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Figure 14. (Bottom right) Avalokiteśvara-Amoghapāśa, Eastern Tibet, 1960. Woodblock print. Rubin Museum of Art (C2001.4.83, Gift of William Hinman). Himalayan Art Resources image no. 87583.

Avalokiteśvara-Amoghapāśa, Eastern Tibet, 1960. Woodblock print. Rubin Muse...

in When Walls Could Talk: The Powers of Tibetan Paintings in a Buddhist Library > Archives of Asian Art
Published: 01 October 2021
Figure 14. Avalokiteśvara-Amoghapāśa, Eastern Tibet, 1960. Woodblock print. Rubin Museum of Art (C2001.4.83, Gift of William Hinman). Himalayan Art Resources image no. 87583. More
Image
Figure 23. John Thomson, Scene in Nanking Arsenal, 1872. Collotype print from collodion-on-glass negative. From Thomson, Illustrations of China and Its People, 3: pl. X. Getty Research Institute / Hathitrust. Public domain.

John Thomson, Scene in Nanking Arsenal , 1872. Collotype print from collod...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 23. John Thomson, Scene in Nanking Arsenal , 1872. Collotype print from collodion-on-glass negative. From Thomson, Illustrations of China and Its People , 3: pl. X. Getty Research Institute / Hathitrust. Public domain. More
Image
Figure 24. John Thomson, Nanking, 1972. Collotype print from collodion-on-glass negative. From Thomson, Illustrations of China and Its People, 3: pl. XI. Getty Research Institute / Hathitrust. Public domain.

John Thomson, Nanking , 1972. Collotype print from collodion-on-glass nega...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 24. John Thomson, Nanking , 1972. Collotype print from collodion-on-glass negative. From Thomson, Illustrations of China and Its People , 3: pl. XI. Getty Research Institute / Hathitrust. Public domain. More
Image
Figure 33. Powkee Photographer Nanking, Xiaguan, 1888. Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Powkee Photographer Nanking, Xiaguan , 1888. Albumen print, approx. 20.32 ...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 33. Powkee Photographer Nanking, Xiaguan , 1888. Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Figure 37. Unidentified photographer, Arsenal (Jiqiju). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Unidentified photographer, Arsenal ( Jiqiju ). Albumen print, approx. 20....

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 37. Unidentified photographer, Arsenal ( Jiqiju ). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Figure 38. Powkee Photographer Nanking, Chaotiangong, 1888. Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Powkee Photographer Nanking, Chaotiangong , 1888. Albumen print, approx. 2...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 38. Powkee Photographer Nanking, Chaotiangong , 1888. Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Figure 44. Unidentified studio, Imperial Mausoleum (Huangling). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Unidentified studio, Imperial Mausoleum ( Huangling ). Albumen print, app...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 44. Unidentified studio, Imperial Mausoleum ( Huangling ). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Figure 54. Unidentified photographer, Swallow Rock (Yanziji). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Unidentified photographer, Swallow Rock ( Yanziji ). Albumen print, appro...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 54. Unidentified photographer, Swallow Rock ( Yanziji ). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Figure 56. Powkee Hankow, Yellow Crane Tower, before 1884. Albumen print, 21.9 × 28.4 cm. National Galleries of Scotland. Gift of Mrs. Riddell in memory of Peter Fletcher Riddell, 1985.

Powkee Hankow, Yellow Crane Tower , before 1884. Albumen print, 21.9 × 28....

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 56. Powkee Hankow, Yellow Crane Tower , before 1884. Albumen print, 21.9 × 28.4 cm. National Galleries of Scotland. Gift of Mrs. Riddell in memory of Peter Fletcher Riddell, 1985. More
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Figure 58. Powkee Photographer Nanking, Xiaguan, 1888. Detail of albumen print. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Powkee Photographer Nanking, Xiaguan , 1888. Detail of albumen print. Robe...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 58. Powkee Photographer Nanking, Xiaguan , 1888. Detail of albumen print. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Figure 59. Powkee Photographer Nanking, Chaoyang Gate, 1889. Detail of albumen print. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Powkee Photographer Nanking, Chaoyang Gate , 1889. Detail of albumen print...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 59. Powkee Photographer Nanking, Chaoyang Gate , 1889. Detail of albumen print. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
Journal Article

The Ligneous Aesthetic of the Postwar Sōsaku Hanga Movement and American Perspectives on the Modern Japanese Culture of Wood

Bert Winther-Tamaki
Archives of Asian Art (2016) 66 (2): 213–238.
DOI: https://doi.org/10.1353/aaa.2016.0017
Published: 01 October 2016
...Bert Winther-Tamaki Abstract The Japanese movement of printmaking known as Sōsaku Hanga (“Creative Prints”) received a tremendous boost after World War II from the patronage of collectors associated with the US military. One appeal of Sōsaku prints by Munakata Shikō, Saitō Kiyoshi, Azechi Umetarō...
View articletitled, The Ligneous Aesthetic of the Postwar Sōsaku Hanga Movement and American Perspectives on the Modern Japanese Culture of Wood View PDF for article titled, The Ligneous Aesthetic of the Postwar Sōsaku Hanga Movement and American Perspectives on the Modern Japanese Culture of Wood
Journal Article

