212 ce . Stone, h. 80 cm, l. 150 cm. Photograph: courtesy Sichuan Museum.
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Published: 01 October 2023
Figure 11. Ink rubbing of a sarcophagus from Changning Qigedong Tomb No. 7, Eastern Han dynasty. 130 × 30 cm. From Gao Wen, Zhongguo huaxiang shiguan quanji (Taiyuan: Sanjin chubanshe, 1988), 437 .
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Published: 01 October 2023
Figure 18. Ink rubbing of a sarcophagus from Pi County Tomb No. 2, Eastern Han. H. 78 cm, l. 227 cm. Photograph: courtesy Sichuan Museum.
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Journal Article
Archives of Asian Art (2024) 74 (2): 169–195.
Published: 01 October 2024
... of their burnings ranged from the grim specter of an incinerated sarcophagus to the dazzling mountaintop explosion of gunpowder. Nonetheless, collectively their works may be assessed as a unique genre of fire art that was both critical and symptomatic of the promethean Japanese contributions to the Great...
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Journal Article
Archives of Asian Art (2023) 73 (2): 79–106.
Published: 01 October 2023
...Figure 2. Sarcophagus of Wang Hui, Lushan County, Eastern Han dynasty, 212 ce . Stone, h. 80 cm, l. 150 cm. Photograph: courtesy Sichuan Museum. ...
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Journal Article
Archives of Asian Art (2011) 61 (1): 3–36.
Published: 01 April 2011
... and enter-
The major type of tomb chamber from the Zhou period able.23 Indeed, on entering the burial chamber, one
(ca. 1050–256 bce) was a vertical shaft or pit, and at would find an interior with main chambers on its
its bottom was a large sarcophagus containing a set of central axis and side chambers...
View articletitled, Underground Wooden Architecture in Brick: A Changed Perspective from Life to Death in 10th Through 13th-Century Northern China
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for article titled, Underground Wooden Architecture in Brick: A Changed Perspective from Life to Death in 10th Through 13th-Century Northern China
Journal Article
Archives of Asian Art (2007) 57 (1): 23–49.
Published: 01 April 2007
....9. Tomb portrait (south wall, central chamber). Anping Tomb, Lujiazhuang, Hebei Province. Eastern Han, 176 ce. After Hebei
gudai bihua, 2000, pl. 19.
this sarcophagus lacks a separate heavenly ceiling regis- tions in the passageway was another method whereby
ter with constellations...
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