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in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 1. Reproductions of the Fan Shi Stele rubbings, from Huang Yi 黃易 (1744–1802), Engraved Texts of the Lesser Penglai Pavilion [ Xiao Penglaige jinshi wenzi ] (1800), 4: fig. 1a–b . Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 2. Transcription of the text of the Fan Shi Stele rubbings, from Huang, Engraved Texts , 4: fig. 1a. Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 3. Transcription of colophons to the Fan Shi Stele rubbings by Bi Yuan 畢沅 (1730–1797), and Yan Zhangming 嚴長明 (1731–1789), from Huang, Engraved Texts , 4: figs. 6b–7a. Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 4. Page from a set of rubbings of the Fan Shi Stele owned by Huang Yi, thirteenth century. Ink on paper, mounted as an album, 34 × 34 cm. Palace Museum, Beijing (新00046690). Photographer: Li Mingjie.
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in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 7. Reproductions of the Fan Shi Stele rubbings, from Huang, Engraved Texts , 4: fig. 9b. Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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Image
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 10. Rubbings of the Fan Shi Stele (left) and its header (right), after 1787. Ink on paper, 100 × 66 cm. Courtesy of Special Collections, Fine Arts Library, Harvard University (W284107).
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in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 6a–b. Rubbings of floral scroll relief carvings, Yungang Cave 9. From Mizuno and Nagahiro, Unko sekkutsu , 6: a. rubbings IV C, D, and E; 6: b. rubbings III C and D.
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in Vernacular Painting and Transitional Beijing: Chen Shizeng's Beijing Fengsu Album, ca. 1915
> Archives of Asian Art
Published: 01 October 2021
Figure 13. Ink Rubbing of a Warder , from Lu Xun's ink rubbing collection, undated (after Lu Xun cang han hua xiang [Shanghai: Shanghai renmin meishu chubanshe, 1986], 1: fig. 40).
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in Curating the Christian Arts of Asia: Global Art Histories at the Asian Civilisations Museum
> Archives of Asian Art
Published: 01 October 2020
Figure 12. Rubbing of the stele commemorating Christianity in China. Stele : Xi'an, China, 781 ce (Tang dynasty). Stone, h. 279 cm. Rubbing : Beilin Museum, Xi'an. Collection of the Asian Civilisations Museum, Gift of Ethel Kum Lin Chong, 2017-00670.
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in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 6. Ink rubbing of Inscription B28, showing that the characters are framed by double gridlines and further adorned with lotuses at the top. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 400, fig. 166.
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Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
...Figure 1. Reproductions of the Fan Shi Stele rubbings, from Huang Yi 黃易 (1744–1802), Engraved Texts of the Lesser Penglai Pavilion [ Xiao Penglaige jinshi wenzi ] (1800), 4: fig. 1a–b . Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library. ...
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in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 19. Reproduction of a figure from a Tang-dynasty rubbing of the Wu Liang Shrine, from Huang, Engraved Texts , 1: fig.7a. Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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Image
Published: 01 October 2017
64. Attributed to Tao Hongjing (Chinese, Southern dynasties, 420–589), Rubbing of Yihe Ming 瘞鶴銘 [Inscription on Burying a Crane], original carving dated to 514, rubbing made ca. 2010s. Rubbing; ink on paper, 64 × 96 cm. Spencer Museum of Art, 2016.0021.A. Museum purchase: R. Charles and Mary
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in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 17c. Rubbing of relief carved dedicatory inscription on the stele, Niche 304, Guyang Cave. After Mizuno and Nagahiro, Kanan Rakuyō Ryūmon sekkutsu , rubbings 15.
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in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 19. Rubbing dedicatory inscription by the Prince of Beihai, dated 498, Niche 51, Guyang Cave. Image courtesy of the Longmen Research Institute.
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in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 21. Rubbing of carving on front of the Buddha's throne (detail), Niche 234, Guyang Cave north wall. Image courtesy of the Longmen Research Institute.
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in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 22b. Rubbing of relief patterns in the halo and aureole, Niche 228, Guyang Cave. After Mizuno and Nagahiro, Kanan Rakuyō Ryūmon sekkutsu , rubbing 47.
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in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 26. Rubbing of the Stele dedicated by Sun Qiusheng and Liu Qizu with dates 483 and 502, Niche 106, Guyang Cave south wall. Image courtesy of Longmen Research Institute.
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Image
in Entering the Seemingly Unattainable Citadel of Laṅkā: Rock-Carved Laṅkāvatāra Sutra on Mount Gang in Shandong
> Archives of Asian Art
Published: 01 April 2024
Figure 8. Ink rubbing of the north face of the Chicken Beak Rock, showing Inscription E interspersed with Inscription D1. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 456, fig. 193.
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Image
Published: 01 October 2017
Figure 6. Rubbing of the Guokeda M4 mirror illustrated in Figure 5 . From Changsha Shi Bowuguan, Chufeng Hanyun , 3, fig. 1.
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