Skip Nav Destination
Search Results for remote sensing
1-20 of 27 Search Results for
Archives of Asian Art (2016) 66 (1): 1–23.
Published: 01 April 2016
... structure under Begumpur that was either a part of the Nalanda complex or a separate entity. Copyright © Asia Society 2016 Nalanda Mahavihara Buddhist monastery India Xuanzang remote sensing GIS DEM Odantapuri The Expanse of Archaeological Remains at Nalanda...
Archives of Asian Art (2005) 55 (1): 35–37.
Published: 01 April 2005
... of the nineteenth century? From the Yuan Cahill asks us to consider why, despite the efforts of many through the Qing, Cahill states, painting "does not have scholars, even the most eminent historians of Western art a history, in the sense of presenting a succession of works fail to understand Chinese...
Archives of Asian Art (2013) 63 (2): 189–207.
Published: 01 October 2013
... on canvas, 99.5 Â 89.5 cm. Nagoya City Art Museum. Mexican people in daily life, including the intense con- and feel through all their senses, rather than just what templation of Mexican bodies that informed pictures they see.22 Thus...
Archives of Asian Art (2013) 63 (1): 103–129.
Published: 01 April 2013
... to work through the of an unseen other. The sense of control is partly under- ‘‘tragedy’’ by way of metaphor, a line of thinking that mined, however, by the size of the crescent itself, which recalls the pessimism in Friedrich Nietzsche’s celebrated seems even larger because of its suspension from...
Archives of Asian Art (2001) 52 (1): 11–43.
Published: 01 April 2001
... official post to live ducive to, a heightened sense of one's finite life span in the obscurely on a small private farm, is the classic body of writ- broader scheme of things.This is altogether apparent in Tao's ing on life in retirement.' In his famous prose-poem poetry, where the themes of "returning...
Archives of Asian Art (2006) 56 (1): 61–80.
Published: 01 April 2006
..., and the significance of what condition is due in large part to Lingquansi's remote Empress Wu was attempting could not have been lost location outside Anyang in Henan Province.25 The text of upon the Buddhist conununity as a whole. It was the the Dazhusheng carving clearly designates the individu- Northern...
Archives of Asian Art (2009) 59 (1): 7–31.
Published: 01 April 2009
... to be within Delhi’s administrative state during this period used to mobilize communal sentiments fueled by the was vast, and many remote sites remain undocumented colonialist idea of the Oriental despot.1 In recent years and virtually unknown even among specialists in the scholars have begun actively...
Archives of Asian Art (2003) 53 (1): 54–70.
Published: 01 April 2003
... most of her early campaigns had found her at huqqa17 snake. Effective shading lends three-dimensionali- the head of her battalions, she seemed to have strictly ty to the face and body, and a sense of the volume and adhered to Muslim custom, never appearing unveiled out- drape of the shawl...
Archives of Asian Art (2011) 61 (1): 37–60.
Published: 01 April 2011
... called it his ‘‘self-portrait In the short essay MAKI KANEKO Mukai Junkichi’s Transformation 43 real sense of war, let alone for propaganda.20 Not only...
Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
... missed in life. 49 To realize their wishes to “live” posthumously in reclusion, the privileged yearned to be buried in remote, mountain-rich landscapes, and turned natural hills and mountains into their cemeteries. The Northern Wei imperial mausoleums were established on Mt. Mang 邙山, north...
FIGURES | View All (27)
Archives of Asian Art (2019) 69 (1): 55–72.
Published: 01 April 2019
... of relational aesthetics, in the sense that the works of art function as a platform through which the individuals are engaged collectively with particular experiences and social circumstances so as to create a communal unity. This conceptualization of relational aesthetics becomes theoretically impoverished...
FIGURES | View All (4)
Archives of Asian Art (2006) 56 (1): 81–104.
Published: 01 April 2006
... animals. Their and the Kangso jungmyo(aM=14 , Middle Tomb of liveliness lends a sense of space to the wall surfaces, creat- KangsO), of the following half century, exemplify native ing the aura of a remote heavenly world. Chinese artifacts...
Archives of Asian Art (2016) 66 (2): 213–238.
Published: 01 October 2016
... alluring qualities of ancient Japan as well as for its impressive sense of modernity. Copyright © Asia Society 2016 American patronage Azechi Umetarō Daoism Maekawa Senpan James A. Michener Munakata Shikō Occupation Onchi Kōshirō rustic woody aesthetic Saitō Kiyoshi shibui Sōsaku Hanga...
Archives of Asian Art (2018) 68 (1): 87–109.
Published: 01 April 2018
... that ultimately integrates the assembly more fully into the chronotope of liturgy. Given such poems and practices, it seems entirely possible that the sense of identification which, to a modern viewer, seems to be so clearly solicited by the kneeling bodhisattva in Baodingshan's Cave of Perfect Enlightenment...
FIGURES | View All (11)
Archives of Asian Art (2019) 69 (1): 1–19.
Published: 01 April 2019
... by the negligence or maliciousness of these ophidian deities. Thus the component actions of the rituals are designed primarily to convince the nāga s to help, and use a variety of techniques to do so. Typically, there is an appeal to the nāga s' sense of Buddhist morality and compassion by asking them to take...
FIGURES | View All (30)
Archives of Asian Art (2006) 56 (1): 11–30.
Published: 01 April 2006
.... A better-preserved example, ceiling. But at the rear, the top of the pillar extends hor- such as Southern Xiangtangshan Cave 7 (Fig. 3), provides izontally to join the top of the back wall of the cave; the a general sense of what the facade may have looked like underside of this horizontal extension...
Archives of Asian Art (2012) 62 (1): 7–24.
Published: 01 April 2012
... conveys a sense of im- tion of a political signiﬁcance seems warranted.9 pending rain, and that the painting was meant to praise The eight landscapes in the Zheng Jun group divide Wen Yanbo as a benevolent ofﬁcial who nourished naturally into two subgroups. One consists of sketchily people as did...
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
... of his court painters by promoting both the specialized and orchestrated craftsmanship of his painters. Moreover, this Manchu emperor had Huizong in mind when he mocked the Chinese ruler in the poem on the Qingming painting of 1737, implying a sense of dynastic competition, particularly localized...
FIGURES | View All (25)
Archives of Asian Art (2004) 54 (1): 63–93.
Published: 01 April 2004
... of the mature Kerala style. Full propor- 74 tions and very fleshy modelling impart a sense of robust strength, in strong contrast to the long-legged, slender, and elegant aspect of Cola-era bronzes. The expressions of the Cola works are reserved and remote, whereas the eyes of these and other...
Archives of Asian Art (2017) 67 (2): 143–187.
Published: 01 October 2017
... in a miniature scale on clouds float along the upper edge of the shared space with the same sense of relative remoteness for both the deities and the beholder (see, for example, Figure 14 ). Figure 34. Gnarled pine tree behind leafy bamboo in Chinese painting style (detail of Figure 18 , upper center...
FIGURES | View All (54)