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Journal Article
Archives of Asian Art (2017) 67 (1): 25–59.
Published: 01 April 2017
...Molly Emma Aitken Abstract Nineteenth-century court painters in India's princely states reconfigured traditional portraiture to address British, Indian courtly and local values and conventions. At Bikaner, a father and son, Rahim and Chotu, experimented with a number of different styles...
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Journal Article
Archives of Asian Art (2021) 71 (2): 219–241.
Published: 01 October 2021
..., Kavita . “ Fixed Images in a Changing World: Phad Paintings of Rajasthan .” In Kingdom of the Sun: Indian Court and Village Art from the Princely State of Mewar , edited by Joanna Williams , 67 – 87 . San Francisco : Asian Art Museum , 2007 . Smith John D. , trans. The Epic of Pabuji...
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Journal Article
Archives of Asian Art (2011) 61 (1): 91–106.
Published: 01 April 2011
... and most ornate, and have the most extensive ritual and central Indian Hindu princely states continue to memorial programs of all the Indian chatrı¯s. memorialize their ancestors through chatrı¯s today. When The 19th-century Scindia maha¯ ra¯ ja¯ s of Gwalior the various Mara¯tha¯ dynasties rose...
Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
...-Atkins Museum of Art (Fig. 2). Kim Hongnam, who has analyzed Hwagi in relation to Sin Sukju’s Comments on Chinese Painters Chinese calligraphy, states that either of these scrolls Represented in Prince Anpyeong’s Collection could have...
Journal Article
Archives of Asian Art (2008) 58 (1): 113–133.
Published: 01 April 2008
... of 1592 up to plan and carry out special state rites. Euigwe were all but destroyed. Fortunately, over 3,000 volumes were compiled after the completion of events such as representing about thirty categories of euigwe remain royal weddings, the painting and copying of royal por- from the later period...
Journal Article
Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
...Jie Shi Abstract Dated to 524 ce , the lavishly carved stone sarcophagus of the Northern Wei Prince Yuan Mi exemplifies an early Chinese method using a diagonal gaze as a visual device to construct a three-dimensional space. On the exterior faces of the sarcophagus, the anonymous artist simulated...
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Journal Article
Archives of Asian Art (2014) 64 (2): 119–163.
Published: 01 October 2014
... they form a conceptual unit in book, stating that the inclusion of the Vimalakı¯rti and their side-by-side placement that is further accentuated Maitreya tableaux indicates the devotees’ longing not by the corridor that surrounds them.78 However, since just for the Buddha, but also for the prince.73 Fur...
Journal Article
Archives of Asian Art (2018) 68 (1): 67–86.
Published: 01 April 2018
...Li-kuei Chien Abstract Twin gate towers ( que ) were a characteristic feature of urban and palatial architecture in Chinese cities from the Warring States period onward. Although they initially served the practical military purpose of strengthening the defensive characteristics of gates in the city...
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Journal Article
Archives of Asian Art (2012) 62 (1): 90–99.
Published: 01 April 2012
... Pulitzer, founder and chair of the Pulitzer Founda- sculpture, tracing its journey through Japan to the United tion, and senior curator Francesca Herndon-Consagra States in the early twentieth century in the context of set the tone for the two days. Both actively took part in the art market...
Journal Article
Archives of Asian Art (2007) 57 (1): 23–49.
Published: 01 April 2007
... annihilated the as a practical necessity, Huan retained a descendant of Erzhu clan circa 530, but had once commented to a the Wei court on the throne, suggesting that he recog- friend, ‘‘As long as the Prince [Gao Huan] lives, I don’t nized the symbolic power of tradition, embodied by the dare differ...
Journal Article
Archives of Asian Art (2021) 71 (1): 1–36.
Published: 01 April 2021
... by Dunhuang yanjiuyuan 敦煌研究院 . Beijing : Wenwu chubanshe , 1996 . Elsner, Jas . “ Material Culture and Ritual: State of the Question .” In Architecture of the Sacred: Space, Ritual, and the Experience from Classical Greece to Byzantium , edited by Bonna D. Wescoat and Robert G. Ousterhout...
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Journal Article
Archives of Asian Art (2024) 74 (1): 1–36.
Published: 01 April 2024
... part of his poem “Liang tao sha” 浪淘沙 (Waves Dredging the Sand) he states that he does not want to lean on the balustrade alone, as that would be unbearable: 63 Alone, do not lean against the balustrade [and gaze afar], Towards the rivers and mountains [of the motherland], The time of separation...
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Journal Article
Archives of Asian Art (2013) 63 (2): 165–178.
Published: 01 October 2013
... of Bongwan the walls of the corridor in Buddhist Shrine 5 in Mı¯ra¯n.7 4051 from the NMK collection was originally part of a The photo that Ueno based her identification on shows Winged Celestial mural. More specifically, it seems to a scene of Prince Vis´vantara leading a white elephant contain the tips...
Journal Article
Archives of Asian Art (2016) 66 (1): 81–105.
Published: 01 April 2016
... the early twentieth century from the so-called library with wisdom, Man˜jus´rı¯ was one of the major bodhisattvas cave, Mogao Cave 17. Previous scholarship interro- of the Buddhist pantheon. Commonly depicted as a young gated the relationship between a particular genre of prince, his new representation...
Journal Article
Archives of Asian Art (2023) 73 (2): 79–106.
Published: 01 October 2023
..., whereas the bodily soul was that of negative ( yin 陰) energy. 79 The characters used here refer to the realm of the living and the dead, respectively. In the chapter on ritual sacrifice in Liji , it is stated: “The bodily soul is the zenith of ghost.” 80 This statement could be interpreted...
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Journal Article
Archives of Asian Art (2024) 74 (1): 79–128.
Published: 01 April 2024
... rule, with the advent of the British Raj from 1858 to 1947, to consider how diverse conventions of European and regional art and new technologies were reconciled or rejected in artistic practice both in the Princely States that formed part of the British Indian Empire 30 and within European-style...
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Journal Article
Archives of Asian Art (2021) 71 (2): 131–170.
Published: 01 October 2021
..., and the imperial prince would be united with Buddhist virtue, that the state would prosper for many years, and that Buddhism would flourish. It is clear that by this time the imperially sponsored work first expended on hollowing out Cave 11 had ceased so that groups of local devotees were able to acquire merit...
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Journal Article
Archives of Asian Art (2013) 63 (2): 179–187.
Published: 01 October 2013
.... After serving in the Yuyongjian 182 ARCHIVES OF ASIAN ART for a period of time, he received his first official title of as imperial guard for Zhu Qiyu (the future Jingtai em- Jinyizhengqianhu (Battalion Commander of peror) when Zhu Qiyu was still the Prince of Cheng in the Embroidered...
Journal Article
Archives of Asian Art (2013) 63 (1): 27–58.
Published: 01 April 2013
... worked for the Bikaner royal family in the late sixteenth the subject ‘‘Rao Bhoj Rathor’’ (Fig. 11).35 It further and early seventeenth centuries: Shah Muhammad and his states that the painting was made for Raja Rai Singh’s nephew or son Nur Muhammad.27 (The family genealogy son Prince (Kunwar) Surat...
Journal Article
Archives of Asian Art (2016) 66 (1): 51–80.
Published: 01 April 2016
... panels, the court painter Kim painter when Kim painted his portrait while he was still Hong-do was entrusted with painting the scenes of crown prince in 1773, and subsequently he entrusted the special court celebration honoring King Yeongjo in all matters concerning painting to Kim Hong-do. This 1765...