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revolution

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Journal Article
Archives of Asian Art (2005) 55 (1): 39–52.
Published: 01 April 2005
...Jerome Silbergeld Copyright © Asia Society 2005 The Evolution of a "Revolution": Unsettled Reflections On the Chinese Art-Historical Mission JEROME SILBERGELD PRINCETON UNIVERSITY Generational change, and with it generational conflict, are (long-standing in China, recently...
Journal Article
Archives of Asian Art (2007) 57 (1): 1–21.
Published: 01 April 2007
...Alfreda Murck Copyright © Asia Society 2006 Golden Mangoes—The Life Cycle of a Cultural Revolution Symbol alfreda murck Research Fellow, Palace Museum, Beijing...
Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
... of revolution, as they from the Cultural Ministry, which launched nationwide were linked to feudal and bourgeois art, respectively.10 competitions that took place in 1950 and 1952.5 As Although the Communist authorities did not provide a Ellen Johnston Laing describes, ‘‘In art, for several years definite...
Journal Article
Archives of Asian Art (2014) 64 (2): 1–2.
Published: 01 October 2014
..., “The Evolution of a ‘Revolution’: Unsettled Re- are his; the original poems written at the conclusion of flections on the Chinese Art-­Historical Mission,” 39–52. each painting emulate him. The first colophon—by one 4. Cf. Susan Bush, “Mi Youren’s and Sima Huai’s Cizhong, a descendant of the Sima clan...
Journal Article
Archives of Asian Art (2003) 53 (1): 105–107.
Published: 01 April 2003
..., 1974. replace the registers destroyed in the Cultural Revolution. The TL. Yuan Bibliography of Western Writings on Chinese Art I had recently written a memoir of my maternal grandfa- and Archeaology. Ed. Harrie A. Vanderstappen. London: ther as a book collector, which, with typical generosity...
Journal Article
Archives of Asian Art (2005) 55 (1): 35–37.
Published: 01 April 2005
... is a way of writing painted a few decades earlier, then indeed, a revolution and thinking that is nearly universal in the discipline of art seems to have taken place. But if the comparison were history: a sense of anticipation, of waiting for the deferred between a MaYuan and a Sun Junze, or between...
Journal Article
Archives of Asian Art (2017) 67 (2): 143–187.
Published: 01 October 2017
... at the south end of the monastery building survived and are now shown once a year during the Losar (Tibetan New Year's) Festival. If the originals did survive, they must have been hidden during the Cultural Revolution's decade of depredations, as was the case at numerous other sites. The only numerically...
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 237–242.
Published: 01 October 2015
..., “The Evolution of a ‘Revolution’: Unsettled Re- are his; the original poems written at the conclusion of flections on the Chinese Art-­Historical Mission,” 39–52. each painting emulate him. The first colophon—by one 4. Cf. Susan Bush, “Mi Youren’s and Sima Huai’s Cizhong, a descendant of the Sima clan...
Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
... published a manifesto brazenly proclaiming that its members sought to modernize the Republican art world through provocation and revolution, self-consciously and conspicuously operated at the forefront of artistic innovation. 55 In its efforts to stimulate change, the Storm Society introduced a riotous...
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Journal Article
Archives of Asian Art (2013) 63 (1): 87–102.
Published: 01 April 2013
...-dynasty lacquer, and Tang-dynasty jewelry in its employees kept the place running until the 1960s, when inventory.30 These dealers aspired to belong to the the Cultural Revolution forced Daxin to close.44 same league as Chinese dealers who worked exclusively By 1936, Shanghai became the entrepoˆ t...
Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... quan ji 沈从文全集 [ Complete works of Shen Congwen ]. Taiyuan : Beiyue wenyi chubanshe , 2002 . Shen, Kuiyi . “ Entering a New Era: Transformation and Innovation in Chinese Painting, 1895–1930 .” In Between the Thunder and the Rain: Chinese Painting from the Opium War to the Cultural Revolution...
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Journal Article
Archives of Asian Art (2013) 63 (2): 189–207.
Published: 01 October 2013
... . . . carry[ing] guns in the in Taxco, Kitagawa identified a ‘‘quality of primitive revolution and defend[ing] the workers36 To be sure, people’’ in this community, which he felt made it an Kitagawa’s Indian Sister and Brother is no match for ideal setting to work with children: ‘‘Generally...
Journal Article
Archives of Asian Art (2018) 68 (1): 1–32.
Published: 01 April 2018
... that critics and art historians in Europe and America credited as having revolutionized North Atlantic modern art was the very same artistic practice that defined the Anthology , the work he saw as “ultimately vital, ultimately beautiful,” and, above all, ultimately Japanese. The paramount “Japaneseness...
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Journal Article
Archives of Asian Art (2017) 67 (2): 189–208.
Published: 01 October 2017
... in the imagination. The pen is without an alif , and the alif- less is pen-less. The alif is without dots, and without pen. The axis of the world is like the point of a circle, Its revolution is when it is in motion. dar alif nuqtah-ī ast binuhftah avval va ākhar alif nuqtah nuqtah-ī...
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Journal Article
Archives of Asian Art (2021) 71 (2): 219–241.
Published: 01 October 2021
... in the first place? An astronomical revolution that swept across northwestern India was likely one factor. In the second quarter of the eighteenth century, Sawai Jai Singh II of Amber built five sprawling observatories at Jaipur, Delhi, Mathura, Varanasi, and Ujjain ( Figure 12 ). Masonry and stone instruments...
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Journal Article
Archives of Asian Art (2006) 56 (1): 1–10.
Published: 01 April 2006
... of about one hundred thankas was purportedly recov- prototype. For example, in Figure i the Taklung founder, ered from a nearby stupa sometime after its destruction Tashipel, is shown full face and with an unusual register during the Chinese Cultural Revolution in the 196os or below him showing scenes...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 1–24.
Published: 01 October 2015
... oeu­vre, trav­els, mem­o­ries, friend­ships, and col­ embroiled in the Cultural Revolution that was de­ter­ lab­o­ra­tions with some of his closest­ art­ist friends. mined to de­stroy the old world, the Nationalist Taiwan Faithful to the “Long Style,” Hushan lansheng again gov­ern­ment launched...
Journal Article
Archives of Asian Art (2018) 68 (2): 191–214.
Published: 01 October 2018
... records, the second printing was issued in April 1924 and the third in 1928. 56. “Guoshi bianzuanchu kaihui.” 57. “Tushuguan suocang” ; and “(Zhongguo meishu).” 58. For research on Guocui xuebao , see essays in Furth, Limits of Change , 57–89, 90–112 ; and Hon, Revolution...
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Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
...: For forty years I have devoted myself to the cause of national revolution, the aim of which is winning freedom and equality for China. The accumulated...
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... bronze and stone artifacts and grouped into four albums of twenty-five sheets apiece, totaling one hundred watercolors and gouaches on paper, approximately a third of which were destroyed during the Cultural Revolution. Isolated as small, rectilinear forms centered on a larger sheet of paper, ornamental...
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