Opening Up: Photography and the City in Nineteenth-Century China

Catherine Stuer
Archives of Asian Art (2023) 73 (2): 145–199.
DOI: https://doi.org/10.1215/00666637-10927904
Published: 01 October 2023
...Figure 23. John Thomson, Scene in Nanking Arsenal , 1872. Collotype print from collodion-on-glass negative. From Thomson, Illustrations of China and Its People , 3: pl. X. Getty Research Institute / Hathitrust. Public domain. ...
FIGURES | View All (59)
View articletitled, Opening Up: Photography and the City in Nineteenth-Century China View PDF for article titled, Opening Up: Photography and the City in Nineteenth-Century China
Journal Article

The Literary and Legendary Lives of the Onoe Bell: A Korean Celebrity in Japan

Sherry D. Fowler
Archives of Asian Art (2021) 71 (1): 37–61.
DOI: https://doi.org/10.1215/00666637-8866671
Published: 01 April 2021
... the popular subject of legends, travel-diary accounts, gazetteer entries, popular woodblock prints, and souvenirs made in a variety of materials. The bell's legendary life story accorded it the ability to solve human problems and use its voice to demand where it should be located, which fueled people's desire...
FIGURES | View All (18)
View articletitled, The Literary and Legendary Lives of the Onoe Bell: A Korean Celebrity in Japan View PDF for article titled, The Literary and Legendary Lives of the Onoe Bell: A Korean Celebrity in Japan
Image
Figure 4. Samuel Bourne (British, 1834–1912), The Happy Valley, ca. 1864–66. Photographic print, 23.5 × 28.9 cm. Samuel Bourne Photographs Collection, David M. Rubenstein Rare Book & Manuscript Library, Duke University, Box 12, Print RL-00130-P-1328.

Samuel Bourne (British, 1834–1912), The Happy Valley , ca. 1864–66. Photog...

in Babur, Akbar, and the Transformation of Gwalior's Rock-Hewn Tirthankaras > Archives of Asian Art
Published: 01 October 2023
Figure 4. Samuel Bourne (British, 1834–1912), The Happy Valley , ca. 1864–66. Photographic print, 23.5 × 28.9 cm. Samuel Bourne Photographs Collection, David M. Rubenstein Rare Book & Manuscript Library, Duke University, Box 12, Print RL-00130-P-1328. More
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Figure 23. Utagawa Hiroshige (Japanese, 1797–1858), Collage Trompe-l'oeil of Fan and Prints, early to mid-nineteenth century. Woodblock print, ink and color on paper, 37 × 25  cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Bequest of Charles H. W. Verbeck, S2010.18.157. Photograph: © Arthur M. Sackler Gallery.

Utagawa Hiroshige (Japanese, 1797–1858), Collage Trompe-l'oeil of Fan and ...

in In Defiance of CollageAssembling Modernity, ca. 1112 ce > Archives of Asian Art
Published: 01 April 2018
Figure 23. Utagawa Hiroshige (Japanese, 1797–1858), Collage Trompe-l'oeil of Fan and Prints , early to mid-nineteenth century. Woodblock print, ink and color on paper, 37 × 25  cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Bequest of Charles H More
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Figure 13. Bourne and Shepherd, Rock-cut Sculptures of Jain Tirthankaras, Gwalior, 1883. Photographic print. © British Library Board, 10031444.

Bourne and Shepherd, Rock-cut Sculptures of Jain Tirthankaras, Gwalior , 1...

in Babur, Akbar, and the Transformation of Gwalior's Rock-Hewn Tirthankaras > Archives of Asian Art
Published: 01 October 2023
Figure 13. Bourne and Shepherd, Rock-cut Sculptures of Jain Tirthankaras, Gwalior , 1883. Photographic print. © British Library Board, 10031444. More
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Figure 50. Unidentified photographer, Purple-Gold Mountain (Zijinshan). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Unidentified photographer, Purple-Gold Mountain (Zijinshan). Albumen prin...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 50. Unidentified photographer, Purple-Gold Mountain (Zijinshan). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Figure 31. Powkee Photographer Nanking, Meridian Gate (Wuchaomen), 1888. Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Powkee Photographer Nanking, Meridian Gate ( Wuchaomen ), 1888. Albumen p...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 31. Powkee Photographer Nanking, Meridian Gate ( Wuchaomen ), 1888. Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Figure 34. Powkee Photographer Nanking, Pingshi Street (Pingshijie), 1889. Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn.

Powkee Photographer Nanking, Pingshi Street ( Pingshijie ), 1889. Albumen...

in Opening Up: Photography and the City in Nineteenth-Century China > Archives of Asian Art
Published: 01 October 2023
Figure 34. Powkee Photographer Nanking, Pingshi Street ( Pingshijie ), 1889. Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More