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in Art | Adrift: Curating Selves aboard Ming-Dynasty Painting-and-Calligraphy Boats
> Archives of Asian Art
Published: 01 October 2019
Figures 9a and b. Xiang Shengmo (Chinese, ca. 1597–1658), Beckoning Reclusion (details), 1625–26. Handscroll; ink on paper, 29.5 × 1605.9 cm. Los Angeles County Museum of Art. Photograph: © Museum Associates/ LACMA.
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in The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
> Archives of Asian Art
Published: 01 April 2020
Figure 11. Chen Shu, Winter Vegetables for the Recluse's Kitchen ( Shanchu zhixu 山廚旨蓄), dated 1673. Details (frontispiece; section of the painting) of a handscroll; ink and colors on paper (?), dimensions not known. Jilin Provincial Museum.
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Journal Article
Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
... the deceased as a neighbor of the ancient filial paragons who dwell in an ideal landscape as recluses. In addition to the visual analysis of the sarcophagus, this article also examines the epitaph buried along with the sarcophagus. While the carving praises the private virtue of the dead, the text paints...
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Journal Article
Archives of Asian Art (2001) 52 (1): 44–62.
Published: 01 April 2001
...
a tension while unmistakably praising reclusion (within lim- should be interpreted with reference to its predecessor; and
its), Hu Shunchen's painting can be read as an educated both works should be seen against a larger dialogue in late
Academy artist's measured rebuttal of Li Gonglin's work. Northern...
Journal Article
Archives of Asian Art (2020) 70 (2): 119–149.
Published: 01 October 2020
... trope ubiquitous in plum painting and literature—namely, what Bickford calls the “flowering-plum recluse,” a figure that emerged as a “visual vessel for the scholar's idealized self-image” during the Song dynasty. 70 In contrast to the plum-blossom beauty, who was united with fragile flowers...
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Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
... in the literati discourse, the protean image of the male hermit allowed male writers to profess allegiance to the untrammeled virtues of the recluse even while participating in the sociopolitical world. 68 The image had its roots in Daoist beliefs that celebrate solitary rusticity in which the hermit rejected...
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Journal Article
Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
...Figures 9a and b. Xiang Shengmo (Chinese, ca. 1597–1658), Beckoning Reclusion (details), 1625–26. Handscroll; ink on paper, 29.5 × 1605.9 cm. Los Angeles County Museum of Art. Photograph: © Museum Associates/ LACMA. ...
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Journal Article
Archives of Asian Art (2001) 52 (1): 11–43.
Published: 01 April 2001
... as well: it was closely linked to the
templation of nature. idea of withdrawal from mortal life. The choice of living in
The poetry of Tao Yuanming (Tao Qian, 365-427), a seclusion was often motivated by, and almost inevitably con-
reclusive gentleman who quit his...
Journal Article
Archives of Asian Art (2014) 64 (2): 97–118.
Published: 01 October 2014
... at court sound of this stream could be heard from a path in the
and exile or reclusion, were done before his appoint- hills before one saw the sight, as he wrote in the preface
ment at court.8 A painting like this is obviously a literary to his poem on the pavilion. So the sequence ends on a
work, its...
Journal Article
Archives of Asian Art (2004) 54 (1): 23–33.
Published: 01 April 2004
... Jiguang was Since the Longqing era, defense in the northwest became
a renowned general ofJimen. At that time,WangTaihan (Daokun) relaxed; except for the "recluses," all doctors and fortunetellers,
and Wang Hezhou (Shizhen)36 praised him as a literary talent. astrologers and physiognomists [low...
Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
... Orientalis 37 ( 2009 ): 213 – 17 . Hay, Jonathan . “ Posttraumatic Art: Painting by Remnant Subjects of the Ming .” In The Artful Recluse: Painting, Poetry, and Politics in Seventeenth-Century China , edited by Peter Charles Sturman and Susan Tai , 77 – 93 . Santa Barbara, CA : Santa...
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Journal Article
Archives of Asian Art (2024) 74 (1): 1–36.
Published: 01 April 2024
... )—are integrated into the natural environment rather discreetly. Qian depicted lodgings of recluses in unobtrusive colors, often set in quiet places, and screened off by mountains from the outside and enclosed by high fences; in other words, they are not intended to be easily found by outsiders. The cottages...
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Journal Article
Archives of Asian Art (2014) 64 (2): 1–2.
Published: 01 October 2014
... in the previous generation in at least single handscroll, his Two Landscapes Inspired by the
one important way: neither author presumes to draw Poetry of Du Fu, is a metaphor for reclusion; they reflect
absolute conclusions. Rather, both offer more tentative the artist’s response to the recent fall...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 237–242.
Published: 01 October 2015
... in the previous generation in at least single handscroll, his Two Landscapes Inspired by the
one important way: neither author presumes to draw Poetry of Du Fu, is a metaphor for reclusion; they reflect
absolute conclusions. Rather, both offer more tentative the artist’s response to the recent fall...
Journal Article
Archives of Asian Art (2012) 62 (1): 7–24.
Published: 01 April 2012
... work and stylistic lineage that have preoccupied us. The
JAMES CAHILL Xieyi in the Zhe School? 15
subject category they represent might be termed: The attention on certain art-historical phenomena and ques-
Scholar-Recluse Living...
Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
..., materials, and subject that constitute the screen
ship18 in which Qianlong wholeheartedly participated, paintings. These ink landscapes conclusively present Qian-
as well as the suggestion of lofty reclusion from political long as an educated man of taste and literary ability,
and worldly duties...
Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
...Figure 11. Chen Shu, Winter Vegetables for the Recluse's Kitchen ( Shanchu zhixu 山廚旨蓄), dated 1673. Details (frontispiece; section of the painting) of a handscroll; ink and colors on paper (?), dimensions not known. Jilin Provincial Museum. ...
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Journal Article
Archives of Asian Art (2023) 73 (2): 201–232.
Published: 01 October 2023
... reclusive mountain dwelling is drawn from an eighteen-leaf (or zhen ) album of ink landscapes with variations of tones and compositions. 47 His familiarity with both formats facilitated the fusion of the two. Nevertheless, akin to others who wrote about painting, Gong Xian dampened the subject, which...
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Journal Article
Archives of Asian Art (2016) 66 (2): 239–269.
Published: 01 October 2016
... is a more modern con- ings, as in earlier periods, landscapes of the Song era
cept.25 Then there is the water separating the mill and became associated with ideals of reclusion, social and
the foreground, in which two boats—one approaching political values, and principles of the universe or nature.27...
Journal Article
Archives of Asian Art (2023) 73 (1): 25–54.
Published: 01 April 2023
..., the general who aided Sue Hiromori in his military campaign against Ōuchi Noriyuki in 1470 and 1471. After that time, Kanetaka lived in retirement in Masuda, Iwami Province, where, by all accounts, he did not venture far from his home territory. Kanetaka's reclusive lifestyle in his retirement years has led...
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